The Liverpool Institute, or Inny, looked down on Liverpool from an elevated position on Mount Street, next to the colossal new Anglican cathedral. Work had started on what is perhaps Liverpool’s greatest building, designed by Sir Giles Gilbert Scott, in 1904. The edifice took until 1978 to finish. Although a work in progress, the cathedral was in use in the early 1950s. Paul had recently tried out for the cathedral choir. (He failed to get in, and sang instead at St Barnabas’ on Penny Lane.) Standing in the shadow of this splendid cathedral, the Inny had a modest grandeur all its own. It was a handsome, late-Georgian building, the entrance flanked by elegant stone columns, with an equally fine reputation for giving the brightest boys of the city the best start in life. Many pupils went on to Oxford and Cambridge, the Inny having produced notable writers, scientists, politicians, even one or two show business stars. Before Paul, the most famous of these was the comic actor Arthur Askey, at whose desk Paul sat.
Kitted out in his new black blazer and green and black tie, Paul was impressed and daunted by this new school when he enrolled in September 1953. Going to the Inny drew him daily from the suburbs into the urban heart of Liverpool, a much more dynamic place, while any new boy felt naturally overwhelmed by the teeming life of a school that numbered around 1,000 pupils, overseen by severe-looking masters in black gowns who’d take the cane readily to an unruly lad. The pupils got their own back by awarding their overbearing teachers colourful and often satirical nicknames. J.R. Edwards, the feared headmaster, was known as the Bas, for Bastard. (Paul came to realise he was in fact ‘quite a nice fella’.) Other masters were known as Cliff Edge, Sissy Smith (an effeminate English master, related to John Lennon), Squinty Morgan, Funghi Moy and Weedy Plant. ‘He was weedy and his name was Plant. Poor chap,’ explains Steve Norris, a schoolboy contemporary of Paul’s who became a Tory cabinet minister.
The A-stream was for the brightest boys, who studied classics. A shining example and contemporary of Paul’s was Peter ‘Perfect’ Sissons, later a BBC newsreader. The C-stream was for boys with a science bent. Paul went into the B-stream, which specialised in modern languages. He studied German and Spanish, the latter with ‘Fanny’ Inkley, the school’s only female teacher. Paul had the luck to have an outstanding English teacher, Alan ‘Dusty’ Durband, author of a standard textbook on Shakespeare, who got his pupils interested in Chaucer by introducing them to the sexy passages in the Canterbury Tales. ‘Then we got interested in the other bits, too, so he was a clever bloke.’ Paul’s other favourite classes were art and woodwork, both hobbies in adult life. Before music came into his life strongly, Paul was considered one of the school’s best artists. Curiously, Neddy Evans’s music lessons left him cold. Although Dad urged Paul to learn to read music, so he could play properly, Paul never learned what the dots meant. ‘I basically never learned anything at all [about music at school].’ Yet he loved the Inny, and came to recognise the head start it gave him in life. ‘It gave you a great feeling of the world was out there to be conquered, that the world was a very big place, and somehow you could reach it from here.’
It was at the Inny that Paul acquired the nickname Macca, which has endured. Friends Macca made at school included John Duff Lowe, Ivan ‘Ivy’ Vaughan (born the same day as Paul) and Ian James, who shared his taste in radio shows, including the new and anarchic Goon Show. In the playground Macca was ‘always telling tales or going through programmes that were on the previous night,’ James recalls. ‘He’d always have a crowd around him. He was good at telling tales, [and] he had quite a devilish sense of humour.’ Two more schoolboys were of special significance: a clever, thin-faced lad named Neil ‘Nell’ Aspinall, who was in Paul’s class for art and English and became the Beatles’ road manager; and a skinny kid one year Paul’s junior named George.
Born on 25 February 1943,* George Harrison was the youngest of a family of four, the Harrisons being a working-class family from south Liverpool. Mum and Dad were Louise and Harold ‘Harry’ Harrison, the family living in a corpy house at 25 Upton Green, Speke. Harry drove buses for a living. It was on the bus home from school that Paul and George first met properly, their conversation sparked by a growing mutual interest in music, Paul having recently taken up the trumpet. ‘I discovered that he had a trumpet and he found out that I had a guitar, and we got together,’ George recalled. ‘I was about thirteen. He was probably late thirteen or fourteen. (He was always nine months older than me. Even now, after all these years, he is still nine months older!)’ As this remark implies, George always felt that Paul looked down on him and, although he possessed a quick wit, and was bright enough to get into the Inny in the first place, schoolboy contemporaries recall George as being a less impressive lad than Paul. ‘I remember George Harrison as being thick as a plank – and completely uninteresting,’ says Steve Norris bluntly. ‘I don’t think anybody thought George would ever amount to anything. A bit slow, you know [adopting a working-class Scouse accent], a bit You know what I mean, like.’
Paul’s family moved again with Mum’s work, this time to a new corpy house in Allerton, a pleasant suburb closer to town. The address was 20 Forthlin Road, a compact brick-built terrace with small gardens front and back. One entered by a glass-panelled front door which opened onto a parquet hall, stairs straight ahead, lounge to your left, with a coal fire, next to which lived the TV. The McCartneys put their piano against the far wall, covered in blue chinoiserie paper. Swing doors led through to a small dining room, to the right of which was the kitchen, and a passageway back to the hall. Upstairs there were three bedrooms with a bathroom and inside loo, a convenience the family hadn’t previously enjoyed. Paul bagged the back room, which overlooked the Police Training College, brother Mike the smaller box room. The light switches were Bakelite, the floors Lino, the woodwork painted ‘corporation cream’ (magnolia), the doorstep Liverpool red. This new home suited the McCartneys perfectly, and the first few months that the family lived here became idealised in Paul’s mind as a McCartney family idyll: the boy cosy and happy with his kindly, pipe-smoking dad, his funny kid brother, and the loveliest mummy in the world, a woman who worked hard at her job bringing other children into the world, yet always had time for her own, too. Paul came to see Mum almost as a Madonna.
What happened next is the defining event of Paul McCartney’s life, a tragedy made starker because the family had only just moved into their dream home, where they expected to be happy for years to come. Mum fell ill and was diagnosed with breast cancer. It seems Mary knew the prognosis was not good and kept this a secret, at least from her children. One day, in the summer of 1956, Mike found his mother upstairs weeping. When he asked her what was wrong, she replied, ‘Nothing, love.’
At the end of October 1956 Mary was admitted to the Northern Hospital, a gloomy old building on Leeds Street, where she underwent surgery. It was not successful. Paul and Mike were packed off to Everton to stay with Uncle Joe and Auntie Joan. Jim didn’t own a car, so Mike Robbins, who was selling vacuum cleaners between theatrical engagements, gave Jim lifts to the hospital in his van. ‘He was trying to put on a brave front. He knew his wife was dying.’ Finally the boys were taken into the hospital to say goodbye to Mum. Paul noticed blood on her bed sheets. Mary remarked to a relative that she only wished she could see her boys grow up. Paul was 14, Mike 12. Mum died on 31 October 1956, Hallowe’en, aged 47.
Aunt Joan recalls that Paul didn’t express overt grief when told the news. Indeed, he and his brother Mike played rambunctiously that night in her back bedroom. ‘My daughter slept in a camp bed,’ says Joan, ‘and the boys had the double bed in the back bedroom and they were pulling arms off a teddy bear.’ When he did address the fact that his mother had died, Paul did so by asking Dad gauchely how they were going to manage without her wages. Stories like this are sometimes cited as evidence of a lack of empathy on Paul’s part, and it is true that he would react awkwardly in the face of death repeatedly during his life. It is also true that young people often behave in an insensitive way when faced with bereavement. They do not know what death means. Over the years, however, it became plain that Paul saw his world shattered that autumn night in 1956. The premature death of his mother was a trauma he never forgot, nor wholly got over.
* One of the largest ships in the world.