“Where are we going?” I ask, barely even recognizing my own voice.
“Don’t you remember?” he asks gently.
“No,” I say with a rising panic. “I’m sorry. I don’t remember at all.”
He looks at me with a strange smile and just keeps driving.
I’m sorry. I don’t remember at all.
The words burrow into my sleep, taking on urgency, growing louder, until the sound of my own frightened shout wakes me.
I bolt upright, breath labored, T-shirt soaked through with sweat. I’m in my own bed, the covers tossed to the floor. A weak Tuesday morning sun bleeds in through the blinds, shining on my clothes from last night in a messy tumble on the floor.
The details of the dream are already slippery. What kind of car? What club? It’s important to remember; I must dig into that place.
Coffee brews in the timed pot that’s set for six, its aroma wafting through the apartment. The city is awake with horns and distant sirens and the hum of traffic. Slowly, breath easing, these mundane details of wakefulness start to wipe away my urgency. The dream, the panic to remember, recede, slinking away with each passing second like a serpent into the tall grass of my wakefulness.
Sleep is the place where your mind organizes, where your subconscious resolves and expresses itself. In times of great stress, dreams can become like a whole other life, Dr. Nash said. A terrifying, disjointed life that I can’t understand.
I reach for my dream journal and start writing, trying to capture what I remember:
Morpheus, a nightclub?
Black-and-white-tile floors, kissing a faceless man?
He takes me somewhere in his car, a BMW maybe. Afraid. But relieved, too? Who was he? Where was he taking me? Why did I go with him?
Red dress?
Powerful desire. Jack. I thought he was Jack, but he wasn’t.
The impressions are disjointed, nonsense really in daylight. As I scribble, the sunlight brightens and begins to fill the room through the tall windows. Too bright. I must be late for work.
Finished writing, I flip back through to the earlier pages, looking to see if there’s any other dream like this one. Reading what I wrote late last night, before I took the pills, it’s the scrawl of a crazy person, loopy, jagged:
Jack, computer, looking at porn? Who is she?
Another sentence that I don’t even remember writing: Was he hiding something from me?
I stare at the black ink bleeding into the eggshell page. There’s a little stutter of fear, as if I discovered a stranger had been writing in my dream journal. But no, the handwriting is unmistakably mine.
I start flipping back through earlier entries. One page is filled with a twisting black spiral. It begins at a single point in the middle of the paper, spins wider and wider until it fills the whole sheet. It’s inked in manically, scribbled at so hard that it leaks through to the page beneath. There’s a tiny black figure that seems to be falling and falling deep into the abyss.
No one tells you about the rage, I’d written. I could fall into my anger and disappear forever. How could he do this to me? How could he leave me like this? Who did this to him? To us? Why can’t they find my husband’s killer?
Again, that feeling—a stranger writing in my dream journal.
But no.
That rage, what a sucking black hole it is, devouring the universe. I remember that there was a terrible, brilliantly real dream about finding the man who took Jack from me. I chased him through the streets, finally gaining on him and taking him down in a lunge. I beat him endlessly, violently, with all my strength. It was so vivid I felt his bones crush beneath my knuckles, tasted his splattering blood on my mouth. It went on and on, my satisfaction only deepening. I confessed this tearfully to Dr. Nash.
Anger, in doses, can be healthy, Poppy, she said. It’s healthy to direct your rage toward your husband’s murderer, to not hold it in. Rage suppressed becomes despair, depression.
How can it be healthy to dream of killing someone, to imagine it so clearly? To—enjoy it?
There’s darkness in all of us, she said serenely. It’s part of life.
I shut the dream journal hard; I don’t want to go back to that place. That rage inside me; it’s frightening. I don’t want to know who I dreamed about last night, where I was. Maybe it’s better to let these things fade. After all, if you’re supposed to remember your dreams, if they mean something—why do they race away? Why do they never make any real sense?
The hot shower washes what’s left of it all away. I can barely cling to even one detail. But there’s a song moving through my head, something twangy and hypnotic.
I’ve seen that face before.
* * *
Images resurface unbidden as I head to the office—I flash on the man at the bar, the blue lights of the car interior. It’s an annoying, unsettling intrusion, these dreams so vivid, so disturbing. And I’m not rested at all; I’m as jumpy and nauseated as if I’d pulled an all-nighter.
I ask myself a question I might be asking too often: How many pills did I take last night? And: How much wine did I have?
Not enough, apparently. Not enough to achieve blankness.
Nervously aware of my surroundings, I scan my environment for the hooded man. Though the day is bright, I see shadows all around me, keep glancing around like a paranoiac. There’s a group of construction workers, all denim-clad, with hoodies pulled over their hard hats. One of them stares, makes a vulgar kissing noise with his mouth. I stride past him, don’t look back.
Finally, in the office, at my desk, I feel the wash of relief. It’s early still, at least an hour before anyone else comes in. I pick up the phone.
“Hey, there,” answers Layla. “You didn’t call me back last night.”
Her voice. It’s a lifeline. She’s so solid. So real.
“Did you call?” I ask, confused.
“Yeah,” she says. “Just wanted to check on you. I didn’t like how you looked when you left.”
Scrolling through the messages on my phone, I see her call and a text, left after eleven.
“Oh—sorry.” How did I miss that?
“Seriously. What’s going on?”
Layla is the first one to start worrying about me. She was the first to think that maybe something wasn’t right a day or two before my “nervous breakdown” or “psychotic break” or whatever we’re calling it these days. Dr. Nash just refers to it as my “break.” Think of it as a little vacation your psyche takes when it has too much to handle. It’s like a brownout, an overloading of circuits. Grief is a neurological event. And Layla was the one to bring me home.
I tell her about the dream, anyway the snippets I can almost remember.
She’s quiet for a moment too long. I think I’ve lost her.
“Layla?”