Mrs Bünz gave a scream of ecstasy.
‘The Horse!’ she cried, clapping her hands like a mad woman. ‘The Old Hoss. The Hooden Horse. I have found it. Gott sie danke, what joy is mine!’
The third man had covered it again. She looked at their unsmiling faces.
‘Well, that was a treat,’ said Mrs Bünz in a deflated voice. She laughed uncertainly and returned quickly to her car.
Up in her room at the Green Man, Camilla Campion arranged herself in the correct relaxed position for voice exercise. Her diaphragm was gently retracted and the backs of her fingers lightly touched her ribs. She took a long, careful deep breath and as she expelled it, said in an impressive voice:
‘Nine Men’s Morris is filled up with mud.’ This she did several times, muttering to herself, in imitation of her speechcraft instructor whom she greatly admired, ‘On the breath dear child: on the breath.’
She glanced at herself in the looking-glass on the nice old dressing-table and burst out laughing. She laughed partly because her reflection looked so solemn and was also slightly distorted and partly because she suddenly felt madly happy and in love with almost everyone in the world. It was glorious to be eighteen, a student at the West London School of Drama and possibly in love, not only with the whole world, but with one young man as well. It was heaven to have come alone to Mardian and put up at the Green Man like a seasoned traveller. ‘I’m as free as a lark,’ thought Camilla Campion. She tried saying the line about Nine Men’s Morris with varying inflexions. It was filled up with mud. Then it was filled up with mud, which sounded surprised and primly shocked and made her laugh again. She decided to give up her practice for the moment, and feeling rather magnificent helped herself to a cigarette. In doing so she unearthed a crumpled letter from her bag. Not for the first time she re-read it.
Dear Niece,
Dad asked me to say he got your letter and far as he’s concerned you’ll be welcome up to Mardian. There’s accommodation at the Green Man. No use bringing up the past I reckon and us all will be glad to see you. He’s still terrible bitter against your mother’s marriage on account of it was to a R.C. So kindly do not refer to same although rightly speaking her dying ought to make all things equal in the sight of her Maker and us creatures here below.
Your affec. uncle
Daniel Andersen
Camilla sighed, tucked away the letter and looked along the lane towards Copse Forge.
‘I’ve got to be glad I came,’ she said.
For all the cold she had opened her window. Down below a man with a lanthorn was crossing the lane to the pub. He was followed by a dog. He heard her and looked up. The light from the bar windows caught his face.
‘Hallo, Uncle Ernest,’ called Camilla. ‘You are Ernest, aren’t you? Do you know who I am? Did they tell you I was coming?’
‘Ar?’
‘I’m Camilla. I’ve come to stay for a week.’
‘Our Bessie’s Camilla?’
‘That’s me. Now, do you remember?’
He peered up at her with the slow recognition of the mentally retarded. ‘I did yur tell you was coming. Does Guiser know?’
‘Yes. I only got here an hour ago. I’ll come and see him tomorrow.’
‘He doan’t rightly fancy wummen.’
‘He will me,’ she said gaily. ‘After all he’s my grandfather! He asked me to come.’
‘Noa!’
‘Yes, he did. Well – almost. I’m going down to the parlour. See you later.’
It had begun to snow again. As she shut her window she saw the headlights of a dogged little car turn into the yard.
A roundabout lady got out. Her head was encased in a scarf, her body in a mauve handicraft cape and her hands in flowery woollen gloves.
‘Darling, what a make-up!’ Camilla apostrophized under her breath. She ran downstairs.
The bar-parlour at the Green Man was in the oldest part of the pub. It lay at right angles to the Public which was partly visible and could be reached from it by means of a flap in the bar counter. It was a singularly unpretentious affair, lacking any display of horse-brasses, warming-pans or sporting prints. Indeed the only item of anything but utilitarian interest was a picture in a dark corner behind the door; a faded and discoloured photograph of a group of solemn-faced men with walrus moustaches. They had blackened faces and hands and were holding up, as if to display it, a kind of openwork frame built up from short swords. Through this frame a man in clownish dress stuck his head. In the background were three figures that might have been respectively a hobby-horse, a man in a voluminous petticoat and somebody with a fiddle.
Serving in the private bar was the publican’s daughter, Trixie Plowman, a fine ruddy young woman with a magnificent figure and bearing. When Camilla arrived there was nobody else in the Private, but in the Public beyond she again saw her uncle, Ernest Andersen. He grinned and shuffled his feet.
Camilla leant over the bar and looked into the Public. ‘Why don’t you come over here, Uncle Ernie?’ she called.
He muttered something about the Public being good enough for him. His dog, invisible to Camilla, whined.
‘Well, fancy!’ Trixie exclaimed. ‘When it’s your own niece after so long and speaking so nice.’
‘Never mind,’ Camilla said cheerfully. ‘I expect he’s forgotten he ever had a niece.’
Ernie could be heard to say that no doubt she was too uppity for the likes of them-all, anyhow.
‘No I’m not,’ Camilla ejaculated indignantly. ‘That’s just what I’m not. Oh dear!’
‘Never mind,’ Trixie said, and made the kind of face that alluded to weakness of intellect. Ernie smiled and mysteriously raised his eyebrows.
‘Though of course,’ Trixie conceded, ‘I must say it is a long time since we seen you,’ and she added with a countrywoman’s directness: ‘Not since your poor mum was brought back and laid to rest.’
‘Five years,’ said Camilla nodding.
‘That’s right.’
‘Ar,’ Ernie interjected loudly, ‘and no call for that if she’d bided homealong and wed one of her own. Too mighty our Bessie was, and brought so low’s dust as a consequence.’
‘That may be one way of looking at it,’ Trixie said loftily. ‘I must say it’s not mine. That dog of yours stinks,’ she added.
‘Same again,’ Ernie countered morosely.
‘She wasn’t brought as low as dust,’ Camilla objected indignantly. ‘She was happily married to my father who loved her like anything. He’s never really got over her death.’
Camilla, as brilliantly sad as she had been happy, looked at Trixie and said: ‘They were in love. They married for love.’