And my senses: the American blue sky; the smell of the trees, and the river, and the dank hallways of Four Roses; and the screeching of the birds that collected in the trees in Police Plaza. Every time I turned on the radio they were playing a song that I wanted to hear; every time I passed near a schoolyard there was the sound of boys shooting basketball. I would melt eggs spiced with jalapeños in my mouth every morning; in the evening I would sip cranberry soda at my window and think of the fields facing away from the city as they raced in their sleep down to the Rio Grande, the thousand-mile-long wind, the fine men and women cakewalking along the sidewalks, the sound of starting cars, accordion music. I used to walk to Eden View, and one night a man in an old brown panel van pulled over to the curb and asked me if I knew how to get to a famous old barbecue restaurant on the south end of town; and I was so pleased that he would mistake me for a local, and so proud to be able to give him the directions and set him on his way, that I smiled for an hour afterward. You see, I was so happy there, I was charmed, I felt safe and satisfied: I thought I was never going to leave.
Some nights Bonnie and I would just drive the streets, while she acted as my guide through the specific heights and depths of town. This coming up is Silverado, she said as we turned onto a wide and barely lit avenue, on either side of which broad lawns rose toward shadowy estates screened by tall, ancient trees. There were no sidewalks. Overhead a three-quarters moon was illuminating a layer of pale dappling clouds, so that the sky seemed to be made of faintly glowing marble. Hang on, Bonnie pulled the car to the side of the road and turned off the motor. She lowered her window and the hot sweet night wended its way in against the air conditioning. Smell that, she said. That’s what heaven’s going to smell like.
At the end of the avenue we went left and rolled through a neighborhood of neat little family houses; round and round we rode, past a public park softly turning to steam in the darkness, across an empty boulevard. We went over a narrow river lined with trees; on the embankment below I saw a pair of lovers kissing, the man tall and dark, the woman small and blond. Here the houses had windows with wooden shutters, and balconies were adorned with ornate wrought-iron railings.
In time we came to a bent white building. That’s the oldest building in town, said Bonnie. See how the foundation’s sunk at one side? It’s this restaurant, now, and all the rooms inside are crooked. If you put a pen on the table, it’ll roll right off. We bumped slowly over a set of railroad tracks, the road turned. An expensive blue sedan glided past us. This is all whores and drugs, said Bonnie, and has been for as long as anyone can remember. Drugs and whores. Isn’t it pretty, though?
In Sugartown, the poor people lived in a neighborhood called Green River, in rows of tract houses and shotgun shacks penned in by cyclone fencing; there were Mexicans on one side of the railroad tracks, and blacks on the other. If there was a porch, it sagged, and fading color flyers from the local supermarket accumulated by the bottom stair. Outside it was inside again, familial and tough, hanging out. You could see them; they parked their pickups on their hard lawns and washed them down endlessly with rags and buckets of soapy water. At night, the orange arc lights burnished the metal and made the rest monochrome; in the morning, the dew fed the rust. Because it was summertime all the teenagers were out of school, in a world without labor. The boys would gather in circles in Bundini Park and joke at one another. The girls would watch from the bleachers, many of them holding even smaller girls on their laps; I figured they were sisters, but I wondered if they were daughters, and I’d try to imagine what it would have been like, to have been a mother so young.
If I walked back home from Eden View, I passed through Green River on my way to Old Station. I tried to take a different route every day, and once I came to a crossroads. On one corner there was an old hotel, a shabby once-blue building several stories higher than those that surrounded it, with dark windows and an unlit neon sign that read THE PIONEER. A red-and-green billboard showed a tin of chewing tobacco with a bucking stallion on the lid. Two men were leaning against the wall in the heat outside, one with a straw hat pulled down on his forehead, and the other shirtless and drinking a can of beer. They were in their early twenties and they had their eyes on me.
As I passed, the shirtless one began to sing in a high, clear voice:
Jole blon
From Louisiana
On the bayou
In the moonlight
I didn’t look back, although I wanted to; I knew that if I did, I would see him standing there, with his arms open wide and a look of devotion on his face. I turned the corner like she-to-whom-all-praise-is-insufficient: I could feel my steps swaying, I could hear him following me. When I was about halfway down the block he started singing again.
Don’t leave me
Don’t deceive me
Stay beside me
Make me happy
What a pretty melody. What a sentiment to sing on a sunny afternoon, in this sad part of town. At last I glanced back and saw him ambling up the sidewalk with his hands in his pockets and his elbows out at his side, so that his entire being was fanned out behind him like the harlequin tail of a peacock. His voice was beautiful, and his pride was a sight, but at the last moment I thought of the word pussy, and I turned away.
Oh, come on, he said. Don’t be like that.
But I just kept on walking.
The way from the bus stop to Eden View the following night. The weather was so hot and humid that it was impossible to tell if the sky was overcast or clear; the air was thick, the light was slow, in the privacy beneath my clothes I was perspiring. I walked down the middle of the empty street, watching the voodoo music that hung down from the canopy of trees overhead. When I reached the parking lot, I found it empty, the windows of the place were dark, no birds did sing.
In the door, then, and walking down the main hall. A few of the residents were out of their rooms, slumped over in their wheelchairs and staring down at their bare, bedsore legs, like images from old paintings of the sufferings of man. The walls were hung with grandchildren’s drawings, their bright lettering laughing in the half darkness; the air smelled of weak medicine and cleaning solution, the slight sound of voices drifted out of the lounge. Someone was trying to convince someone else, softly, so softly, that there was no way to tell the words.
Judith and Bart were playing cards in the game room, or rather, they sat with a deck of cards between them and talked in low voices, thin lips to great ears. He bet her that she was an alien from outer space, and she went through the deck and named the cards, numbers and suits, to try to dissuade him; but her words came out in unearthly syllables. See, Bart said. You’re a Martian, just like I said, maybe from Neptune, maybe, I don’t know. They should have been put to bed an hour earlier, and I went in to gather them up. Together they rose and followed me down the hall toward their rooms—Judith’s was first, and she went in without a word. Bart said, Humph, yes. Are there mountains beneath the sea? I nodded, and he made his way across the floor to his bed, moving his mouth softly.
Down the bare halls I saw darkness coming out of the rooms, a coffin-shaped stretch of shadow that reached through the door of each one. Good night, good night. Old folks in bed. Good night. There were dusky moons on the hallway ceiling and a grey penumbra down at the end, a mirage that had settled in before the door of the dining room. Good night. There was no more sound.
Billy came fully dressed out of his door, shut it softly behind him, and started down the hall into the unlit lounge. When