This book is an attempt to answer a question that has fascinated me since I was a child. I grew up in Kent and London in the late 1950s and early 1960s, when the Second World War was still a real presence. There were daily reminders of it in the weed-choked gaps between houses where German bombs had fallen and the muddy Anderson shelters that could still be found in suburban back gardens.
My first years were spent in the village of Charing. One of my earliest memories is of walking with my father, mother and sister through a ground mist of bluebells in Long Beech woods on the ridge above the village, close to the Pilgrim’s Way. Not long before the skies overhead had been a battleground. Occasionally my playmates and I found cartridge cases rusting underneath the ferns that we imagined had tumbled from the heavens during the fighting. Later I learned that a fighter pilot had crashed in flames into Long Beech after being shot down in the autumn of 1940.
We boys knew all about the Battle of Britain from small, square comic books, describing the great events of the war, that we bought eagerly as soon as they appeared in the village newsagent. They were our first history books. There, for the first time, we met heroes other than our fathers. It was the fighter pilots who hijacked our imaginations. We acted out their deeds in our games and dreamed about being them when we grew up. Their style and dash made them much more glamorous than the earthbound drudges of the infantry. Adults seemed to think so too. The Battle of Britain was mythologised before it was even over and those who took part in it were bathed in the glow of the legend.
At adolescence you shed your old heroes and get a new set. For a while it was slightly embarrassing to recall the passion that the silhouette of a Hurricane or the smudged snapshot of a young pilot once provoked. The grown-ups also seemed to have moved on. This was the Sixties. Men in uniform were now the targets of mockery.
Then, in the funny way that the recent past becomes suddenly almost as remote as the Dark Ages, the pilots slipped into history. There were plenty of books about the battles they fought and their crucial importance to the twentieth century. But they themselves grew obscure, blurred and monochrome like the photographs they took of each other, always smiling, as they hung about at dispersal, waiting to take off.
In the pages that follow I have tried to colour in the picture and to answer the question: What were the Fighter Boys really like? My researches have been helped by the generosity of many people. I am particularly grateful to Malcolm Smith of the Battle of Britain Fighter Association for pointing me to the veterans whose reminiscences enrich this story and answering many queries with his celebrated kindness, good humour and patience. The survivors are men of their time. Everyone I approached was unfailingly courteous, helpful and hospitable. Meetings were invariably a pleasure. The Fighter Boys retain their joie de vivre. The contribution of individuals is made clear in the text, and to each of them I give my thanks. Without them the book could not have been written. I would like to make special acknowledgment to Group Captain Billy Drake, Air Commodore Peter Brothers and Air Chief Marshal Sir Christopher Foxley-Norris for the repeated calls I made on them. Group Captain John Cunningham, Hugh Heron, Squadron Leader Jocelyn Millard, Group Captain Anthony O’Neill, Wing Commander Harbourne Stephen and Flight Lieutenant William Walker were also generous with their time.
I was fortunate to be given access to several unpublished texts. Among them was Tim Vigors’s splendid autobiography, which has yet to appear in print, a situation which I hope will soon be rectified. I am also grateful to the Beaumont family for allowing me to see S. G. Beaumont’s Reminiscences, to the Fenwick family for sending me Charles Fenwick’s account of a young pilot’s life, Dear Mother, and to Michael Butterworth for enabling me to see Group Captain Frank Carey’s personal history. Squadron Leader Dennis Armitage supplemented his talk with me with his written account of the summer of 1940. Edith Kup was kind enough to spend a wintry afternoon filling in some of the gaps in the story of her love affair with Denis Wissler and to allow me to see his letters. Valerie Preston shared with me some of her souvenirs of the White Hart and Robin Appleford has allowed me to reproduce some glimpses of off-duty life in 66 squadron.
I would also like to thank Mrs Lesley Kingcome, her mother Sheila, her daughter Samantha and her son Gavin for their hospitality in Devon and for their memories of the late Brian Kingcome, as well as for permission to quote from his memoir, A Willingness to Die. I am grateful, too, to Sarah Quill for talking to me about her father Jeffery and for showing me letters from the family archive, and to Yvonne Agazarian for sketching in some details of her brother, Noel.
Our understanding of the ethos of Fighter Command has been helped greatly by the work of the Imperial War Museum, which more than 20 years ago set out to record the testimony of many of those engaged in the air battles of 1940 and preserve them in its sound archive. These interviews have provided much fascinating material and I am grateful for permission to reproduce extracts. The staffs of the Sound Archive, Department of Documents and Printed Books, Photograph Archive and Film and Video Archive were always helpful and efficient. I also want to thank Gordon Leith and his team at the Department of Research and Information Services at the RAF Museum, Hendon and the staff of the Public Record Office in Kew for their patience and the hard work they did on my behalf. Jean Buckberry was a gracious guide to the Royal Air Force College, Cranwell and its library. The staff of RAF, Benson, provided me with the records of the Oxford University Air Squadron in the interwar years.
In another, very different, area of research, I would like to thank Rod Dean, himself a former RAF fighter pilot, for taking me through the basic manoeuvres of a dogfight in a Harvard trainer in the skies above Tangmere and for explaining the principles of air fighting.
My task would have been much more difficult if it were not for the work done by several aviation historians of the period. I am indebted to Ken Wynn for the definitive research contained in Men of the Battle of Britain and to Christopher Shores and Clive Williams for the wealth of detail found in their two-volume Aces High. The chronology was greatly aided by reference to Francis K. Mason’s Battle Over Britain. The writings of Norman Franks, H. Montgomery Hyde, John James, Dr Tony Mansell, Dilip Sarkar, Richard C. Smith and John Terraine were always illuminating.
Thanks are due to the Grub Street team, who continue to ensure that the voices of those who fought the Second World War are heard, for permission to quote from Dennis David’s My Biography, and Shot Down In Flames by Geoffrey Page, to Hutchinson for extracts from Flying Start by Hugh Dundas, reprinted by permission of the Random House Group Ltd, who also allowed me to use passages from Alan Deere’s memoir Nine Lives. Wing Commander Paddy Barthropp allowed me to make use of his autobiography Paddy. I am also grateful to Cassell Military for letting me reproduce parts of Paul Richey’s classic, Fighter Pilot.
Franziska Thomas put me in touch with German Luftwaffe veterans and was a skilful translator of my talks with them. My friend Sophia Coudenhove was a model researcher, a shrewd and indefatigable toiler in the archives and a source of cheer. Nick Farrell, Harry de Quetteville and Hugh Schofield gave encouragement and ideas when the going got heavy. Charles Moore, Editor of the Daily Telegraph, and Alec Russell, Foreign Editor, were generous and understanding bosses. My gratitude is due to Leslie Bonham Carter for providing a wonderful working environment at Bussento at a crucial stage of writing.
In closing I would like to mention my late father, Ernest Bishop, himself an RAF man, in whose endlessly-leafed through wartime photograph albums the germ of this project perhaps lies. It would have lain dormant, however, were it not for the intervention of my agent David Godwin, who devoted his great talent and energy to getting Fighter Boys airborne. The process was helped enormously by the professionals at HarperCollins. I would like to thank Michael Fishwick for his enthusiasm and backing, Kate Johnson for her intelligent appreciation of the subject, Mary Ore and Peter Ford for their meticulous editing and Melanie Haselden for the care she took over the picture selection.
The last acknowledgement should really have come first. My eternal gratitude, Marie darling, for your support and – how shall I put this? – tolerance. Now it is your turn.