Lexis had nothing to say on the subject of Richard Ente’s character. Since childhood, I had pictured my father as a handsome man, a distinguished lawyer in a dark suit and a blue-and-gold Bleak College necktie, because yes, he went to Bleak, just the same as my grandfather, the same as me, and I wonder if I didn’t go there in part because I hoped I’d find some trace of him. I imagined Richard Ente sitting at dinner with my grandfather, twirling a glass of wine between his fingers, like an old version of the young Sean Connery, if you see what I mean. Richard Ente offering his considered opinion on legal matters, then turning and catching Marie’s eye. Richard Ente pressing my mother’s hand as they said goodbye, and murmuring something in her ear. Richard Ente under cover of darkness climbing the roof of the garage, still in his dark suit, and slipping through my mothers’ open window. My love! said his love. Ssh, Richard Ente murmured, a cross now between James Bond and Humbert Humbert, although I suppose Humbert Humbert is already that. We don’t want to wake them, do we? Marie’s hands at the knot of his tie. Richard’s hairy fingers— with a ring, perhaps, on the third left one?— undoing the top of Marie’s dress. Then an unclarity, willful, on my part. Then Richard Ente murmured, You mustn’t tell your father. —Damn my father, Marie said, rolling away from him and snugging her back to his chest. He’s a good man, Richard said softly. Not as good as you, Marie said. Hm, said Richard. He got up and dressed in the moonlight. Is my tie straight? —You look dashing, Marie said. —Then adieu. —No! But Richard Ente was gone; he had climbed out the window and down to the ground, and now he walked to where his car idled silently among the trees. None of this explained him taking his own life. I invented other scenes in which Richard Ente’s suicidal tendency would be manifest: Richard draining a flask before he gets into his car. Richard growling, I can’t go on with this charade! Richard speeding around a curve and closing his eyes. No. The story I’d made up about my father had petrified in my memory; adding the story of his death in Denver didn’t change him any more than the addition of paint to a rock would make it not a rock. My story was beyond contradiction, to the point where even now I think of it as being about my real father, even though I know for a fact that it is wrong in almost every particular.
Finally I stopped looking for the truth about Richard Ente. I was left with a mystery, a love of library research and a desire to get as far away from my family as I could: these last two came in handy when I went to Stanford to study American history.
LOST THINGS
The sun was already high over the mountains when I woke up, my neck and back frozen at bad angles from sleeping on the sofa. I washed my face and drank sulfurous water from the tap. By day, the house didn’t seem haunted, only cluttered. Four generations of Rowlands had lived there and as far as I could tell not one of them had ever thrown anything out. Cigar boxes and tobacco tins from the early twentieth century were heaped on a table in the hall, teapots, hatracks, mugs, pens, bowls full of buttons and pins, vases, stacks of old magazines, china statuettes of shepherds and milkmaids, candlesticks, bundles of letters, books, albums, records, telephone directories, ashtrays, bottle openers and pens given away by businesses that no longer existed, framed photographs of long-dead cousins, sewing kits, skeins of wool, coasters, place mats, watercolors of the Catskills that my grandmother had painted in her youth, road maps, paperweights, letter openers, seashells, lamps. Every horizontal surface in the house was heaped with stuff; every cabinet was full. There was no separation between the priceless things and the worthless ones: in the parlor, the silver inkwell which supposedly came over from France with Jean Roland was full of paper clips.
I went upstairs to my mothers’ bedroom, which looked just as it had when they ran away from Thebes in the spring of 1970. Embroidered bedspreads covered the twin beds; the trunks where Celeste kept her art things stood against the wall. There were two windows and two desks, and a poster tacked to the wall between them: Russian Folk Music, University Performing Arts Center, December 19, 1969. Their closet was a museum of fashion from the late sixties. Their bookshelf was the summum of thought from the same era: The Bell Jar, Being and Nothingness, Steppenwolf, The Stranger. The room had always seemed strange to me, and it was strange that my grandparents hadn’t done anything with it, the way they’d changed my uncle’s room into a study. It was as if they were still hoping my mothers would come back. But the room was creepy, and I could understand why the Celestes hadn’t wanted to come back. I felt like an idiot for agreeing to come in their place. I should have let them hire someone to get rid of everything. Without looking at my grandparents’ room, or the study, or the attic, my god, the attic, I got dressed and drove into town.
I parked in back of the Kountry Kitchen, took a booth by the window and looked blankly at the big sign outside the ski shop, which said
GOD BLESS AMERICA
WINTERS COMING
GET UR GEAR
There was almost no one in the restaurant, a couple of teenage girls in purple parkas smoking at the counter and a large party at the other end of the room, it looked like a business lunch, three men and a woman in suits, their jackets hung on the backs of their chairs, their cuff links gleaming. As I ate, I thought one of the men was trying to get my attention. He looked at me and raised his eyebrows inquisitively, and I wondered if it was because of my San Francisco clothes, my burgundy leather jacket and thrift-store shirt with the monkey Curious George depicted performing various activities against a yellow background. I nodded in what I hoped was a friendly, masculine way, as if to say yup, and went back to my lunch. Each time I looked up, he was watching me. I wondered if he was trying to pick me up, if he had come to the same conclusion about me that Charles had. A middle-aged businessman with curly gray hair and gold-rimmed eyeglasses, a dark-green suit a shade nattier than the suits around him, it was possible. My yup might have sent him the wrong signal; I didn’t know how grown-ups communicated in this part of the world. It was too bad, the woman sitting beside him was attractive. I would have liked to look at her wide mouth, her thick red lips and narrow chin. Even the faintly perceptible shadow of hairs on her upper lip was enticing. She would probably have fine brown hairs all down her back and arms. Instead I had to look at my lunch special, a breaded pork chop snuggled against the flank of a mountain of mashed potatoes and bathed in brown gravy. Then, suddenly, the man was standing in front of me, leaning toward me, eager, worried, saying my name. “Kerem,” he said, and held out his hand. “Do you remember me?” It was Joe Regenzeit’s son, grown and changed, thick where he used to be thin, shorter than me now. We embraced and his chin hit my shoulder.
“What are you doing here?” I asked. The last time I saw Kerem, he was fifteen years old, and bound, I thought, for fame in the world of professional soccer or notoriety in the underworld of punk rock.
“Running the family business,” Kerem said, grinning. He put his hand on my back. “Come say hello to my sister.”
He guided me to their table, where the woman, who had looked mysterious and attractive before I knew who she was, transformed herself into Yesim, Kerem’s younger sister, the