I, Partridge: We Need to Talk About Alan. Alan Partridge. Читать онлайн. Newlib. NEWLIB.NET

Автор: Alan Partridge
Издательство: HarperCollins
Серия:
Жанр произведения: Биографии и Мемуары
Год издания: 0
isbn: 9780007449200
Скачать книгу

      Chapter 6

      Local/Commercial Radio

      It was a pilot scheme way, way, way, way ahead of its time (indeed, it folded within weeks). But the team! It’s my privilege to say that these were some of the most dazzling young broadcasters I’ve ever had the pleasure of working with. They were scientific in their understanding of good radio – they were radiologists.

      Check out this roll call.

      Paul Stubbs. An aficionado of US shock jocks and personality DJs, he sadly never knew what he had. He left the business shortly after Our Price and now works for Hertz car rental. Still follows the US game and is a fountain of knowledge on call-ins and quiz ideas. Invaluable.

      Phil Schofield. Phil was always the baby of the group and had a snotty-nosed quality that we bullied out of him. Now better known as the presenter of TV’s This Morning, Phil was back then a bit of a know-it-all and was brought down a peg or two by off-air pranks such as having his new shoes filled with piss. There was no smoking gun/dripping willy, so Stubbs got away with it. It was a tough time for Phil and he never talks about it. Phil, if you’re reading, why not give me a call?

      Jon Boyd. That voice! Warm, reassuring and deliciously transatlantic, Jon later turned his back on radio and has made quite the name for himself as a voiceover artist with, by his own admission, a pretty limited range. His voice can be heard in the lift of an art gallery in Bath. He tells me he takes women there and then mimes the words ‘Doors Closing’ or ‘Third Floor’ over the sound of the recording. Freaks them out. Cracking SOH.

      Brian Golding. ‘Bonkers’ Bri combined a wacky sense of humour with a genuine mental illness and went on to co-host Drive Time on Signal Radio before killing himself in 1991.

      As a team, I think we all knew then that we had something special, and that sense of worth was a shot in the arm for a young, thrusting Alan Partridge. With that shot – easily as powerful as an intravenous drug like ‘heroin’, ‘smack’ or ‘gear’ – I was driven to go out into the world of broadcasting and succeed. Nothin’ was gonna stop me!

      1984–1987. Not much happened here.

      It’s 1988 and a young, side-parted young radio reporter is pinning a pretty rude lower-division football manager down on his team’s disgraceful disciplinary record.

      ‘Six red cards in as many games,’ says the reporter. ‘Why do you continue to tolerate this culture of hooliganism?’

      The manager tries to worm his way off the hook by disputing the figures. ‘They’re yellow cards,’ he says, ‘And that’s actually a pretty good behaviour record.’

      That reporter was Alan Partridge. The manager? The name escapes me, but it must have been fairly local because I remember being pleased I’d driven there without stopping for a toilet break. I can’t remember what he looked like either or what colour his team played in, just that he had a strong regional accent and used such a hilarious mix of tenses – ‘he gets the ball and he’s gone and kicked it’ – that he sounded like a malfunctioning robot at the end of a space-fi movie.

      So what had happened to me? How had I gone from the cossetted glamour of Our Price radio to the snarling, balls-out toughness of sports reporting? Well, I’d always been a keen sports fan. It seemed to me that the world of sport – with its reliance on stats, facts, trivia and rules – provided modern man with certainty and structure. Just as a well-fitting jockstrap cups the cock and balls of a sportsman, so sport cradled me. You know where you are with sport. It’s good.

      And it’s all so logical. Watch a play by Shakespeare or go to a modern art gallery, and no one has the faintest idea what the hell is going on.

      Take Shakespeare. Not a play goes by without one character whispering something about another character that is clearly audible to that character. By virtue of the fact it has to be loud enough for the audience to hear it, it’s inconceivable that it can’t also be heard by the character in question. It’s such an established technique in Shakespeare’s canon people just think no one will notice. Well I’ve got news for you – this guy did.

      Sport, on the other hand, is straightforward. In badminton, if you win a rally, you get one point. In volleyball, if you win a rally, you get one point. In tennis, if you win a rally, you get 15 points for the first or second rallies you’ve won in that game, or 10 for the third, with an indeterminate amount assigned to the fourth rally other than the knowledge that the game is won, providing one player is two 10-point (or 15-point) segments clear of his opponent. It’s clear and simple.

      But that wasn’t what catapulted me to local radio glory. No, what catapulted me to local radio glory was the fact I’d been uninvited to a wedding at the eleventh hour (reason not given), and had a day to kill. Happily, I received a call from a friend called Barry Hethersett, who moonlit as a radio reporter on Saxon Radio in Bury St Edmunds. He’d heard I was free that day and asked me to fill in on his slot because he had to attend the funeral of one his parents. I agreed and he gave me a lift to the station, dressed in a smart suit but wearing a buttonhole flower, which I felt was in bad taste.

      Crowther read the first page with bemused interest before – in a clear indication that he was still on the sauce – bursting out laughing. Very much one of the old school. But it was a laugh that said, ‘Boy, this guy’s good.’ I’d proved I knew the subject inside out.