About the only thing a sword is really good for is sword-fighting—which in practice means duelling, which is idiotic and against the law, or fencing, which is playing at fighting, good fun and nobody gets hurt, but not really my idea of entertainment—and showing off. Which is why, needless to say, we all went to Ultramar with swords on our hips. Some of us had beautiful new swords, the more fortunate ones had really old swords, family heirlooms, worth a thousand acres of good farmland, with buildings, stock, and tenants. The thing is—don’t say I told you so—the old ones aren’t necessarily the best. There was even less good steel about two hundred years ago than there is now, and men were stronger then, so old swords are heavier, harder to use, broader, and with rounded points for cutting, not thrusting. Not that it mattered. Most of those young swashbucklers died of the poisoned shits, before the desert sun had had a chance to fade the clothes they arrived in, and their swords were sold to pay their mess bills. You could pick up some real bargains back then, in Ultramar.
“I don’t know how to teach,” I said, “I’ve never ever done it. So I’m going to teach you the way my father taught me, because it’s the only way I know. Is that all right?”
He didn’t notice me picking up the rake. “Fine,” he said. So I pulled the head off the rake—it was always loose—and hit him with the handle.
I remember my first lesson so well. The main difference was, my father used a broom. First, he poked me in the stomach, hard, with one end. As I doubled up, gasping for breath, he hit my knee-cap, so I fell over. Then he put the end of the broom-handle on my throat and applied controlled pressure.
I could only just breathe. “You didn’t get out of the way,” he explained.
I was five when I had my first lesson, and easier to teach to the ground than a full-grown man. I had to tread on the inside of his knee to get him to drop. When eventually he got his breath back, I saw he was crying; actually in tears. “You didn’t get out of the way,” I explained.
He looked up at me and wiped his nose with the back of his hand. “I see,” he said.
“You won’t make that mistake again,” I told him. “From now on, whenever a fellow human being is close enough to hit you, you’re going to assume that he’s going to hit you. You’ll keep your distance, or you’ll be ready to avoid at a split-second’s notice. Got that?”
“I think so.”
“No exceptions,” I said. “Not any, ever. Your brother, your best friend, your wife, your six-year-old daughter, it makes no odds. Otherwise you’ll never be a fighter.”
He stared at me for a moment, and I guessed he’d understood. It was like that moment in the old play, where the Devil offers the scholar the contract, and the scholar signs it.
“Get up.”
I hit him again when he was halfway to his feet. It was just a light tap on the collarbone; just enough to hurt like hell without breaking anything.
“This is all for my own good, I take it.”
“Oh yes. This is the most important lesson you’ll ever learn.”
We spent the next four hours on footwork; the traces, which is backwards and forwards, and the traverses, which is side to side. Each time I hit him, I laid it on a bit harder. He got there eventually.
My father wasn’t a bad man. He loved his family dearly, with all his heart; nothing meant more to him. But he had a slight, let’s say, kink in his nature—like the cold spot or the inclusion you sometimes get in a weld, where the metal wasn’t quite hot enough, or a bit of grit or crap gets beaten into the joint. He liked hurting people; it gave him a thrill. Only people, not animals. He was a fine stockman and a humane and conscientious hunter, but he dearly loved to hit people and make them squeal.
I can understand that, partly because I’m the same though to a lesser degree, and I control it better. Maybe it’s always been there in the blood, or maybe it was a souvenir from Ultramar; both, probably. I rationalise it in forge-welding terms. You can heat the metal white-hot, but you can’t just lay one bit on top of the other and expect them to weld. You’ve got to hit them to make the join. Carefully, judiciously, not too hard and not too soft. Just enough to make the metal cry, and weep sparks. I hate it when they burst into tears, though. It makes me despise them, and I have to take pains to control my temper. Anyway, you can see why I like to stay out of people’s way. I know what’s wrong with me; and knowing your own flaws is the beginning of wisdom. I’m sort of a reverse fencer. I stay well out of distance, partly so that people can’t hit me, mostly so I can’t hit them.
Once you’ve learned footwork, the rest is relatively easy. I taught him the eight cuts and the seven wards (I stick to seven; the other four are just elaborations). He picked them up quickly, now that he understood the essence—don’t let him hurt you, followed by make him safe.
“The best way to make a man safe,” I told him, “is to hurt him. Pain will stop him in his tracks. Killing doesn’t always do it. You can stab a man and he’ll be past all hope, but he can still hurt you very badly before he drops to the ground. But if you paralyse him with pain, he’s no longer a threat. You can then despatch him, or let him go, at your pleasure.”
I demonstrated; I flicked past his guard and prodded him in the stomach with my rake-handle; a lethal thrust, but he was still on his feet. Then I cracked him on the knee, and he dropped. “Killing’s irrelevant,” I told him. “Pain wins fights. That’s unless you’ve absolutely set your heart on cleaving him to the navel, and that’s just melodrama, which will get you killed. In a battle, hurt him and move on to the next threat. In a duel, win and be merciful. Fewer legal problems that way.”
I was rather enjoying being a teacher, as you’ve probably gathered. I was passing on valuable knowledge and skill, which is in itself rewarding, I was showing off and I was hitting an annoying sprig of the nobility for his own good. What’s not to like?
You learn best when you’re exhausted, desperate, and in pain. Ultramar taught me that. I kept him at it from dawn till dusk, and then we lit the lamp and did theory. I taught him the line and the circle. Instinctively you want to fight up and down a line, forwards to attack, backwards to defend; parry, then lunge, then parry. All wrong. Idiotic. Instead, you should fight in a circle, stepping sideways, so you avoid him and can hit him at the same time. Never just defend; always counterattack. Every handstroke you make should be a killing stroke, or a stopping stroke. And for every movement of the hand, a movement of the foot—there, I’ve just taught you the whole secret and mystery of swordsmanship, and I never had to hit you once.
“Most fights,” I told him, giving him a chance to wipe the blood out of his eyes before we moved on, “in which at least one party is competent, last one to four seconds. Anything more than that is a fitting subject for epic poetry.” Judging that he wasn’t ready yet, I shot a quick mandiritto at the side of his head. He stepped back and left out of the way without thinking, and my heart rejoiced inside me, as I side-stepped his riposte in straight time and closed the door with the Third ward. So far he hadn’t hit me once, which was a little disappointing; but he’d come close four times, in six hours. Very promising indeed. He just lacked the killer instinct.
“The Fifth ward,” I went on, and he lunged. I almost didn’t read it, because he’d disguised the Boar’s Tooth as the Iron Gate; all I could do was trace back very fast and smack the stick out of his hands. Then I whacked him, for interrupting me when I was talking. He very nearly got out of the way, but I wanted to hit him, so he couldn’t.
He had to pick himself up off the ground after that. I took a long step back, to signal a truce. “I think it’s time for a progress report,” I said. “At the moment, you’re very good indeed. Not the best in the world, but more than capable of beating ninety-nine men in a hundred. Would you like to stop