The Wild. David Zindell

and a chess piece of broken ivory that he had once made for a friend. But he found much use for one of the books buried deep in the trunk. This was a book of ancient poems passed on from the erstwhile Lord of the Order to Danlo’s father. Mallory Ringess, as everyone knew, had memorized many of these poems; his love of dark, musical words and subtle rhymes had helped him survive the poetry game during his historic journey into the Solid State Entity. Danlo liked to sit before the blazing logs of the fireplaces, reading these primitive poems and remembering. He spent much of his time during the first few days simply sitting and reading and meditating on the terrible fluidity of fire. Often, as he watched the firelight knot and twist, he longed for other fires, other places, other times. Just as often, though, he descried in the leaping flames the passion and pattern of his own fate: he would survive whatever tests the Entity put to him, and he would continue his journey across the stars. At these times, while he listened to the sheets of rain drumming against the windows and roof, he fell lonely and aggrieved. Only then would he search his trunk for the most cherished of all the things he owned: a simple bamboo flute, an ancient shakuhachi smelling of woodsmoke and salt and wild ocean winds. He liked to play this flute sitting crosslegged in front of the fire or standing by the windows of the meditation room above the sea. Its sound was high and fierce like the cry of a seabird; in playing the sad songs he had once composed, he sensed that the Entity was aware of every breath he took and could hear each long, lonely note. And it seemed that She answered him with a deeper music of rushing wind and thunderous surf and the strange-voiced whales and other animals who called to each other far out at sea. The Entity, he supposed, could play any song that She wished, upon the rocks and the sand, or in the rain-drenched forest, or in all the rushing waters of the world. He sensed that the Entity was preparing a special song to play to him. He dreaded hearing this song, and yet he was eager for the sound of it, like a child struggling to apprehend the secret conversations of full men. And so he played his flute through many days, played and played, and waited for the goddess to call him to his fate.

      Of course, he did not really need forty days to regain his strength. He was young and full of fire and all the quickness of young life. He spent long nights sleeping on top of furs in the fireroom and longer days in the kitchen eating. In the food bins and pretty blue jars he found much to eat: black bread and sweet butter and soft spreading cheeses; tangerines and bloodfruits; almond nuts and lychees and filberts – and seeds from tens of plants and trees wholly unfamiliar to him. He found, too, a bag of coffee beans which he roasted until they were black and shiny with oil and then ground to a rich, bittersweet powder. Sometimes he would arise too early in the morning and drink himself into the sick clarity of caffeine intoxication. He remembered, then, his natural love of drugs. Once a time, he had drunk coffee and toalache freely, but he had especially loved the psychedelics made from cacti, kallantha, mushrooms, and the other spirit foods that grew out of the earth. However, as he also remembered, he had forsworn the delights of all drugs, and so he abandoned his coffee drinking in favour of cool mint teas sweetened with honey. Each day he would spend hours in the tea room sipping from a little blue cup and gazing out to sea.

      One morning he remembered the keenest stimulation of all, which was walking alone in the wild. The beach outside the house and the dark green forest above were truly as wild as any he had ever seen. When his legs had hardened against the gravity of this Earth, he took to walking for miles up and down the windy beach. He left deep boot prints in the sand along the water’s edge, and sensed that no other human being had ever walked here before him. He might have fallen lonely at his isolation, and in a way he did. But in another and deeper way, it was only by being alone that he could search out his true connection with the other living things of the world. He remembered a line from a poem: Only when I am alone am I not alone. All around him – along the shore rocks and the fir trees and grassy dunes – there was nothing but other life. His were not the only tracks in the sand. At times he liked nothing better than reading the sandprints of the various animals that walked the beach with him. In the hardpack he could often make out the skittering marks of the sandpipers and the sea turtles’ deep, wavy grooves. There were the scratchy lines of the crabs and the bubbling holes of the underground crustacea buried beneath the wet sand. Once, higher up the beach at the edge of the forest, he found the paw prints of a tiger. They were wide and distinct and pressed deeply into the soft dunes. He knew this spoor immediately for what it was. Many times, as a boy, he had read the tracks of tigers. Certainly, he thought, the snow tigers that stalked the islands west of Neverness would be of a different race than this slightly smaller tiger of the forest, but a tiger was always a tiger.

      If Danlo had any doubt as to the evidence of his eyes, one day he heard a lone male roaring deep in the forest. The tiger, he estimated from his throaty sound, was at least a mile away. Perhaps he was calling the she-tigers to mate with him or calling other males to share his kill. Danlo suddenly remembered, then, how certain tigers sometimes hunted men. Because he had no wish to meet a hungry tiger on the open beach, he thought to arm himself with drug darts or sound bombs or lasers. But he was a pilot, after all, not a wormrunner, and his ship carried no such weapons. He might have made a spear out of whalebone and wood, but he remembered that his vow of ahimsa forbade him to harm any animal, even a desperate tiger, even in defence of his own blessed life. The most prudent course of action would have been to keep to the house while waiting for the days to pass until his test. But this he could not do. And so in the end, on his daily walks along the beach, he began carrying a long piece of driftwood that he found. He would never, of course, use this as a club to beat against living flesh. If he encountered a tiger he would only brandish this ugly stick, waving it about and shouting like a madman in hope of scaring the beast away.

      The presence of tigers on this lovely beach reminded Danlo of the dark side of nature. It reminded him of the dark side of himself. All his life he had seen a marvellous consciousness in all things, in sand and trees as well as the intelligent animals with their bright yellow eyes. But consciousness itself was not all sunlight and flowers; in the essence of pure consciousness there was something other, something dangerous and dark like the swelling of the sea beneath the bottomless winter moon. All things partook of this danger. And if he was of the world, then so did he. Because he was a man, like other men, he sometimes wanted to deny this knowledge of himself. Sometimes, when he grew faithless and weak, he was tempted to see himself as a golden and godlike creature forced merely to live in the world until he might complete his evolution and make a better world – either that or transcend the darkness of rocks and blood and matter altogether. But always, when he opened the door of his house and stepped outside into the shock of the cold salt air, he returned to himself. That was the magic of all wild places. Always, at the edge of the ocean, there was a wakefulness, a watching and a waiting. All the animals, he thought – the kittiwakes and seagulls, the otters and whelks and orcas – were always calling to each other with a curious, wary excitement, waiting to touch each other with eyes or tongues or their glittering white teeth. Life always longed to envelope other life, to hold, to taste, to merge tissue upon tissue and consume other things. He saw this down in the tidepools, the way the crabs patiently used their strong claws to break open the razor clams a bit of shell at a time. He saw it in the way the great orange sea-stars clasped the mussels in their five strong arms and slowly suctioned them open, and then, with an almost sexual strategem, extruded their stomachs through their mouths in order to envelope the naked mussels inside their shells and digest them. All life trembled with a terrible love for all other living things, and sometimes this love was almost hate, not the simple loathing of a man for the dirt and gore of organic life, but rather the deep and true hate of being abandoned and lost and utterly consumed. The bone-melting ferocity with which nature was always trying to consume itself was truly an awesome thing. To be slain and eaten and absorbed by a fierce animal was the terror that all creatures must face, but being absorbed into the participation with all other life was the joy and wildness of the world. This sense of oneness with other life, he thought, was the essence of love. He saw love in the dance of the bee and flower and in the way that the algae and fungi combined to form the symbiotic lichens that grew over the rocks in bright bursts of ochre and orange. It was as if life, in its longing to love, must continually seek out other living things in order to share its nectar, its secrets, its memories, its wonderful sense of being alive.

      But for a man, that glorious and doomed being halfway between ape and god, it was always too possible to fall out of love. Always, for all men and