It wasn’t anything more than teen angst. Hell, we didn’t even know what it meant to be anti-semitic. This was long before the History Channel was pumped into every house in America. There weren’t daily documentaries on Hitler and World War II running 24/7 on TV. We weren’t very attentive students, either. Plus, think about it: blue, poo, you, shoe, do, dew, screw … it rhymes with everything. Given our amateurish creative skills, that only served to help.
We just didn’t know – clearly a by-product of our padded suburban upbringing. If Mila had been Italian, we probably would have called ourselves Giuseppe Franco and the Fascists, without knowing what it meant to be fascist. We were kids. Dwight was hurt. We saw our friend suffering. It was a catharsis. That’s all.
We may have been stupid (sorry Mila), but we weren’t that stupid. Only half the reason for putting a band together in the first place was a desire to make music. Less than half: everything always came back around to us trying to find ways to meet girls. Never mind that we were borrowing instruments we couldn’t even play from siblings and friends. We had stage props. We had photos. And we had a good line of bullshit (“Yeah, we’re in a band”). That was enough to make it real. And being a teenage musician, that was a way to meet girls and impress them before you even had to open your mouth. Even better, write a song for a girl. That would get you in her pants, conditional on meeting her, of course.
Bill was smitten with a girl named Tammy Blue and he came up with this song for her called “Moment of Ecstasy.” He told her to come over to my house so we could play a private gig for her. Bill transformed himself into a rock star for the occasion. We might have been standing in the study of my suburban home, but Bill was playing a rock show to a stadium crowd. And there isn’t a bridge long enough to link the gap between what was happening in Bill’s head and what was happening in my house. My drum? The bottom of a plastic trash can. Dwight had a bass I had borrowed from my brother. Bruce was playing an acoustic guitar that had a couple of strings still intact. We dropped a mic into it and ran it through the same amplifier as the drum.
Then we played Bill’s song, which was a really charming number about cuming on a girl’s face.
Our moment of ecstasy I see you laying next to me And I know it’s gonna be right. Cause I’ve got it hot,I’ve got it hot. And you’re not gonna get by Cause I’ll becummin’ in your eye. Cummin’ in your face. Baby it ain’t no disgrace I’m gonna let it rip all over your lip Gonna be cum in your face Cum, cum, cum in your face.
It’s funny because Bill was such an innocent guy with no sexual experience. None. Yet here he was, singing ridiculously nasty lyrics. Everything about Stress was rinky-dink at that point, but it was what we had. It was a doctrine Bill never abandoned. What tools do you have? That was Bill’s only question. What do you have? You have a beat-up guitar with just a couple of strings on it? Fine. What can you play on a beat-up guitar with just a couple of strings on it? Pick it up and find out.
It was a very simple choice for Bill: do you want to sit around doing nothing while waiting for someone to give you some better equipment (or money, or whatever resources) so you can do things how you think they are supposed to be done? Or do you want to use what you have and start right now?
To Bill it was an easy choice. Start. Do it now. All you have is a trash can? Then turn the damn thing over and start banging on it. Now it’s a drum and you’re making music. That spirit and that attitude were infectious. Soon Bill and I were checking out books from the library trying to figure out how to make gunpowder so we could have real smoke bombs to go with our fake band. God, if we weren’t a fire hazard we sure looked like one. We made as much (if not more) smoke as noise. I even got my mom involved and she helped make a sign for the band. I cut out the letters S-T-R-E-S-S (yes, they were lightning-bolt s’s) from cardboard and wrapped them in tinfoil, while my mom poked holes in the letters and threaded Christmas lights through them.
That’s why it was so much fun to be around Bill. He didn’t wait for people to give him permission to do what he wanted. He stayed that way through his whole life. When we were older and still struggling, he never waited; he was happy to cobble together whatever resources he could. He never wanted to waste time. It’s like he knew he only had a limited amount of it.
The state of Texas allows you to get a driver’s license before the legal minimum age of 16 if your family can demonstrate that the child not having one would somehow cause a hardship for the family. Because my family had a ranch, somehow this allowed me to get such a “hardship” driver’s license. It was complete bullshit, but it meant I had a car, a blue and white LTD station wagon with fake wood paneling.
Bill had an uncanny gift of endowing ordinary things with special qualities simply by giving them catchphrase names. For example, he immediately started calling that station wagon the Stressmobile. He just had a way of making everything seem special. When you were doing things with him, you felt like you were part of some secret club.
From then on, whatever I happened to be driving, it was called the Stressmobile. Along those same lines, in the Stressmobile we used to go on what Bill termed “Nipple Tours.” Nipple Tours were just us engaging in harmless teen stalking. It wasn’t actually stalking, and it really was harmless, but looking back … it could easily have been made to look sketchy if lawyers had ever got involved.
We’d pile into the car with the Stratford school directory, and look up the addresses of girls we had crushes on. Then we’d do a drive-by. We’d just cruise by the house. That’s all. We went from house to house with the bizarre hope that we would see the girl or find out something – what, I have no idea, as 99.8 per cent of the time we saw absolutely nothing except the front of a house. Surprise.
On the rare occasion we saw someone, we’d pretend it was coincidence. We just happened to be heading down that street doing, uh, something. It was a form of cruising. The cool kids cruised up and down a central drag; we cruised by girls’ houses.
For a while we did our Nipple Tours in my family’s thirty-foot-long motorhome. My parents had given it to me to drive to school, like it was a normal car. There was another girl, Tracy Scovell. She was really hot but she had some scars on her face from where she had been bitten by a dog when she was young. The mark was not only a social hindrance but earned her the nickname of Tracy Scar-veil. Bill had a big crush on her. So after Stress got going and we were actually becoming competent musicians, we had all of our equipment – amps, guitars, etc. – in the motorhome, which happened to be outfitted with a generator.
One day we set up our amplifiers and a PA in the motorhome, then pointed everything out the window. When we pulled up in front of Tracy’s house Bill took the microphone: “Tracy Scovell … this concert is for you.” Then he let it rip. Don’t know if she was even there to hear it. Surprisingly the cops didn’t show up and tell us to stop disturbing the peace.
The band’s first big stroke of luck came when a friend of ours, Steve Fluke, broke both of his arms in a rope swing accident. Fluke was a better guitar player than anyone else we were hanging out with, but he just didn’t fit in. He was younger, but more importantly he was very “Stairway to Heaven” and we wanted to be “God Save the Queen.” However, Steve did have generous parents who had bought him a sweet-ass Les Paul guitar and an expensive amplifier to go with it.
Don’t ever let it be said that Bill wasn’t opportunistic. The day after Fluke broke both of his arms, Bill and I were over at Fluke’s house pretending we felt bad about his accident. After expressing our supposed sympathies, we turned to our more concrete interests. “Hey, man, since you can’t play guitar for a while, can we just borrow this for a couple of days?” Bill asked. “We feel really bad. We’ll come back and visit you tomorrow.”
We ended up leaving with his guitar and his amplifier (this was before Bill’s parents had bought him his rig); and not coming back to visit the following day. Nine months later Fluke turns up at my place raising a stink: “Dude, I want my guitar back.” Bill is going, “Oh shit, this isn’t mine. Is it?”
I don’t think Steve Fluke was unique in being involuntarily generous