It was a pleasant time of day, with not much traffic. The stressed morning drivers were at their offices and Summer Street belonged to the locals again. Many of Christie’s original neighbours were gone, but there were some who’d lived on the street nearly as long as the Devlin family.
Like the Maguires, Dennis and Una, possessors of a series of clapped-out cars and gloriously oblivious to the outrage of their current next-door neighbour who clearly felt that a car with that many dents in its paintwork should not be parked beside her gleaming BMW. The Maguires had one daughter, Maggie: a good kid, Christie recalled. Tall, shy, always polite, hiding her prettiness behind a heavy veil of carroty red curls as if she needed a retreat from the world. She’d never been in Christie’s art classes but, like many of the girls on Summer Street, she’d had a crush on Shane. Lots of girls had. It was that combination of tousled blond hair and a slightly cheeky smile. He was a few months older than Maggie – extraordinary that they could both be thirty now – and indifferent to her pubescent longing.
‘Just say hello to her,’ Christie said, exasperated that Shane couldn’t see that even a few words from her idol would make a difference to this shy girl.
‘Ah, Mum, she’ll only think I like her. Get real, would you?’
‘What does that mean?’ demanded his mother. ‘Get real? I am being real. I’m saying show a bit of kindness, Shane. It doesn’t cost you anything, does it?’ Her voice had risen up the scale.
‘OK,’ he muttered, realising his mother was off on her high horse about how goodness and kindness filled your soul with happiness. It was a sweet idea and all, but it didn’t work with girls, did it? ‘I’ll say hi, right?’
‘And be nice.’
‘Should I propose as well?’
Maggie lived in Galway now and Christie hadn’t seen her for ages.
But the adult Maggie had lived up to the early promise Christie had seen in her. She was truly stunning-looking, her hair darkened to glossy auburn, her face a perfect oval with silvery cobalt-blue eyes, wide expressive lips and the translucent skin of the pure redhead. Yet she didn’t appear to be aware of her beauty. Rather the opposite, in fact. Christie sensed that Maggie Maguire was still hiding her real self.
‘She’s doing so well,’ Una Maguire said every time Christie asked. All those years ago, Una had been red-haired, too, but now the red was a faded strawberry with fine threads of grey. She was still beautiful, though, with the fine-boned face her daughter had inherited. ‘Maggie’s going out with this fabulous man. He’s a lecturer in the college and she’s in the library research department now. They’re made for each other. Living together for three years and they have a beautiful apartment off Eyre Square. No sign of them getting married, but young people don’t bother with that these days.’
‘No, they don’t,’ agreed Christie easily, who understood quite plainly that Una longed with all her heart for her only child to be settled down with a husband and children.
They’d gone on their separate ways, Christie sure that Una had no notion of what she’d really seen in Una’s heart.
Along with learning about her odd gift, Christie had learned that mostly people didn’t want you to know their deepest, darkest secrets. So she kept her insights to herself unless she was asked.
Ten yards ahead of her, Amber Reid shot out of her gate at number 18, long tawny-gold hair bouncing in the telltale manner of the newly washed. Amber was seventeen, in her final year at St Ursula’s and undoubtedly one of the stars of Christie’s class.
Amber could capture anyone or anything with her pencil, although her particular gift was for buttery oil landscapes, wild moody places with strange houses that looked like no houses on earth. Even in a large class, Amber stood out because she was so sparky and alive.
An unfashionable pocket Venus shape, with softly curved limbs and a small, plumply rounded face, her only truly beautiful feature was that pair of magnetic pewter eyes, with the ring of deepest amber around the pupils. She’d never have been picked as one of the school’s beauties, the languorous leggy girls with chiselled cheekbones. Yet Amber’s vivaciousness and the intelligence of those eyes gave her an attractiveness that few of the teenage beauty queens could match. And the artist in Christie could see the girl’s sex appeal, an intangible charm that a photographer might not capture but an artist would.
Christie knew that unless St Ursula’s had been evacuated for some strange reason that morning, Amber should be in school. And yet here she was, trip-trapping along in achingly high heels and a colourful flippy skirt that flowed out over her hips – unlike the institutional grey school uniform skirt that jutted out in an unflattering A-line. Amber was holding a mobile phone to her ear and Christie could just overhear.
‘I’m just leaving now. Has anyone noticed I’m not there? MacVitie’s not got her knickers in a twist over the absence of her best student?’
Mrs MacVitie was the maths teacher and Christie doubted that Amber, who was typically left-brained and hopeless at maths, was her best student. Favourite, perhaps, because it was hard to resist Amber, who always paid attention in class and was a polite, diligent student. But not best.
She must be speaking to Ella O’Brien, to whom she was joined at the hip, and Ella obviously told her that no, the St Ursula’s bloodhounds had not been alerted.
‘Sweet. If anyone asks, you think I was sick yesterday and it must have got worse. I phoned in earlier and told the school secretary I was sick but, just in case, you back me up and say I’m puking like mad. It’s true,’ Amber laughed. ‘I’m sick of school, right?’
Christie wondered if Faye, Amber’s mother, knew what her daughter was up to.
Faye Reid was a widow, a quiet, businesslike figure who’d never missed a school meeting and was utterly involved in her daughter’s life. Even though they lived on the same street, Christie didn’t see much of Faye. She kept herself to herself, head down, rushing everywhere, clad in conservative navy suits and low-heeled shoes, with a briefcase by her side. There was such a contrast between the butterfly beauty of Amber who had the best of everything and caught people’s eyes, and her mother, who always appeared to be rushing to or from work, trying hard to keep the mortgage paid and food on the table. A person didn’t need Christie’s gift of intuition to see that Faye’s life had been one of sacrifices.
‘She’s one of the most gifted students I’ve ever taught,’ Christie had told Faye two years before, shortly after Amber arrived in her class. ‘Any art college in the world would love to have her.’
And Faye’s face had lit up. Christie had never seen a smile transform a person so much. Faye was defiantly plain beside her daughter, overweight to Amber’s curved sexiness and with her brown hair pulled severely back into a knot that only someone with the bones of a supermodel could get away with. Faye Reid didn’t have the supermodel bones. But when she smiled that rare smile, she suddenly had all the charm of her daughter and Christie caught herself wondering why a woman like Faye, who could only be forty, lived such a quiet life. No man had ever been seen kissing Faye a wistful goodbye on the doorstep. Her clothes, the discreet earrings and low shoes that screamed comfort – they were like armour. It was as if Faye had deliberately turned her back on youthful sexiness and hidden behind a façade of plain clothes.
Christie wondered if she could see more…but suddenly, it was as if Faye Reid had abruptly closed herself off and Christie could see nothing but the woman in front of her.
‘Thanks, Mrs Devlin,’ Faye said. ‘That’s what I think too, but I love her so much, I thought I was totally biased. Every parent thinks their kid is Mozart or Picasso, don’t they?’
‘Not all,’ replied Christie grimly, thinking of some of the parents she’d met over the years with no belief in their kids whatsoever.
Her comment apparently touched a chord with Faye and the smile vanished to be replaced by