Boy Swallows Universe. Trent Dalton. Читать онлайн. Newlib. NEWLIB.NET

Автор: Trent Dalton
Издательство: HarperCollins
Серия:
Жанр произведения: Современная зарубежная литература
Год издания: 0
isbn: 9780008319267
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factory that blows cement powder across Darra on windy days and covers our rambling home’s sky-blue fibro walls with dust that August and I have to hose off before the rain comes and sets the dust to cement, leaving hard grey veins of misery across the house front and the large window that Lyle throws his cigarette butts out of and I throw my apple cores out of, always following Lyle’s lead because, and maybe I’m too young to know better, Lyle’s always got a lead worth following.

      ‘When do you reckon they’ll be back?’ I ask.

      ‘Soon enough.’

      ‘What’d they go see?’

      Slim wears a thin bronze-coloured button-up cotton shirt tucked into dark blue shorts. He wears these shorts constantly and he says he rotates between three pairs of the same shorts but every day I see the same hole in the bottom right-hand corner of his rear pocket. His blue rubber thongs are normally moulded to his old and callused feet, dirt-caked and sweat-stunk, but his left thong slips off now, caught on the clutch, as he slides awkwardly out of the car. Houdini’s getting on. Houdini’s caught in the water chamber of Brisbane’s outer western suburbs. Even Houdini can’t escape time. Slim can’t run from MTV. Slim can’t run from Michael Jackson. Slim can’t escape the 1980s.

      ‘Terms of Endearment,’ he says, opening the passenger door.

      I truly love Slim because he truly loves August and me. Slim was hard and cold in his youth. He’s softened with age. Slim always cares for August and me and how we’re going and how we’re going to grow up. I love him so much for trying to convince us that when Mum and Lyle are out for so long like this they are at the movies and not, in fact, dealing heroin purchased from Vietnamese restaurateurs.

      ‘Lyle choose that one?’

      I have suspected Mum and Lyle are drug dealers since I found a five-hundred-gram brick of Golden Triangle heroin stowed in the mower catcher in our backyard shed five days ago. I feel certain Mum and Lyle are drug dealers when Slim tells me they have gone to the movies to see Terms of Endearment.

      Slim gives me a sharp look. ‘Slide over, smartarse,’ he mumbles from the corner of his mouth.

      ‘Get onto the road,’ Slim says, laughing.

      Hard right on the wheel, off the gutter onto the Sandakan Street bitumen.

      ‘Clutch in, second,’ Slim barks.

      Quicker now. Past Freddy Pollard’s place, past Freddy Pollard’s sister, Evie, pushing a headless Barbie down the street in a toy pram.

      ‘Should I stop?’ I ask.

      Slim looks in the rearview mirror, darts his head to the passenger side mirror. ‘Nah, fuck it. Once round the block.’

      Slip into third and we’re rumbling at forty kilometres an hour. And we’re free. It’s a breakout. Me and Houdini. On the run. Two great escapologists on the lam.

      ‘I’m driiiiving,’ I scream.

      Slim laughs and his old chest wheezes.

      Left into Swanavelder Street, on past the old World War II Polish migrant centre where Lyle’s mum and dad spent their first days in Australia. Left into Butcher Street where the Freemans keep their collection of exotic birds: a squawking peacock, a greylag goose, a Muscovy duck. Fly on free, bird. Drive. Drive. Left into Hardy, left back into Sandakan.

      ‘Slow her down,’ says Slim.

      I slam the brakes and lose footing on the clutch and the car cuts out, once again parallel to August, who is still writing words on thin air, lost in the work.

      ‘Did ya see me, Gus?’ I holler. ‘Did ya see me driving, Gus?’

      He doesn’t look away from his words. Boy didn’t even see us drive away.

      The same two words over and over again. The crescent moon of a capital ‘C’. Chubby little ‘a’. Skinny little ‘i’, one descending stroke in the air with a cherry on top. August sits in the same spot on the fence that he usually sits on, by the missing brick, the space two bricks along the fence from the red wrought-iron letterbox.

      August is the missing brick. The moon pool is my brother. August is the moon pool.

      ‘Two words,’ I say. ‘A name starting with “C”.’

      I will associate her name with the day I learned to drive and, forever more, the missing brick and the moon pool and Slim’s Toyota LandCruiser and the crack in Slim’s windscreen and my lucky freckle, and everything about my brother, August, will remind me of her.

      ‘What name?’ Slim asks.

      ‘Caitlyn.’

      Caitlyn. There’s no doubt about it. Caitlyn. That right forefinger and an endless blue sky sheet of paper with that name on it.

      ‘You know anyone named Caitlyn?’ asks Slim.

      ‘No.’

      ‘What’s the second word?’

      I follow August’s finger, swirling through the sky.

      ‘It’s “spies”,’ I say.

      ‘Caitlyn spies,’ Slim says. ‘Caitlyn spies.’ He drags on his cigarette, contemplatively. ‘What the fuck does that mean?’

      Caitlyn spies. No doubt about it.

      Your end is a dead blue wren. Boy swallows universe. Caitlyn spies.

      No doubt about it.

      These are the answers.

      The answers to the questions.

      This room of true love. This room of blood. Sky-blue fibro walls. Off-colour paint patches where Lyle has puttied up holes. A made-up queen bed, tightly tucked white sheet, an old thin grey blanket that wouldn’t have been out of place in one of those death camps Lyle’s mum and dad were escaping from. Everybody running from something, especially ideas.

      A framed Jesus portrait over the bed. The son and his jagged crown, reasonably calm for all the blood dripping down his forehead – so cool under pressure that guy – but frowning like always because August and I aren’t supposed to be in here. This still blue room, the quietest place on earth. This room of true companionship.

      August leads, boy wants to show me something.

      ‘He’ll