Ingenuity had been required, of course, both to discover the St John’s Wood address and compose a letter in English. Nobody of Hannah’s acquaintance had ever admitted familiarity with her mother tongue. Translators and draughtsmen could be found throughout the city, though; and besides, who could say what knowledge people chose to keep hidden?
‘I’ve no idea,’ she said.
‘Things are getting bad here though, aren’t they? It’s like the city has been given over entirely to soldiers. I’ve heard that there’s to be a siege, Han – a bloody siege.’
Clem’s experience of Paris had plainly unnerved him. Her brother led a sheltered life, seldom straying from long-established paths; he was singularly ill-equipped to cope with the upheaval that had come to define the city. The past few months had seen wild jubilation at the outbreak of war, the misery of subsequent defeat and then a bloodless revolution, swift and uproarious, unseating an empire in a single day. And now, almost impossibly, events were escalating yet further. The end of Napoleon III had not brought the end of the war he’d started. The Prussians were coming for Paris – set on razing her to the ground, it was rumoured, and then remaking her in their own forbidding image.
Hannah shook her head, remembering Jean-Jacques’s words. ‘These invaders do not see what Paris is,’ she said. ‘They think we’ve been cowed by the fall of the Empire and the destruction of the Imperial armies, but the opposite is true. Our city has been liberated.’
‘Our city? Quite the loyal Parisian these days, Han, ain’t you?’ Clem’s laugh was tense. ‘I mean to say, that’s all well and good, but these Prussian blighters are approaching in their hundreds of thousands. They have guns like you wouldn’t believe. I read in The Times that at the battle of Sedan they—’
Hannah wasn’t listening. She looked at the letter – at her address on the rue Garreau. ‘How did you find me? Here in the Danton, I mean?’
Clem stopped; he grinned again, pride in his detective powers displacing his apprehension. ‘Why, from your paintings. This fine establishment features in a good few of them. I asked your landlady about it and she was kind enough to provide directions. Then I recognised that girl, the one in blue, from your portrait of her. Simple stuff, really.’
‘You went into my home? What were you thinking, Clem?’
He became defensive. ‘We were worried, Han. We thought you might be poorly, or starving, or—’
A murmur of excitement spread through the Danton, rippling out from the doors to its furthest corners. Many turned to stare; Hannah overheard a nearby labourer say ‘l’Alsatian’ to his companions. Jean-Jacques had arrived. Two inches taller than the next tallest man, black hat still on his head, he was moving slowly towards the bar, shaking hands and giving nods of acknowledgement. A squad of National Guard pulled him among them, hailing him as a brother as they poured him a glass from their wine jug.
‘I say,’ Clem remarked, craning his neck, ‘isn’t that the black-suited fellow from your paintings – the orator? Is he going to speak?’
Hannah didn’t answer. Exactly how much had her brother deduced? She tried to remember what had been left in the shed – and suddenly realised that if Clem could recognise Jean-Jacques, Elizabeth might be able to as well. A situation too awful ever to be anticipated was unfolding around her. She stepped from the doorway, hurriedly plotting the best path through the crowd whilst trying to think of an excuse that would get Jean-Jacques back outside.
‘What news, Alsatian?’ someone shouted. ‘Where are the pigs now?’
Jean-Jacques addressed the room. His voice, accented slightly by his home province, was not loud, but it blew away the bar’s chatter like a March wind. ‘The latest sightings are of Crown Prince Frederick, crossing the Seine to the south. The Orléans line has certainly been severed.’ The Danton let out a groan. ‘Do not lose heart, friends, it is but a minor loss. The Prussians will be driven back across the Rhine before a single week has passed. We will beat them.’
Those around him managed an embattled cheer, the National Guard raising their glasses to the coming victory; and between the uniformed arms was Elizabeth Pardy, poised to introduce herself to this noteworthy gentleman and ask him about her daughter. Like Clement, she seemed eerily the same – a figure from Hannah’s past transposed awkwardly onto the present. Her hair was tucked up beneath a fawn travelling hat; her expression amiable yet glassy, concealing a deeper purpose. And now Jean-Jacques was turning towards her, listening as she leaned in to speak.
The next Hannah knew she was before them, quite breathless, grasping his left hand in both of hers. There were exclamations of surprise. Elizabeth planted a kiss on Hannah’s cheek; her face was cold and heavily powdered, and the most extravagant praise, in French, was pouring from her lips. It took Hannah a moment to understand that the subject of this laudation was her paintings. She’d expected some overwhelming line, delivered with chilly calmness – a statement of disappointment and distress, perhaps, intended to floor her with shame. She hesitated, completely wrong-footed.
‘Wonderful,’ Elizabeth was saying. ‘Extraordinary, beyond anything I had hoped for. I see what you are doing, Hannah, I see it so clearly. It is close to genius. You are on the verge of something great, my girl. I predict a—’
Hannah recovered her wits. She cut her mother short. ‘You’ve made a mistake,’ she said, in English. ‘That letter is false. I don’t need your help, Elizabeth. Go back to London. Go before it’s too late.’
The alleyway smelled of pears and neat alcohol. It led downhill, away from the rue Saint-André; a stream of inky liquid was crawling through a central gutter. This was Hannah’s short-cut to the rue Garreau, skirting the place Saint-Pierre to the south. She’d covered a dozen yards before she realised that home was useless. Elizabeth knew where she lived. She’d been to the shed and seen what was inside. She could return there at any time.
Hannah stopped beneath a lamp set in a rusted wall bracket. She’d released Jean-Jacques as soon as they’d left the Danton, running off to the right and into her alley. He’d followed, keeping up easily; he was only a couple of yards behind her now. She crossed her arms and glowered at him. His instinct for people was strong; he should have seen through Elizabeth at once, yet they’d been talking quite happily when Hannah had snatched him back. It felt almost as if he’d been an accessory to her mother’s ambush – to that contemptible attempt to disarm her with flattery. He was watching her, waiting for her to speak. Their abrupt exit from the Danton hadn’t perturbed him. Jean-Jacques Allix was a man beyond alarm. Throughout the summer, as France had been shaken to the brink of collapse, Hannah had found this absolute steadiness reassuring. Right then it made her want to knock off his hat.
‘What did she say, Jean-Jacques? What was under discussion?’
He was quiet for a few more seconds. ‘Only you, Hannah,’ he said. ‘Only you.’
His voice was tender; Hannah remembered the day she’d just passed, sitting at her easel on the place de l’Europe with her brushes in her lap, longing for the moment when they would be together again. But she steeled herself. She would not be lulled.
‘I can’t believe she’s here in Montmartre. I can’t believe it.’
‘She told me that she’d come to ensure that you were safe. A mission of mercy.’
‘Elizabeth came to fetch me,’ Hannah snapped, ‘to reclaim her wayward child and return her to London.’ She covered her brow. ‘I fled my family, Jean-Jacques. I climbed from my bedroom window in the dead of night and travelled alone to Paris. There it is. That’s what I am. A runaway.’
Jean-Jacques nodded; up until now, Hannah had let him infer that she was an orphan, without any surviving relatives