Peals of laughter fade, and I collapse to the ground, exhausted.
I think about heading home, about seeing my father again. What will I tell him about my time away? How can I explain to him that I’ve changed?
I will not be able to grow up the way he wants. There is too much wildness in me. I cannot put on a confining dress and glide through the rooms of the compound, blushing as the matchmaker explains which boy I will marry. I cannot pretend to be more interested in my sewing than I am in climbing the pagoda tree next to the gate.
I have a talent.
I want to scale walls like Jinger, Konger, and I used to swing from vine to vine over the cliff face; I want to cross swords against worthy opponents; I want to pick a boy to marry—I’m thinking someone who is kind and has soft hands, maybe someone who grinds mirrors for a living so that he will know that there is another dimension beyond the smooth surface.
I want to hone my talent so that it shines brightly, terrorizing the unjust and lighting the way for those who would make the world better. I will protect the innocent and guard the timid. I do not know if I will always do what is right, but I am the Hidden Girl, and my loyalty is to the tranquility yearned by all.
I am a thief after all. I’ve stolen my life for myself, and I will steal back the lives of others.
The sound of beating, mechanical hooves approaches.
Matthew Hughes
Matthew Hughes was born in Liverpool, England, but has spent most of his adult life in Canada. He’s worked as a journalist, as a staff speechwriter for the Canadian Ministers of Justice and Environment, and as a freelance corporate and political speechwriter in British Columbia before settling down to write fiction full-time. Clearly strongly influenced by Jack Vance, as an author Hughes has made his reputation detailing the adventures of characters like Henghis Hapthorn, Guth Bandar, and Luff Imbry who live in the era just before that of The Dying Earth, in a series of popular stories and novels that include Fools Errant, Fool Me Twice, Black Brillion, Majestrum, Hespira, The Spiral Labyrinth, Template, Quartet and Triptych, The Yellow Cabochon, The Other, and The Commons, with his stories being collected in The Gist Hunter and Other Stories and The Meaning of Luff and Other Stories. He’s also written the Urban Fantasy To Hell and Back trilogy, The Damned Busters, Costume Not Included, and Hell to Pay. He also writes crime fiction as Matt Hughes and media tie-in novels as Hugh Matthews. His most recent books are the Luff Imbry novellas, Of Whimsies & Noubles and Epiphanies, the science-fantasy novel, A Wizard’s Henchman, and the collection Devil or Angel and Other Stories.
In the flamboyant story that follows, a wizard’s henchman bungles an important mission and finds that he has to deal with a cascading sequence of wildly extravagant consequences.
Baldemar ran across the flat roof at his best speed, though he was hampered by the scabbarded sword thrust through his broad belt. When he had lifted it out of its cradle, he had slipped it through at his hip, but during the race up the stairs it had somehow worked its way around to the rear and now it struck the back of his left calf with every other step. But there was no time to stop and adjust matters; the erbs that guarded the house were already emerging from the trapdoor and at once their preternatural sensory organs locked onto the fleeing thief. A strange, wavering cry, like that of a weak and hungry child, rose from each of the three long, scaly throats, and Baldemar heard the click of razor-edged claws on the roof’s flagstoned surface.
The neighboring building overtopped this one by several stories and from its ornamental cornices hung a rope. Baldemar had arranged it to be his emergency escape should the operation go amiss. But between the two buildings was a space as wide as Baldemar was tall and that gap was still a good ten paces away—or a very bad ten paces, if the erbs caught him before he reached it.
There was nothing for it but to drag out the sword and let it drop, in the hope that the watchbeasts would stop to guard it, that being their function. He yanked the eldritch weapon free and let it fall. But the staccato clicking of claws did not break its rhythm and now the eerie howl of the creatures was loud in his ears, its pitch rising. That’s the sound, the thought went through his head, they make just before they seize their prey.
Two more strides and the lip of the roof was below the ball of his right foot. He kicked off, flung himself into space, just as a reaching claw sliced through the cloth of his shirt and left a long vertical scratch down the middle of his back. But the lead erb—it would have been the big female—was not poised to leap and could not stop. She tumbled over the edge of the roof and the cry she gave as she plummeted to the pavement below was almost human in its disappointment.
But the other two—her grown pups—were lighter and younger. They pulled up at the brink, their jaws clacking in fury, as Baldemar’s fingers connected with the rope and, unfortunately, with the brick wall against which it hung. He felt a bone snap in the middle finger of his left hand, but he ignored the pain and clung to the thick hemp, immediately reaching up with his right to haul himself higher while the toes of his boots scrabbled for purchase against the wall.
He began to climb but had scarcely risen a body length before he heard again the sound the erbs’ dam had belled just before her claw had raked his skin—followed immediately by a thump as the body of one of her brood struck the wall below him.
Down you go, too, was his happy thought, until he discovered he was celebrating too soon. The creature’s forearms had reached out as it leapt the gap and one of its grasping hands made contact. A talon tore through his right legging and gouged his calf muscle, the pain lancing up through his body to resonate with the ache in his broken finger.
Baldemar gave his own cry now, of pain and fear, as the erb’s weight caused the claw to slice downward through the leg muscle until it met the curled-over leather at the top of his boot. Now he had the beast’s weight as well as his own hanging from his diminished grip on the rope. The injured hand told him it was not up to the task and he knew that he must change the situation or join the erb and its mother down below in a welter of broken bones and burst bodies.
With his unencumbered foot, he kicked at the paw hooked into his boot just as the watchbeast reached up with its other limb and sank another claw into the curled top, its strong hind legs scrabbling against the brick. Baldemar’s efforts availed him nothing and he looked down into the erb’s yellow eyes and saw its jaws gape in anticipation of the first bite, a long, pointed tongue licking across the rows of teeth like serrated daggers.
The sight caused him to give a reflexive jerk of the seized leg. A moment later, he felt the boot slide off his foot and the watchbeast fell into the darkness below. Relieved of the erb’s weight, he disregarded the complaints from his finger and calf, as well as the plaintive chirps from the surviving watchbeast, and scrambled up the three stories to the roof of the building.
Coiling the rope and carrying it with him, he limped to where he had left Thelerion’s flying platform, stepped aboard, and said the words that compelled the two indentured imps to lift it into the air and carry him away. The platform’s floor pushed against his feet as they climbed into the sky, and Baldemar lowered himself into the plush, high-backed chair and rested his tired limbs on its gilded arms.
One of the creatures that powered the platform raised itself enough to peer through the surrounding railing. It was the one with skin like fired clay. The nostrils of its pug nose distended to sniff the scent of blood and its red-and-black eyes inspected the wizard’s henchman closely.
In a voice that had the creak of stiff leather, it said, “I do not