This book attempts to reconstruct the characteristics of these Egyptian birth signs. From computer analysis of hundreds of volunteers who completed a detailed questionnaire about themselves, it was possible to determine the characteristics shared by those born in each Egyptian sign. From this survey it has been viable to do what has not been done for 2000 years – present a modern interpretation of the Egyptian birth signs.
Many people are fascinated by Ancient Egypt and feel drawn to its exotic spirituality. The gods themselves, mysterious creatures of sometimes bizarre appearance, inspire the imagination. We can find strength in the image of lioness-headed Sekhmet, lady of power and fire, and a lusty joy for life in the goddess of love, Hathor, who was sometimes depicted as a cow, although she was mostly represented in art as a beautiful woman. Jackal-headed Anubis is the weigher of hearts, while Ibis-headed Thoth presides over writing and wisdom. Each of the deities who govern the months of the year has particular characteristics and attributes. It could be said they have an ‘essence’, which flavours the month itself.
As well as character and relationships analysis, you’ll also find other information in each chapter, such as which stones, flowers, herbs, etc. are relevant to each sign. These correspondences are not drawn from Western astrology, but from the ancient system of the Tree of Life or Cabbala. The Cabbala was certainly used by the ancient Israelites but, more importantly in this case, modern archaeological discoveries made at Amarna in Central Egypt have suggested that this ancient magical system originated with the mysterious Egyptian pharaoh, Akhenaten. As the Cabbala provides a sensible and comprehensive ‘map’ of the universe and the human psyche, it seemed most appropriate to use this system as a basis for the sign correspondences.
At the end of each chapter, you’ll also find a small ‘working’. This is like a prayer or invocation that calls upon the ‘flavour’ of the month, the god or goddess who presides over it. You can commune with the deity of your particular sign at any time. For example, if you are a ‘Thoth’, born between 29 August and 27 September, you could perform the small working whenever you feel in need of calling upon Thoth’s divine help, for protection or inspiration. Thoth’s energy is of particular importance to creative people, journalists or writers. But what if you weren’t born in his sign? You can still ask Thoth for help, but preferably at the time of year when his influence is strongest, i.e. the month over which he rules. Thus, you can perform any of the workings, regardless of which sign you were born under.
For example, between the dates of 28 September and 27 October, the presiding deity is Horus. During this time, you can perform the Horus working to call upon his help, no matter what sign you are yourself. The deities have particular ‘specialities’, which sometimes might be of significance to you, but it’s important to remember that all the gods and goddesses share the qualities of protection and helpfulness, and can be called upon whenever you need their strength.
To perform a working, look at the correspondences for the sign. If we use Thoth as an example again, make sure you have the appropriate stone, flower, herb, etc. you need and construct a small altar by arranging these items around a central orange candle (Thoth’s colour). Coffee tables make particularly good altars! The Ancient Eygptians made offerings to their deities of food they believed the gods particularly liked. In keeping with this idea, place a relevant offering of food (in this case, a segmented orange), arranged in a small dish or bowl on your altar. The gods were also supposed to be extremely fond of perfume, so you should burn a scented oil, incense or joss stick of the pertinent flavour. Bark, leaves, fruit or flowers of Thoth’s personal tree can also be included in your altar arrangement. If you’re unable to gather all these items, don’t worry, just use as many as you can. Choose an incense flavour closest to the one given in the correspondences. Correspondences were very important to Ancient Egyptian priests. They believed that things of like colour or flavour shared the same magical properties, so you can use any orange flower if that’s all you can get.
You can add as many personal touches to the altar as you like, including a small statue of the deity (if you have one) or else a picture of him. (The hieroglyphic symbols for the gods that appear in each chapter can be used as templates, which you can copy.) You can use an altar cloth of the pertinent colour or place other items upon it that you feel are appropriate – for example, ornaments, feathers or stones of Thoth’s colour.
When you are ready, sit comfortably before your altar. Have some soft music playing in the background that seems right for the occasion. Breathe deeply and slowly for a minute or so with your eyes closed. This helps alter your state of consciousness, so you’re in the right, meditative frame of mind. Then, read out the prayer to Thoth. When you have finished, you can eat a segment of the orange, if you like. It is said that the gods can experience earthly pleasures through humans, so it’s like giving Thoth a taste of the fruit. Make an offering of what is left by casting it out over your garden, or some other patch of earth, for wild animals to consume.
The prayers for each sign have the same basic framework. I do not suggest they are word-for-word facsimiles of invocations used by Egyptian priests, but I have used known titles for the gods, and in some cases, literal Egyptian translations of some of those titles. In other cases, the use of an Egyptian-English dictionary provided the inspiration I needed. Basically, I took the information I had and expanded upon it, using my imagination. This is something you can do yourself too. If you want to, you can expand upon the given prayer to include particular things for which you would like help or inspiration. The most important aspect of doing work of this kind is the amount of your will and intention you put into it.
When you do a magical working, you are putting out your intentions into the universe, making a connection with the source of all, whether you believe that’s a mass of formless energy or a god or goddess. Gods are the masks worn by the universal life energy, so that we, as humans, can understand it and give it a face. Presented in this book are some of the more exotic faces of this energy, and I hope that in understanding a little of them so you will come to understand more about yourself.
Storm Constantine, 2001.
O great Thoth, lord of the mind and guardian of learning, you are the bringer of knowledge to mankind.
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