George gives a little nod. ‘There was a Jon when old Mister Matthews brought me here. He was one of the bigger boys. He wasn’t here for long.’
‘He went home?’
George shakes his head fiercely. ‘I think the men sent him somewhere else.’
Jon considers this silently. There might be no more than six or seven men in black roaming these halls, but somehow it feels as if they are everywhere all at once. They are quiet men who speak only rarely, unless it is to lead the boys in prayers or summon them to chores – yet when a boy has done something wrong, been tardy in making his bed or been caught whispering after lights out, they have a way about them, a gentle nod that they give. Then, a boy must go to a corner and wait to be dealt with. He might find himself running laps of the building, or locked in the laundry. The other boys say that he might find himself in one of the dead rooms with his trousers around his ankles and red welts blooming on his bare backside. One night, a boy was caught chattering after dark and taken from the dormitory, only to come back an hour later with the most terrible punishment of all. ‘They’re writing to my mother,’ he said, ‘to tell her I’m happy and don’t want to go home …’
Surely, Jon decides, it is these men in black who are keeping him here. They have cast an enchantment on his mother, another on his sisters, and have raised up walls of ice around him.
‘What’s in your book?’
Jon inches across the floor, thick with dust, and holds the cover up so that George might see.
‘Peter used to read stories to me when they put me here …’
‘How long have you been here?’
‘It was before the summer. There was snow in May!’
Jon is about to start spinning the familiar story so that this fat boy might hear it as well, when somewhere a bell begins to toll.
There comes a sudden flurry of feet. Jon crams the book under a stack of chairs. At his side, George is infected by the panic and, knees tucked into his chin, rolls up into a ball.
The footsteps grow louder. Then, a short sharp burst: somebody calling George’s name.
‘George,’ the red-haired boy says, loping into the hollow with the air of an exasperated schoolteacher, ‘there you are …’
George unfurls from his bundle, throwing a sheepish glance at Jon. ‘I’m always here, Peter.’
The red-haired boy follows George’s eyes. ‘This one been pestering you, has he?’
Jon shakes his head.
‘He’s bound to pester someone, aren’t you, George?’ says Peter.
George eagerly agrees.
‘How are you doing, kid?’
The fat boy shuffles his head from side to side.
‘They told him about his mother last night. He told you about his mother?’ asked Peter.
‘My mother’s coming back for me,’ Jon begins. He does not know why, but he proclaims it proudly, as if it is an award he has striven for and finally earned.
‘Yeah,’ Peter says, slapping George’s shoulder so that the little boy stumbles. ‘That’s what George here thought as well. But they called him into the office last night and told him she wasn’t ever coming back. She’s dead, George. Isn’t that right?’
George nods glumly. It occurs to Jon that, though tears shimmer in his eyes, he is thrilled to hear it announced so plainly by Peter.
‘Me,’ says Peter, ‘I been here longer than George, longer than lots of these boys. My mother’s been cold in the ground for almost forever. My sister’s with the Crusade too, but they shipped her off to a girls’ home in Stockport, so it’s not like I’m ever seeing that one again.’ He exhales, as if none of it matters. ‘So the one thing you got to understand, kid, is that whatever’s coming up for you, it isn’t Sunday roasts and trips to the seaside.’
In the hallways outside, the bells toll again.
‘Come on,’ says Peter, ‘you don’t want to know what happens to boys who skip their stupid vespers …’ Peter scrambles past, out into the hall.
Momentarily, Jon and George remain, sharing shy glances. Then, Jon moves to follow.
George reaches forward and tugs at Jon’s sleeve.
‘She’s really coming back, is she? Your mother?’
Jon does not mean to say it so, but suddenly he is full of spite. He whips his arm free. ‘I’m not an orphan,’ he says. ‘I have a mother and a father, and they’re both coming back. I don’t care what Peter thinks – two months and I’ll be gone …’
They push across the hall. The straggling boys are hurrying now, down the stairs from the dormitories above.
‘That’s how it was for Peter,’ George begins, drying his eyes so vigorously that they become more swollen and red. ‘But it’s just like he always says. The childsnatcher doesn’t come in the dead of night. He doesn’t creep up those stairs and stash you in his bag.’ They follow a passage and go together through the chantry doors, where the other boys are gathering. ‘He’s just a normal man, in a smart black suit – but once he calls you by your name, you never see your family again.’
In the doorway, Jon hesitates. The boys are gathered around, sitting in cross-legged rows, little ones and bigger boys both – and there, standing in the wings, are the men who run this Home: normal men, in smart black robes; childsnatchers, every last one.
December is cold, but January is colder still. It snows only rarely, but when it does the city is draped in white and the frosts keep it that way, as if under a magic spell of sleep.
It is only in those deep lulls between snowfalls that the boys are permitted into the grounds of the Home. It is Peter who is most eager to venture out. Jon himself is plagued by a relentless daydream in which the Home has been severed from the terraces beyond. In the dream, the enchanted whiteness goes on and on, and he begins to wonder how his mother – not nearly so brave as his father – might ever find the courage to cross the tundra and find him. George, too, takes some coaxing. He has not been beyond the doors of the Home in long months and stands on the threshold, squinting at the sky. Peter assures him it is not going to cave in, but it does not sway George. It is only when Peter admits defeat and bounds outside, leaving him alone, that George finds the courage to follow. Watching Peter disappear into that whiteness, it seems, is the more terrifying prospect.
Some of the boys build forts; others attempt an igloo that promptly caves in and entombs a little one so that his fellows have to dig him out. The returned soldier leads a game of wars, in which each gang of boys must defend a corner of the grounds – but the game is deemed too invigorating by the elderly man in black, and must be stopped. Even so, the boys continue in secret. George, swaddled up so that he looks like a big ball of yarn, sits in a deep fox-hole dug into the snow, dutifully rolling balls for Peter to hurl, while Jon – a sergeant-at-arms – sneaks a little pebble into each one, to make sure it has an extra kick. In this way, they are able to hold their corner of the grounds, up near the gates by the fairytale forest, against the onslaught of a much bigger army. Peter declares it the most glorious last stand since Rorke’s Drift – but when Jon looks up to declare it better than Dunkirk, he sees that Peter is gone.
George is too busy rolling an extra big snowball, one they can spike with a dozen stones – Peter calls it the atom bomb – to see what Jon has seen, so Jon leaves him to his task and follows the trail of Peter’s prints. He has not gone far. He stands at the gates of the Home, with the stone inscription, now a glistening tablet of ice, arcing above. Icicles dangle from the ornate metalwork of the gate, and in places a perfect pane of ice has grown up.
Peter is simply standing there, squinting