Last Woman Standing. Amy Gentry

by my apartment complex ten minutes late. Climbing aboard, I was already sweating heavily, feeling at once ridiculously conspicuous in my uniform and angry at how invisible it made me. By the time I reached Branchik’s door and typed in the key code that had been sent via the app, I was already sick of the whole thing.

      Looking around the condo, however, I felt a fresh surge of inspiration. I’d thought I was messy. Branchik’s floor was wall-to-wall dirty clothes and empty takeout containers. An overturned juice bottle labeled POWER PULP lay on the gray sofa next to a greenish splotch. Boxer shorts lay twisted up on the carpet and draped over the elliptical machine in the corner of the living room. This was the cleaning job Branchik expected some faceless runner to perform for $16.79? An anarchic spirit of rage swelled in me as I surveyed the scene. I’d show him “fungible labor.” I crossed the squalid living room and drew the blinds with a brief glance up at Amanda’s balcony—she was on lookout duty—before peeling off the apron and kicking it viciously into a corner. Then I took off all my clothes, pulled the blond wig out of my apron pocket, and slipped it over my hairnet. It was time for my close-up. Naked except for the wig, I put my phone’s camera in selfie mode and started clicking.

      The wig was Ruby’s. I’d told her I wanted to borrow it for my act. She had a closetful of them, and this one was a relic of a long-ago attempt at Betty Grable—a miserably failed attempt, since its platinum locks drooped and wouldn’t hold a curl, but it was perfect for my purposes. The goal wasn’t to look natural—nothing about the radioactive blond against my olive skin looked natural—but simply to hide my face from shots that might inadvertently reveal it.

      The trashiness was a bonus. The minute I had it on, it transformed my nakedness into a costume far more lurid than fetish lingerie or stripper heels. Like most female comics who weren’t a size 6, I had an arsenal of defensive jokes about my body for the mic, but as I warmed up to the selfie shots, I gained a new appreciation for how well my body photographed. The girl I saw in the pictures was sexy—slutty!—her generous curves pillowing out into pornographic landscapes, wisps of the plasticky blond wig contrasting against brown nipples. It was exhilarating.

      So exhilarating that I almost lost track of what I was doing. I needed incriminating shots. The décor in Branchik’s company-owned apartment was generic, and even the mess was largely an anonymous mess, the kind someone might leave in a hotel room. Hoping to capture a few recognizable pairs of boxer shorts in the background, I rolled around in the nests of dirty laundry—another act that would have seemed unthinkably disgusting to me when I had clothes on but that bare-ass Betty seemed to relish—but it wasn’t quite enough. I needed a backdrop that was unmistakably identifiable as Branchik’s apartment. I got up, dusted the crumbs of some bachelor meal off my back, and picked my way into the bedroom.

      Bingo.

      On the bed, by the nightstand, stood a framed wedding picture. It was shot at sunset on a sparkling beach under a hazy Instagram filter, the bride’s slender gown of tiered lace in the rich hippie style accessorized with a flower-crown veil; she had the whitest teeth I’d ever seen. Laughing vividly, as if caught in a candid shot, Branchik’s new wife nonetheless looked a touch rigid, a gleam of manic anxiety in her eye. Knowing what I did about her husband, I might ordinarily have been at least a little moved by her plight, but wearing the garish Betty wig, I thought it was hilarious. In any case, it was the perfect background detail. I plopped myself on the bed and began clicking selfies at virtuosic angles, photographing my mountainous breasts in extreme close-up and then twisting around to capture my ass half entangled in sheets. I contorted myself for crotch shots, experimenting with more and more explicit angles, always careful to keep the photo of Mrs. Branchik’s desperately grinning face in the background.

      I was so absorbed in this task that when the first text came, it took me a moment or two to look away from my own image and read it.

       DB’s car in garage, get out

      I jumped off the bed in a panic, but the texts kept coming:

       He’s walking into lobby get out NOW

       He’s in the elevator OUTOUTOUTOUTGETOUTOF THERE NOW

      I ran for the pile of clothes in the living room, grabbed my jeans, and started yanking them on. I’d gotten one of my legs in when I heard a tiny ding coming from the hallway outside. The elevator. I tripped trying to get the other pants leg on and had to finish lying on my back on the floor, legs in the air. Footsteps creaked outside the door as I frantically threw my T-shirt on, braless, and jostled the apron full of bottles up my arms onto my torso. There was a metallic key-chain jingle followed by the swipe-and-click of a keycard as I jerked the strings into a knot behind my back and stuffed my bra down between the bottles in my pocket. A moment before the door swung open, I remembered the wig on my head and yanked it off. There was no more room in my apron, so I crammed it down my shirt.

      I didn’t wait to get a good look at Branchik but instead began yelling indignantly in Spanish cribbed from my mother’s long-ago rants about my room: “¡Sucio, sucio! ¡Es muy sucio!” I stalked back and forth, flailing my arms wildly to indicate the debris on the floor, the mess of takeout containers on the table, the general state of filth. He began to protest, but I yelled over him, “¡No habla ingles!”