She decided on the brutal approach. Not simply because it was one of those days, and she wasn’t feeling in the mood for subtleties, but because she knew that being young and a woman meant that it was sometimes difficult to persuade people – especially the sort of people who unload paintings – to take her seriously.
‘Right,’ she said, when the two men had come in and sat down. ‘I will say this once and once only. I am the head of the art theft squad, investigating the theft of this picture. You two are prime suspects. Got that?’
They didn’t answer but, judging by the way they turned a little pale, she assumed they had.
‘I want it back fast, and more important people than myself want there to be no publicity. If there is any, if anyone hears about what has happened here, and I trace it back to you two, I will personally ensure (a) that you go to gaol for aiding and abetting a crime, (b) that you stay in gaol for conspiracy to pervert the course of justice, (c) I will have you fired from this job, and (d) I will ensure that neither of you ever gets a job again. Is that understood?’
More pallor.
‘In order to avoid this regrettable fate, all you have to do is keep your mouths shut. There was no theft, you know of no theft, nothing untoward happened yesterday. You may find that difficult, but you will find the self-discipline rewarding. Do I make myself absolutely clear?’
She was rather proud of the speech, delivered with all the cold conviction of a true apparatchik, able to call on untold occult powers to visit terrible consequences on the innocent. Anyone with a moment’s thought would have seen it was all nonsense, and that there was nothing she could do to them at all, but the two men seemed too dull to notice. She only hoped they were not so dull that they failed to grasp what she wanted of them.
That would become clear in the next few days; what was immediately apparent, alas, was that they were certainly too dim-witted to be much use as witnesses. Their description of the robbery was scarcely more detailed than the brief summary that Macchioli had already given her. The only facts they added were that the van was large enough to get a Claude in, was white, and wasn’t a Fiat. The man involved was of average height and might (or might not) have had a Roman accent. She dismissed them after twenty minutes with another dire warning, then was taken to see the gun.
Macchioli was keeping it in his safe. In a plastic bag. He was inordinately proud of himself about the plastic bag.
‘There,’ he said, putting it gingerly on his desk. ‘We were lucky it didn’t go off when it hit the ground.’
Flavia felt like weeping. Some days were just so abominable she didn’t know how she stood it. She took out her handkerchief, picked up the gun, looked at it for a few moments, then pointed it at her head.
‘Signora! Be careful!’ shouted Macchioli in alarm.
She looked at him sadly, closed her eyes and, to the older man’s horror, slowly pulled the trigger.
The sound of what was later identified by analysts – or rather by a secretary in payroll, who was an enthusiast for opera – as a jaunty version of Verdi’s ‘Teco io sto, Gran Dio’ from Act Two of Un Ballo in Maschera, rendered on a little widget buried deep inside the gun’s handle, drifted slowly across the room.
Flavia opened her eyes, shrugged, and tossed the gun on to the desk.
‘If we manage to find a shop that has recently sold a Leonardo da Vinci mask and a plastic singing gun to a man carrying chocolates, we might have a lead,’ she said, as she put the gun back into the bag and got up. ‘I’ll let you know.’
Five minutes later she was slumped in the back of the car, muttering darkly to herself. Then she reached a decision. Whatever injunctions other people needed to obey on keeping their mouths shut, she needed to ventilate. She gave her driver directions to head for the EUR.
Despite the morning, she thought little on the journey, or, at least, thought little about Claudes and their inconvenient disappearance. Rather, she thought about her old boss, General Taddeo Bottando, poor soul, consigned to opulent exile in this grim suburb, surrounded by office blocks and 1930s architecture and wastelands where nothing much seemed to happen. He had been stuck out here for a year now, heading some grandiosely-named European directive, as cut off from the mainstream of policing as his location suggested. Only bankers should have to work in this awful place, she thought; scarcely even a decent restaurant to go to at lunchtime, and Bottando was a man who liked his lunch.
Whereas the art squad building was run down but beautiful, underfunded but buzzing with activity, Bottando’s new empire was grand, dripping in cash but ugly and deathly quiet. Merely getting into the building required going through the sort of security procedures that usually defend classified government installations. Everybody was terribly well-dressed, the carpets were thick, the doors swished to and fro electrically, the computers hummed. A policeman’s paradise, enough resources to tackle the world. Poor, poor man, she thought.
But Bottando put a brave face on it, and Flavia smiled encouragingly, both going through the ritual of pretending that all was well as they did on every occasion they met. He talked about the splendid things his new operation would shortly accomplish, she made joking remarks about European expense accounts. Neither ever referred to the fact that Bottando was showing his age just a bit more, that his conversation was just that touch duller, that his jokes and good humour were now ever so slightly forced.
Nor was his heart in it any longer; he was away more often than he was behind his desk, constantly, it seemed, taking holidays. Winding down. Preparing his exit. It was only a matter of time before the holiday became permanent. A couple of years and he would have to retire anyway, although while in his old post he had fended off even the thought: there was nothing to retire to. He was one of those people whose very existence was inconceivable without his job and his position.
His promotion had lost him both, and maybe that was the intention. To ease him out by easing him up, and perhaps Bottando was ready to go; he would have fought more had he not been halfway there already. He had won bigger battles against greater odds in the past. Maybe he’d had enough.
Fairly often now, Flavia came to see him not because she wanted his advice but because she wanted him to give it. She had been running the department for a year and had settled in. Better still, she found she was good at it and no longer needed to be anybody’s protégée. She had leant on Bottando heavily in the earlier days, but needed to do so no longer. He had, she was sure, noticed this and was pleased for her. The last time he came to the department, a few months back to check some old files and gather some materials, she knew he was just checking to make sure all was well. She was also sure that the visit was for no real reason, and that he stayed most of the afternoon – pottering about, reading this and that, chatting to people in corridors, going out for a drink afterwards – largely because he had so little of substance to do in his own offices. She only hoped that he didn’t suspect that sometimes – just sometimes – she felt a little sorry for him.
This time, however, there was no artifice in her visit. She was entering dark and stormy waters, and needed a bit of navigational guidance. She half-knew already what the advice would be; she none the less still needed to hear it.
Bottando came out of his office to greet her, gave her an affectionate kiss, and fussed about making her comfortable.
‘My dear Flavia, how pleasant to see you. Not often we have you out in the provinces like this. What can I do for you? I assume, that is, that you haven’t come just to feast your eyes on a properly funded department?’
She smiled. ‘I always like to see how things should be done, of course. But, in fact, I am here for some more of your best vintage advice. Premier cru, if you please.’
Bottando grunted. ‘Always