It looks shocking to have nothing. Naked. Almost improper.
When Edward doesn’t immediately look down at her bare hand, she moves it to cover his. Blue veins; knobbles; big brown freckles. But the face above them, still fine-boned and lean, is so handsome, so noble. He’s still a god among men. Her King Arthur.
She’s aware of the quizzical look on Edward’s face. She thinks: He knows what I’m going to say.
He almost certainly does know what she’s up to, and the favour she’s going to ask. He’s no fool, Edward. They play games about gifts: she begs, or he begs; she holds out, or he holds out. They both like bargaining. They’re both fascinated by money. It’s one of the things she likes about him.
‘Do I look enough the Queen of the Sun in this, do you think?’ she asks, raising the hand to his shoulder and running it down his arm with the beginning of sensuality. Edward smiles and shivers pleasurably, like an old cat lying in the sun having its tummy tickled. He’s always ready to take pleasure where he finds it. From the floor, she’s aware of the Duke of Lancaster’s eyes boring into her too. She ignores him. Let him wait his turn. She says, ‘My lord…truthfully now?’
Edward half smiles, with half-hooded eyes, and inclines his head forward. But he doesn’t look at her hands, or her bare throat. ‘You are a paragon of loveliness, mon amour,’ he says, but she’s aware of the distance creeping into his playfulness. ‘More every day. Today especially. You’ll astonish the world.’
‘Even’, she says delicately, ‘without jewels?’
Edward doesn’t sigh, quite. But he doesn’t meet her eye, either. Less gently, he says, ‘Dear girl, you have jewels. Your own jewels. A great many of them too.’
She says, ‘But with this robe, Queen Philippa’s rubies would be…’
Smiling over her head, and bowing to her without hearing her out, Edward rises to his feet. The Duke of Lancaster is on the dais and approaching the table.
‘A fine performance, my boy,’ Alice hears Edward boom at his son from over her head. He sounds relieved to have a way of ending this conversation with Alice. Yet the dead Queen’s jewels aren’t official royal gems, not part of the treasury, just Queen Philippa’s private collection of trinkets. There’s no real reason of state why Edward shouldn’t let Alice, or any other commoner, mistress, favourite, or friend, use them. Alice used to have to clean them. It was part of her job as demoiselle, back in the day. She held them up to the light, dreaming. She tried them on. She knows them all. So she keeps nagging him about them, even on the days, like today, when it clearly irritates him. One day, she thinks, without particular rancour, he just might give in – because, after all, why shouldn’t she wear them? She’s doing the work of a queen, so why shouldn’t she have the reward? What good are they doing anyone in their boxes?
She knows, really, why he’s reluctant. Edward wants to keep a part of himself, and his memories, separate from her; he wants a place he can remember the big silvery-blonde Queen he loved for so long. He doesn’t want another woman wearing Philippa’s trinkets. She respects that; she really does. But she can’t help herself. It’s not in her nature not to ask for more.
‘…the rubies would be so perfect…’ Alice finishes, disconsolately. Her voice trails away. There’s no point. Neither of the men is listening.
‘You’re taking a chance, aren’t you?’ Duke John says with slightly rough familiarity, as they step close in the column of couples. Alice doesn’t mind dancing, if it’s the stately, dignified basse dance, and if it’s with him. They’ve talked privately before; she’s spent many a Christmas with Edward and his family. Her estate at Wendover, north of London, is close to part of the Duke’s Lancastrian territory; so they’re neighbours. But he’s never made a public point like this of acknowledging her before. With him at her side, she doesn’t even mind entering the crowd of courtiers who are just a little too impressed by their own noble lineage to enjoy meeting her eye, even though she can see the de Roët women in the line of dancers, and they’re both still as terrifyingly lovely as ever. Ah, who cares? she tells herself, suddenly gay. I’m having a better life than either of them. Katherine’s now the widow Swynford, with a little estate somewhere up in Lincolnshire and several children running wild. And Philippa’s married to one of Edward’s esquires, that clever little elf Chaucer, though no one thinks they’re happy; she scuttled straight back to work with the Duchess of Lancaster, mean Castilian ladies-in-waiting and all, after both her babies, as if nothing would persuade her to stay home with her husband. They’d probably both rather be in my shoes, Alice thinks.
‘My lord?’ Alice replies, too innocently. ‘What do you mean, taking a chance?’
The Duke of Lancaster steps back in time with the lilting twelve-quaver beat, but with an interested look that suggests the conversation isn’t over. A second later, as they lean together again, he goes on, glancing down at her finery: ‘Your robe is almost exactly the same as the Princess of England’s at Christmas…as I’m sure you realise,’ and gives her a challenging smile with one eyebrow raised.
Of course I realise, she thinks patiently. I had Princess Joan’s dress copied, didn’t I? And I did it so you’d notice, didn’t I? The Princess never showed herself at a public court dinner at Christmas; she only attended family occasions. So no one outside the royal family will have seen it. And Edward’s eyes are failing; he never notices the colour of robes any more. It’s a joke for the two of us to share. We’re supposed to draw closer, and wink, and enjoy ourselves watching each other enjoying ourselves poking a bit of fun at the Princess, and then you’re supposed to think: Why, Alice Perrers, you and I, we’re kindred spirits. Two peas in a pod.
But that’s not what she says. She just flirts. She lifts her eyebrows and flashes him a smile that’s all teeth and daring. Demurely, she says, ‘No one else has mentioned a resemblance.’ Then she turns the corners of her lips up again.
She’s rewarded by a deep snort of scandalised laughter. She’s got his attention, all right. He’s shaking his head as he goes through the dance step, looking half-disapproving, but half-amused too.
‘What will you do if she turns up?’ he says. He sounds serious, but she can see that the corners of his lips, like the corners of hers, can’t quite stay down.
Alice knows John of Gaunt is said to love his much older sister-in-law and brother, and be sad that, in the past few years, since the Prince’s illness, they’ve gone cold on him. It’s obvious to everyone they’re scared he’s going to wait till his brother’s dead, then try and steal the throne from the little boy; but perhaps it isn’t obvious to him. People say he misses them. Probably, knowing what a stickler he is for the old ways, the old respect, no one’s ever tried lightening his feelings about losing his brother’s family’s affection by sending that old trout of a Princess Joan up, just a bit.
Alice thinks: I won’t let myself be rattled by the idea of Princess Joan coming here. Serenely, she replies, ‘Why would she?’
It’s unanswerable. They both know Joan of Kent will stay home on her side of the river, in Kennington, with her dropsy-ridden hulk of a husband and her mewling, puking seven-year-old. She was once a beauty, Joan of Kent. They even say she was Edward’s mistress, long ago, before she married his son, though Edward’s never breathed a word of any such thing to Alice. But Joan certainly isn’t the most beautiful woman in England any more, hasn’t been for years – certainly not since Alice first clapped eyes on her. She wasn’t a beauty any more even in her thirties, when she scandalised Christendom by taking for her third husband her royal cousin – a childhood playmate – in the obvious hope of getting a crown when he became king. And she’s fat and forty-five now, and the violet eyes poets wrote about long ago are puffy and mean. She’s hardly ever at court.
Alice thinks: She calls me a gold-digger, but what’s she? She might be a king’s granddaughter, but when it comes down to it, really, she’s