“He?” Rourke said.
The Ghoul stared off down the drive, where his chauffeured green Packard awaited him. The tip of his cigarette seemed to pulse red in time with his thoughts, then he sighed, shrugged, and began to make his slow, ponderous way down the steep and narrow steps. His voice came back to them from out of the night. “It could have been a woman.”
“Well, la-di-da and kiss my achin’ ass,” Fio said once they’d heard the Packard’s engine start up and its tires crunch on the oyster-shell drive. He fished a cigar out of his shirt pocket and scratched a match on his thumbnail. He turned, grinning, and winked at his partner as he curled his lips around the end of the cigar and drew deep to light it. “Drowned, hunh?”
The tobacco caught and he took the cigar out of his mouth, waving it through the air and trailing smoke. “Jesus, I don’t know what stinks worse—the stiff or the Ghoul.”
The smoke did help cut the rank smell, for Fio indulged in only the finest Havana Castle Morros. They were part of the juice he got for pretending not to know about the numbers running going on in the back room of a certain pipe and tobacco shop on the corner of Rampart and Bienville.
Rourke said nothing. He stuffed his hands in his pockets and walked around the small room, forcing himself to look at things, to think and not feel, and there was no way, really, to keep from stepping in the blood. He wondered if a place like this old slave shack could have a memory. If inanimate things like wood and stone could absorb pain and sorrow and fear like a sponge. If so, he thought, then these walls ought to be weeping, and long before now.
He found himself looking at the top of an ormolu-mounted bureau. At a tipped-over glass, a penknife, and a silver cigarette case—all coated with aluminum and carbon powders. Fio dusting for more fingerprints. Fio, his partner, who he would have to remember was much, much smarter than he looked.
Rourke dipped his finger in the dregs left in the glass and licked, and tasted absinthe and the cold, numbing bite of cocaine.
He closed his eyes for a moment, his hand curling into a fist.
He pushed abruptly away from the bureau and brushed through a glass-beaded curtain, into the second room. The beads clattered again as Fio followed in his wake. Fio, his partner, who had the air now of a man anticipating the moment when he would be able to spring the punch line of a joke he’d been dying to tell.
It was a small space and the brass bed filled it. The mosquito netting draped open, and the counterpane was a little wrinkled, as if someone had sat or lain there, but only for a moment. A small rag rug lay crooked on the floor and looked out of place, but then it hadn’t always been there.
If he lifted it, Daman Rourke knew what he would find. Because some stains, some crimes, could never be washed away.
He went to the window instead.
“You know,” Fio said from behind him, “how you figure it’s a good bet that the person who found the corpse is the person who made the corpse …”
The window was open but the air outside was hot and still. You couldn’t see much, with the way the bamboo and banana trees crowded against this back part of the shack. You could stand behind that curtain of green, though, shielded from sight, and watch what went on in this room, on this bed. He knew, because once he had done so.
“So who did find him?” Rourke finally asked, although he knew that as well. God help him, but he knew.
Fio plucked the cigar out of his mouth. He moved his jaw as though chewing his thoughts, then his battered face split into a wide grin.
“Cinderella.”
They called her the most beautiful woman in the world.
Her image was everywhere, in rag sheets and magazines, on candy boxes and postcards. It flickered on the silver screens of movie palaces, and on the midnight stages of a million erotic dreams.
The newspapers called her the Cinderella Girl sometimes too. It came from the first movie she had made, The Glass Slipper—a dark and sultry interpretation of the classic fairy tale. It was the role that had shot a young woman by the improbable name of Remy Lelourie into the galaxy of celluloid stardom. The world had seen nothing like her, before or since.
For it wasn’t only her beauty—which was a strange kind of beauty anyway, with her eyes set too far apart and her face too bony, her mouth too wide. She seduced you in a way you didn’t dare confess, not even to your priest. You looked at her and you saw a raw hunger and desperation for life, not redemption and not salvation, but life. The down-and-dirty kind of life that happened on a hot, wet night, in a seedy room, with whiskey and desire burning in your blood.
You looked at her, thought Daman Rourke, and you saw sin. Dangerous, delectable, unaccountable sin.
He stood in the middle of the yard and looked at the old French colonial house. He hadn’t come near her yet and already he felt the pull of her. “Remy,” he said, seeing how it would feel to say her name again after all this time.
He stayed where he was, not moving, looking toward the bayou now. A wind had come up, rattling the banana trees and bringing with it the smell of sour mud and dead water. He saw a pair of lantern lights floating among the dead cypress, where Negro boys often gigged for frogs at night.
A hundred years ago this place had been a sugar plantation, before the city had grown up around it. Only a few acres and the house remained, but her beauty and charm were there still. In her tall and elegant windows, in the finely carved colonnettes and balustrades. In the wide galleries that spread all around her, like the dancing skirts of a southern belle. The man who built the house had called her Sans Souci. Free of worry, without a care.
The spell was broken by the chug and rattle of the coroner’s hearse turning down the drive, come to take away the earthly remains of Charles St. Claire, who was free now of not only worry but everything else.
A gaggle of reporters with cameras slung over their shoulders was riding on the running boards, and the sight of them sent Rourke sprinting the rest of the way across the yard to the house and up onto the shadowed gallery. Light from the headlamps bounced off the brass uniform buttons of a beat cop, who stood at stiff attention in front of the door.
Rourke showed him his gold shield. “Sure is a hell of a hot night for it,” he said, and smiled.
The patrolman, who looked barely out of school, read the name on the badge and stiffened up even straighter. “Lieutenant Rourke, sir?” he said, wariness and wonder both in his voice. His round, freckled face was red and sweating beneath his scuttle-shaped hard hat.
Rourke turned up the wattage on his smile. He had no illusions that the young man’s awed reaction had anything to do with Lieutenant Daman Rourke’s sterling reputation as an ace detective. Even being Irish and the son of a cop wasn’t going to take you from walking a beat to carrying a detective lieutenant’s badge by the time you were thirty. Promotions can come fast and easy, though, when your father-in-law is the superintendent of the New Orleans Police Department.
“Are you feeling generous tonight?” Rourke said.
The patrolman swallowed so hard his Adam’s apple disappeared into his collar. “Sir, I … Sir?”
The reporters were leaping off the running boards now as the meat wagon rolled to a stop. They would go first to the slave shack to pop photographs of the body. Pictures too gory to be printed, but not too gory to be passed around and cracked wise over in the newsroom.
Rourke brushed past the young cop, flashing another smile as he did so. “So be a pal, then,” he said, “and promise them anything short of a night with your sister, but keep those press guys out of my face.”
The boy finally relaxed, grinning. “Well, I don’t got me a sister, but I know what you mean. Sir?”
Rourke paused, the cypress door swinging open beneath