Ray Bradbury Stories Volume 1. Ray Bradbury. Читать онлайн. Newlib. NEWLIB.NET

Автор: Ray Bradbury
Издательство: HarperCollins
Серия:
Жанр произведения: Классическая проза
Год издания: 0
isbn: 9780007497683
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      ‘—Richard Braling will be missed among us—’

      The organ sobbed and murmured.

      The flowers looked down upon him, nodding their bright-petalled heads.

      Six candles, black and slender, rose up out of hidden receptacles, and stood behind the flowers, flickering and glowing.

      Another pump started to work. While his blood drained out one side of his body, his right wrist was punctured, held, a needle shoved into it, and the second pump began to force formaldehyde into him.

      Pump, pause, pump, pause, pump, pause, pump, pause.

      The coffin moved.

      A small motor popped and chugged. The room drifted by on either side of him. Little wheels revolved. No pallbearers were necessary. The flowers swayed as the casket moved gently out upon the terrace under a blue clear sky.

      Pump, pause, Pump, pause.

      ‘Richard Braling will be missed—’

      Sweet soft music.

      Pump, pause.

      ‘Ah, sweet mystery of life, at last—’ Singing.

      ‘Braling, the gourmet—’

      ‘Ah, at last I have the secret of it all—’

      Staring, staring, his eyes egg-blind, at the little card out of the corners of his eyes:

      THE BRALING ECONOMY CASKET …

      DIRECTIONS SIMPLY PLACE BODY IN COFFIN – AND MUSIC WILL START.

      A tree swung by overhead. The coffin rolled gently through the garden, behind some bushes, carrying the voice and the music with it.

      ‘Now it is the time when we must consign this part of this man to the earth—’

      Little shining spades leaped out of the sides of the casket.

      They began to dig.

      He saw the spades toss up dirt. The coffin settled. Bumped, settled, dug, bumped and settled, dug, bumped and settled again.

      Pulse, pause, pulse, pause. Pump, pause, pulse, pump, pause.

      ‘Ashes to ashes, dust to dust—’

      The flowers shook and jolted. The box was deep. The music played.

      The last thing Richard Braling saw was the spading arms of the Braling Economy Casket reaching up and pulling the hole in after it.

      ‘Richard Braling, Richard Braling, Richard Braling, Richard Braling, Richard Braling …’

      The record was stuck.

      Nobody minded. Nobody was listening.

       The Crowd

      Mr Spallner put his hands over his face.

      There was the feeling of movement in space, the beautifully tortured scream, the impact and tumbling of the car with wall, through wall, over and down like a toy, and him hurled out of it. Then – silence.

      The crowd came running. Faintly, where he lay, he heard them running. He could tell their ages and their sizes by the sound of their numerous feet over the summer grass and on the lined pavement, and over the asphalt street; and picking through the cluttered bricks to where his car hung half into the night sky, still spinning its wheels with a senseless centrifuge.

      Where the crowd came from he didn’t know. He struggled to remain aware and then the crowd faces hemmed in upon him, hung over like the large glowing leaves of down-bent trees. They were a ring of shifting, compressing, changing faces over him, looking down, looking down, reading the time of his life or death by his face, making his face into a moon-dial, where the moon cast a shadow from his nose out upon his cheek to tell the time of breathing or not breathing any more ever.

      How swiftly a crowd comes, he thought, like the iris of an eye compressing in out of nowhere.

      A siren. A police voice. Movement. Blood trickled from his lips and he was being moved into an ambulance. Someone said, ‘Is he dead?’ And someone else said, ‘No, he’s not dead.’ And a third person said, ‘He won’t die, he’s not going to die.’ And he saw the faces of the crowd beyond him in the night, and he knew by their expressions that he wouldn’t die. And that was strange. He saw a man’s face, thin, bright, pale: the man swallowed and bit his lips, very sick. There was a small woman, too, with red hair and too much red on her cheeks and lips. And a little boy with a freckled face. Others’ faces. An old man with a wrinkled upper lip, an old woman, with a mole upon her chin. They had all come from – where? Houses, cars, alleys, from the immediate and the accident-shocked world. Out of alleys and out of hotels and out of streetcars and seemingly out of nothing they came.

      The crowd looked at him and he looked back at them and did not like them at all. There was a vast wrongness to them. He couldn’t put his finger on it. They were far worse than this machine-made thing that happened to him now.

      The ambulance doors slammed. Through the windows he saw the crowd looking in, looking in. That crowd that always came so fast, so strangely fast, to form a circle, to peer down, to probe, to gawk, to question, to point, to disturb, to spoil the privacy of a man’s agony by their frank curiosity.

      The ambulance drove off. He sank back and their faces still stared into his face, even with his eyes shut.

      The car wheels spun in his mind for days. One wheel, four wheels, spinning, spinning, and whirring, around and around.

      He knew it was wrong. Something wrong with the wheels and the whole accident and the running of feet and the curiosity. The crowd faces mixed and spun into the wild rotation of the wheels.

      He awoke.

      Sunlight, a hospital room, a hand taking his pulse.

      ‘How do you feel?’ asked the doctor.

      The wheels faded away. Mr Spallner looked around.

      ‘Fine – I guess.’

      He tried to find words. About the accident. ‘Doctor?’

      ‘Yes?’

      ‘That crowd – was it last night?’

      ‘Two days ago. You’ve been here since Thursday. You’re all right, though. You’re doing fine. Don’t try and get up.’

      ‘That crowd. Something about wheels, too. Do accidents make people, well, a – little off?’

      ‘Temporarily, sometimes.’

      He lay staring up at the doctor. ‘Does it hurt your time sense?’

      ‘Panic sometimes does.’

      ‘Makes a minute seem like an hour, or maybe an hour seem like a minute?’

      ‘Yes.’

      ‘Let me tell you then.’ He felt the bed under him, the sunlight on his face. ‘You’ll think I’m crazy. I was driving too fast, I know. I’m sorry now. I jumped the curb and hit that wall. I was hurt and numb, I know, but I still remember things. Mostly – the crowd.’ He waited a moment and then decided to go on, for he suddenly knew what it was that bothered him. ‘The crowd got there too quickly. Thirty seconds after the smash they were all standing over me and staring at me … it’s not right they should run that fast, so late at night …’

      ‘You only think it was thirty seconds,’ said the doctor. ‘It was probably three or four minutes. Your senses—’

      ‘Yeah, I know – my senses, the accident. But I was conscious! I remember one thing that puts it all together and makes it funny, God, so damned funny.