So, here was her Gentle: a man known to the doormen of every exclusive club and hotel in the city, who, after ten years of high living, had survived the ravages of every excess; who was still lucid, still handsome, still alive. And this same man, this Gentle, told her he was in love with her, and put the words together so perfectly she disregarded all she’d heard but those he spoke.
She might have gone on listening forever, but for her rage, which was the legend she trailed. A volatile thing, apt to ferment in her without her even being aware of it. That had been the case with Gentle. After half a year of their affair, she’d begun to wonder, wallowing in his affection, how a man whose history had been one infidelity after another had mended his ways; which thought led to the possibility that perhaps he hadn’t. In fact she had no reason to suspect him. His devotion bordered on the obsessive in some moods, as though he saw in her a woman she didn’t even know herself, an ancient soul-mate. She was, she began to think, unlike any other woman he’d ever met; the love that had changed his life. When they were so intimately joined, how would she not know if he were cheating on her? She’d have surely sensed the other woman. Tasted her on his tongue, or smelt her on his skin. And if not there, then in the subtleties of their exchanges. But she’d underestimated him. When, by the sheerest fluke, she’d discovered he had not one other woman on the side but two, it drove her to near insanity. She began by destroying the contents of the studio, slashing all his canvases, painted or not, then tracking the felon himself, and mounting an assault that literally brought him to his knees, in fear for his balls.
The rage burned a week, after which she fell totally silent for three days; a silence broken by a grief like nothing she’d ever experienced before. Had it not been for her chance meeting with Estabrook - who saw through her tumbling, distracted manner to the woman she was - she might well have taken her own life.
Thus the tale of Judith and Gentle: one death short of tragedy, and a marriage short of farce.
She found Marlin already home, uncharacteristically agitated.
‘Where have you been?’ he wanted to know. ‘It’s six thirty-nine.’
She instantly knew this was no time to be telling him what her trip to Bloomingdales had cost her in peace of mind. Instead she lied. ‘I couldn’t get a cab. I had to walk.’
‘If that happens again just call me. I’ll have you picked up by one of our limos. I don’t want you wandering the streets. It’s not safe. Anyhow, we’re late. We’ll have to eat after the performance.’
‘What performance?’
‘The show in the Village Troy was yabbering about last night, remember? The Neo-Nativity? He said it was the best thing since Bethlehem.’
‘It’s sold out.’
‘I have my connections,’ he gleamed.
‘We’re going tonight?’
‘Not if you don’t move your ass.’
‘Marlin, sometimes you’re sublime,’ she said, dumping her purchases and racing to change.
‘What about the rest of the time?’ he hollered after her. ‘Sexy? Irresistible? Beddable?’
If indeed he’d secured the tickets as a way of bribing her between the sheets, then he suffered for his lust. He concealed his boredom through the first act, but by intermission he was itching to be away to claim his prize.
‘Do we really need to stay for the rest?’ he asked her as they sipped coffee in the tiny foyer, ‘I mean, it’s not like there’s any mystery about it. The kid gets born, the kid grows up, the kid gets crucified.’
‘I’m enjoying it.’
‘But it doesn’t make any sense,’ he complained, in deadly earnest. The show’s eclecticism offended his rationalism deeply. ‘Why were the angels playing jazz?’
‘Who knows what angels do?’
He shook his head. ‘I don’t know whether it’s a comedy or a satire, or what the hell it is,’ he said. ‘Do you know what it is?’
‘I think it’s very funny.’
‘So you’d like to stay?’
‘I’d like to stay.’
The second half was even more of a grab-bag than the first, the suspicion growing in Jude as she watched that the parody and pastiche was a smoke-screen put up to cover the creators’ embarrassment at their own sincerity. In the end, with Charlie Parker angels wailing on the stable roof, and Santa crooning at the manger, the piece collapsed into high camp. But even that was oddly moving. The child was born. Light had come into the world again, even if it was to the accompaniment of tap-dancing elves.
When they exited, there was sleet in the wind.
‘Cold, cold, cold,’ Marlin said. ‘I’d better take a leak.’
He went back inside to join the queue for the toilets, leaving Jude at the door, watching the blobs of wet snow pass through the lamplight. The theatre was not large, and the bulk of the audience were out in a couple of minutes, umbrellas raised, heads dropped, darting off into the Village to look for their cars, or a place where they could put some drink in their systems, and play critics. The light above the front door was switched off, and a cleaner emerged from the theatre with a black plastic bag of rubbish and a broom, and began to brush the foyer, ignoring Jude - who was the last visible occupant - until he reached her, when he gave her a glance of such venom she decided to put up her umbrella and stand on the darkened step. Marlin was taking his time emptying his bladder. She only hoped he wasn’t titivating himself, slicking his hair and freshening his breath in the hope of talking her into bed.
The first she knew of the assault was a motion glimpsed from the corner of her eye: a blurred form approaching her at speed through the thickening sleet. Alarmed, she turned towards her attacker. She had time to recognize the face on Third Avenue, then the man was upon her.
She opened her mouth to yell, turning to retreat into the theatre as she did so. The cleaner had gone. So had her shout, caught in her throat by the stranger’s hands. They were expert. They hurt brutally, stopping every breath from being drawn. She panicked; flailed; toppled. He took her weight, controlling her motion. In desperation she threw the umbrella into the foyer, hoping there was somebody out of sight in the box office who’d be alerted to her jeopardy. Then she was wrenched out of shadow into heavier shadow still, and realized it was almost too late already. She was becoming light-headed; her leaden limbs no longer hers. In the murk her assassin’s face was once more a blur, with two dark holes bored in it. She fell towards them, wishing she had the energy to turn her gaze away from this blankness, but as he moved closer to her a little light caught his cheek and she saw, or thought she saw, tears there, spilling from those dark eyes. Then the light went, not just from his cheek but from the whole world. And as everything slipped away she could only hold on to the thought that somehow her murderer knew who she was.
‘Judith?’
Somebody was holding her. Somebody was shouting to her. Not the assassin, but Marlin. She sagged in his arms, catching dizzied sight of the assailant running across the pavement, with another man in pursuit. Her eyes swung back towards Marlin, who was asking her if she was all right, then back towards the street as brakes shrieked, and the failed assassin was struck squarely by a speeding car, which reeled round, wheels locked and sliding over the sleet-greased street, throwing the man’s body off the bonnet and over a parked car. The pursuer threw himself aside as the vehicle mounted the pavement, slamming into a lamp-post.
Jude put her arm out for some support other than Marlin, her fingers finding the wall. Ignoring his advice that she stay still, stay still, she started to stumble towards the place where her assassin had fallen. The driver was being helped from his smashed vehicle, unleashing a stream of obscenities as he emerged. Others were appearing on the scene to lend help in forming