Jess remembered as she scribbled, the ghastliness of the notion making her sway a little in the burning Sechura sun.
For once the clouds had parted and it was fiercely hot: out there beyond the huacas the villagers of Zana were tilling their fields, bending to cut the reeds of sugar cane, white towels of turbans on their heads to ward off the sun. Otherwise the landscape was empty. Drifting, and empty, and dying.
‘OK?’
She nodded. Dan smiled, and there was a definite but discreet warmth to his smile. The smile of a boyfriend. Jessica welcomed his discretion, and reticence: no one else in TUMP knew she and Dan were having a relationship – not yet. And Jessica wanted to keep it that way. Because she wasn’t sure what she felt yet. Dan very definitely wasn’t her normal type: she usually went for young bohemian guys, unshaven and unreliable, casual and sexy. Musicians and artists. She’d been quite promiscuous at university. But now suddenly she’d gone for the older man. Why? Maybe she was emotionally a late developer, even as she was professionally precocious: maybe she was finally filling the father-shaped hole in her heart. Wasn’t that what daughters who lost a dad at an early age were meant to do? Seek out the missing male security figure?
The wind was stifling, the sun relentless. Dan was sweating in the heat, showing damp sweat patches under the arms of his grubby T-shirt. Yet she still felt a stir of attraction: he was quite rugged in an older and scholarly way. And his expertise itself was attractive: a man doing something well. He was a very gifted archaeologist – quite famous in his field.
As if aware of her scrutiny, he looked up: ‘Do you not have a flashlight? You’ll need it in the tomb, Jess. If you want to see to take notes.’
‘I’ve got it. Don’t worry. I’ve got everything.’ She glanced behind her at the waiting huaca, the ancient pyramid of crumbling dust, and lifted her notebook. ‘Tell me again what we know for sure about the age. When does the tomb date from?’
‘From the very last gasp of Moche civilization. Eighth or ninth century, when they evolved into the Muchika. Essentially they’re the same people, same culture, same bizarre civilization, but with dwindling resources.’
Jess nodded and wrote in her notebook, then said, ‘How do we know there haven’t been any haqueros? Any graverobbers? How do we know the tomb is sealed?’
Dan didn’t answer, he was distractedly patting his pockets, apparently making sure he had some kit on his person. This was typical for Dan – the classic intellectual scientist, always elsewhere.
Jess took the time to gaze around at the strange town that had been her home for six months. In a part of the world singularly blessed with hideous towns, Zana, an hour’s drive south of Chiclayo, and even deeper into the Sechura Desert, was still a shocker.
The streets were mostly paved with mud, or mud and sewage. The houses were concrete or adobe hovels, painted dirty white or a hopelessly sour pastel. Most of the buildings were one storey, but they didn’t have proper roofs, just ugly amputated concrete pillars bristling with steel cables that pointed at the empty air, waiting for the day when the family got rich enough to afford a second storey. These amputated houses gave the city an odd appearance, as if some dreadful god of pre-Columbian Peru – the mysterious Decapitating Demon of the Moche – had come along and swept a chainsaw across the town, levelling the buildings, chopping off anything too ambitious.
Turning back to the huacas, the prospect hardly improved: it seemed impossible that such ugly, if sizeable, heaps of mud, stretching almost to the horizon, could be so archaeologically important. Yet they were. These were the Moche pyramids, great sacred sites brutally eroded by fifteen hundred years of desert wind and El Niño rain. Once they would have been lofty, painted ziggurats dominating the flats and cornfields, full of warriors, priests and bloodthirsty nobles. Now they were muddy lumps, fabulously unexcavated muddy lumps, the precious knolls that had persuaded Toronto University Archaeology to locate its Moche Project in Zana.
In just two seasons of digging, Dan and the guys had opened only three of the many huacas, and already they’d found two senior Moche tombs, both undisturbed, one of which had provided the damaged neck vertebrae which had afforded Jessica her insight.
So it was exciting to wonder what else lay out here in the endless heaps of dry soil and potsherds.
At last, Dan lifted his eyes from his kit. ‘Sorry, Jess? Did you say something?’
Jessica smiled. ‘I said: how we do know the haqueros haven’t been here? The graverobbers.’
‘Well, we don’t, not absolutely,’ he confessed, his long grey hair falling over his dark brown eyes, ‘But we’re extremely optimistic. We’re guessing the reputation of Zana, as a bruja town, a town of sorcerers, has protected these huacas. Most of the people here are emancipated African slaves, thought to possess magical powers – that’s probably why the other tombs were untouched, in which case, why not this one also? And the doors are also intact. Anyway, we can talk later. Shall we do it?’
‘Yes!’
‘Turn on your headtorch.’
Dan was already buckling the chins strap of his helmet, with its halogen headtorch. Jess followed him.
The path around the southwest incline of Huaca D led to a low, excavated entrance. The smell emanating from the dark mudbrick tunnel beyond was earthy, and homely, and yet tanged with something else: something warm and maybe fetid. Something alien.
Stooping, they entered. Nina felt the brush of the mud roof on her helmet, and it was a distinctly satisfying sensation. At last she was inside a huaca: a real-life Moche adobe pyramid! Fifteen hundred years old!
Their uncomfortable crawl through the narrow adobe passage took several minutes: this was one of the biggest huacas in Zana. As they inched their way along, the mudbrick walls narrowed, tapering on either side, and above. A few minutes later, she and Dan were virtually crawling, abject and animal-like, on hands and feet. The darkness was intense.
Jessica hated the dark. It always reminded her of her father, and his last days. Specifically it reminded her of being in his hospital room at night, with the lights low, near to his death, as his cancer conquered him. She had been just seven years old and hadn’t understood what was happening. But she had nonetheless imbibed some emotional association: darkness equals death, equals a terrible nothingness, an inexplicable nullity. Yes, she hated the dark.
The darkness in the huaca was made worse by the claustrophobic conditions. The air was clammy and over-warm, lacking oxygen. Jess sweated. How could Dan be sure the pyramid wouldn’t simply collapse on top of them, smothering them in ancient mud, their mouths filling with suffocating soil, an avalanche of crumbling adobe? And then more darkness.
They moved on. Two more minutes of crawling became three. The passageway zigzagged, perhaps as a deterrent to graverobbers. The darkness was now pure and solid, cut through only by the beam of her headtorch: it illuminated Dan’s white T-shirt, as he led the way, crawling and crouching. The white of the T-shirt was turned a dirty orange: grimed with fifteen-hundred-year-old mud.
‘Here.’
Panting with relief, Jess saw they were entering a taller antechamber. She could stand; though Dan, with his lanky six feet four, still needed to hunch over.
Two other team members were waiting for them, kneeling in the dust. Jay Brennan and Larry Fielding. They said hello, and made poor jokes about the loveliness of their surroundings. Jess smiled as best she could, but she was too distracted by the floor of the antechamber.
‘My God.’
Here were the disarticulated skeletons, half-excavated. These were the sacrificed concubines or servants of the lords buried further within. From her research, she knew what these signified. The Moche believed their aristocrats