On Thursday The Times wanted to know why women weren’t safe to walk the streets of Theatreland and the Guardian wanted to know why so much attention was being paid to one wealthy actress when in the past week alone two hundred ordinary people had gone missing without any great fanfare at all.
On Friday, as Londoners gathered to burn effigies of Guy Fawkes, police were called to a disturbance at a flat in Golden Square. When they arrived they found a young male prostitute called Vincent Mar lying on the front steps having sustained a terrible head wound. The police arrested a middle-aged man who was the tenant of the flat they’d been called to attend. The man’s name was Richard Wallis and he happened to be a Junior Minister of State for Justice in Her Majesty’s Government. By the time Wallis had been released – without charge – late on Saturday night, the papers had got hold of the scandal and Iolanthe was about to be knocked quite definitively off the front pages.
Monday, 8 November
In West End Central police station, up on Savile Row, Inspector Knight had been co-ordinating a well-resourced search effort for Iolanthe but now he was running out of ideas. Statements had been taken and double-checked, posters had been mounted in prime locations, hospitals had been phoned and visited. Nobody, it seemed, absolutely nobody, had seen Miss Green.
Over the course of a fraught weekend, in which he had seen nothing of his wife or children, Knight had been instructed firmly by the Home Office that he was to scour Soho for other possible assailants of young Mr Mar who had – to the relief of many – failed to regain consciousness after the attack. But the majority of Knight’s men were assigned to the hunt for the missing actress.
The Sunday papers had attempted to try and convict Mr Wallis right there on the newsstands and pressure from the offices of government was increasing. So at 9 a.m. on Monday, Inspector Knight called into his office a detective sergeant by the name of Barnaby Hayes.
‘The government is defecating in its collective knickers, Hayes.’
‘I’m sure it is, sir.’
‘I have until next Sunday to find at least one fully fashioned scumbag who might have tried to kill, rob or bugger Vincent Mar. I also have to hope the bloody man’s about to die, because if he wakes up and recounts a night of ecstasy with Mr Wallis we’re all fucked.’
‘Sir.’
‘The worst of it is I still have to pretend to care about Iolanthe Green when any fool can see that the woman’s obviously done herself in and hasn’t had the decency to leave her body somewhere handy.’
‘Yes, sir.’
‘You’re the closest thing I have to competent in my department, Hayes. Don’t fuck up and don’t talk to any press.’
‘Sir.’
‘Find the body. Close the case. We have better things to be doing.’
Barnaby Hayes picked up the small pile of manila files and carried them out of the office to his desk. He was a meticulous and careful officer, a player by the rules. He had distinguished himself in the eyes of Knight by working long hours and never once trying to cut corners or claim he’d done work when he hadn’t. His name – as it happened – was not Barnaby at all, but Brennan. He had cast this particular mark of Irishness away from him when he joined CID.
He opened the files and rearranged their contents. He knew from bitter experience that not everyone in the department was as assiduous as he was and he could see no other way ahead but to start from scratch and re-interview everyone connected to Iolanthe. He cast his eyes down the list of eyewitnesses from the Saturday she had disappeared. The name at the top of the list was Anna Treadway. He dialled her number.
Anna Treadway lived on Neal Street in a tiny two-bed flat above a Turkish cafe. She went to bed each night smelling cumin, lamb and lemons, listening to the jazz refrain from Ottmar’s radio below. She woke to the rumble and cry of the market men surging below her window and to the sharp, pungent smell of vegetables beginning to decay.
At seven o’clock most mornings of the week she would make the walk to buy a small bag of fruit for her breakfast. Past the Punjab India restaurant, where the smell of flatbread was just starting to escape the ovens. Past the vegetable warehouses with their arching, pale stone frontages. Past the emerald green face of Ellen Keeley the barrow maker. Past the dirty oxblood tiles of the tube station where Neal Street ended and James Street began. Past Floral Street where the market boys drank away their wages and down, down, down to the Garden. Covent Garden: once the convent garden. Now so full of sin and earth and humanity. Still a garden really, after all these years.
The roads around it were virtually impassable most mornings, a deadly tangle of horses, dogs, cars and old men whose thick woollen cardigans padded out their frames until they looked like overstuffed rag dolls with pale, needle-pricked faces. Men who pulled great barrows – like floats from a medieval carnival – piled with sweetcorn and plums, leeks and potatoes and fat red cabbages that gleamed and glistened like blood-coloured gems. Men who balanced on their heads thirty crates of lavender that swayed and bowed as they walked and left the perfume trail of distant fields everywhere they went. Covent Garden, so sensual and unkempt: a temple to something, though no one could tell you quite what. Money. Nature. London. Anna sometimes thought that it acted like a city gate, announcing London’s size and grandiosity to all who visited there. Look at us, it said, look what it takes to feed us all. How mighty we must be when roused. How indomitable.
Through the garden and into the house she went. Into the vaulted space of the indoor market and through the crush of tweed jackets and donkey jackets and macs.
‘Sorry, love.’ ‘Mind yourself.’ ‘MUSTARD GREENS!’
In this world of men a woman’s voice could become lost, clambering high and low to find its place between the layers of bass and tenor sound. ‘Black— Goose— App—.’ The syllables of the woman in the dark red pinafore were eaten by the whole, swallowed down like soup in this dark, confusing dragon’s belly of a place. Anna handed the woman her pennies and the woman gave her a paper bag of blackberries in return. How strange, Anna thought it was, to pay for blackberries when she had gone every September as a child to the railway cutting at the bottom of town to fill her skirt for free.
‘Everything can be given a price if someone chooses,’ her mother said. ‘It doesn’t have to make sense to us, Anna. So little of the world makes sense.’
Back home in the little flat, she shared her early-morning rituals with an improbably blonde American called Kelly Gollman who worked as a dancer in a revue bar in Soho and who rented the better of the two bedrooms from Leonard Fleet, Anna’s boss who lived in the flat above.
Anna had never seen Kelly dance and Kelly was careful never to ask her if she might one day come into the club. Both had the uneasy feeling that they were not on the same level as the other: Kelly taking her clothes off for boozy businessmen and Anna carrying clothes and cups of lemon tea for proper actresses in a theatre with dark gold cupids above the door. Anna had the kind of job that one could tell one’s parents about and she was English and she had a leather-bound copy of Shakespeare on her bedside table.
Sometimes, if Anna was home late or Kelly early, they would meet in the little kitchen and make toast together at midnight. Anna would compliment Kelly on her clothes and her hair and her tiny waist and Kelly would laugh and demur and enjoy it all immensely. In the early days of living together Kelly had gone out of her way to compliment Anna in return, but since she found