THURSDAY, 5 JULY
Mr P and I went down to Pinewood Studios in a hired car. We didn’t tell the driver but he was on trial for the job as MM’s chauffeur. I think he will be perfect. He is very stupid, and never shows any emotion at all. The car, an Austin Princess, has a glass division and normally Plod will ride up front with the driver, while MM rides in the back. I wonder if AM will come to watch his bride filming, or stay in his study and write plays.
Pinewood is guarded by a studio police force which is hell-bent on keeping out the press and other intruders. Every vehicle is checked at the gate just like in the RAF. Once inside there are three huge studios joined by a very long concrete corridor. The other side of this corridor are the star dressing rooms, crowd dressing rooms, make-up rooms, wardrobe rooms etc. Across a little private road is the club house, with bars and a restaurant. MM’s and SLO’s dressing rooms are going to be at the end of one of the side corridors, opposite the restaurant. It really is all very like an RAF base with its hangars, offices and officers’ mess.
We are going to alternate between Studios A and B while other minor British films are being made in Studio C. There is a large ‘lot’ for filming outside scenes, but our film doesn’t have many of these as far as I can see.
Mr P and I first inspected MM’s dressing-room suite. Filming doesn’t start for four weeks but she must have somewhere suitable to relax in when she comes for rehearsals in three weeks’ time.
We were shown a series of what looked like old cowsheds which made me anxious.
‘Don’t worry Colin. The scene builders and set dressers only need 48 hours to convert this into the Dorchester. We are just here to check which ones have been allotted to us.’
We were shown round by Teddy Joseph, the production manager to be, who is still working on another film here at the moment. Small, bespectacled, a bit like a penguin, he will be Mr P’s right arm when filming starts. Teddy showed me round the various departments. We will use Pinewood facilities for everything but the stars.
In the wardrobe department was one of the prettiest little girls I have ever seen in my life. This is very good news indeed since I am going to be working here myself for four months. Slim as a wand, curly brown hair, huge brown eyes and a wide cheeky grin. The head of the department is a large motherly lady. She definitely feels that it is her duty to protect her little lambs from prowling 3rd Ast Dirs. But the ‘wand’ was thrilled to bits. After all I was with Mr P – and Mr P is supreme boss, at least until SLO arrives. Teddy persuaded Mr P that all was well, Mr P caught me by the ear to prevent me bobbing up to Wardrobe for the sixth time and we returned to London. Pinewood strikes me as a bastion of professionalism and common sense. It is not at all like the Hollywood studios I have read about. With Teddy and David and Tony Bushell in charge, what can go wrong?
FRIDAY, 6 JULY
Last night I asked myself what could go wrong. Today the whole movie seemed in question, before the camera has even rolled. A rumour came from the USA at lunchtime that AM was going to have his passport refused after all.30 This would mean that he couldn’t come to London, and MM would certainly not come to London for four months without him. Since huge sums of money have been spent already, this caused quite a panic. Everyone was on the phone, asking for reassurance which we could not give. Rattigan was especially put out. SLO was grim-faced and terse, firmly shutting me out of the office for his conference with Mr P and Tony B, and a series of calls to the USA.
No one could get through to MM and AM, but Milton Greene, on the transatlantic phone, was calm. It could be fixed, he was sure. But he couldn’t find Irving Stein who had been with MM last night or speak to MM and Arthur at least. So the worrying went on all day.
Mr P has heard (from her last director) that MM often gets ‘confused’. Surely he doesn’t mean ‘drunk’? Pills, more likely – as with Judy Garland. That may be the problem now, although I hope she isn’t taking pills on the first week of her honeymoon. I suggested this to Mr P and got a very grumpy ‘grmph’. But by 6 p.m. it was all solved. AM and MM had got up at last – 1 p.m. in the USA – and switched the phone on. Milton Greene was on the line to MM and SLO simultaneously and all was sweetness and light.
‘Not a very good omen,’ said Mr P, for the second time this week, as we finally left the office at 7 p.m. But he is always pessimistic. I’m really relieved that the film is on the rails again. Gilman whisked Tony and SLO off to Notley in the Bentley. Anne had been waiting for them in the car. My goodness, she is an attractive woman, and extremely nice too. She gave me a great welcome, as if I was an old friend. But she is not in the least seductive, unlike Vivien. I’m off for a weekend in the country too – but alone. I sure envy those two men their beautiful ladies. I wouldn’t mind staying in bed till 1 p.m. like Arthur Miller if I was with either of them – or both!
MONDAY, 9 JULY
Back to earth. SLO started to distribute cigarettes when he came in this morning. He is delighted that they have named a new cigarette after him, and now he gets free packets of ‘Oliviers’ for life. I suppose I didn’t look as thrilled as I might have at this news so he told me quite sharply that the same tobacco company had named a cigarette after the great actor du Maurier.31 He could hardly refuse.
‘Oh of course, yes, wonderful,’ I cried, but to me the idea of someone as great as SLO advertising something is a shame. Du Maurier was of another era – and probably needed the money which SLO does not. I know nothing about du Maurier but I think of him as an old ham, although quite unfairly I’m sure. More importantly, du Maurier cigarettes are not a great success.
SLO went on to explain that his costume in the film has no pockets so he wants me to be on call holding the cigarettes at all times in case he wants to smoke. I am naturally to smoke ‘Oliviers’ also, and I can get as many as I want from Gilman, who has crates of them.
After one day’s trial I don’t like them that much – I prefer Woodbines – but that isn’t the point. ‘On call by SLO’s side at all times’ is what I wanted to hear, and have been planning to be anyway. As soon as the film starts, my pay goes up to union scale (£10.10s. pw), I get free cigarettes, and I have to be at the director’s side at all times. Good news.
I told this, with glee, to David Orton who came in at 4.30.
‘The hell with that idea!’ he roared. ‘You work for me and me alone and don’t you forget it. You are my slave. I don’t want my 3rd Ast Dir poncing around with the director, even if it is SLO.’
‘Quite right, David. I was only kidding.’
I’ve managed situations like this before, and it’s nice to be in demand. Just a matter of being very quick on the feet and polite at all times.
Irving Stein and Milton Greene arrive from NYC tomorrow on the overnight flight. I offered to go to meet them but Mr P said ‘no’. He’s sent the chauffeur.
‘Let the buggers find their own way around,’ he growled.
Do I sense hostility to our American cousins already?
TUESDAY, 10 JULY
Milton Greene and Irving Stein are both very young. They came in like a couple of recent graduates from some Jewish university. Both were exhausted after the flight and looked wary, but very charming. Irving is more aloof; Milton more boyish, very slight, dark brown eyes always smiling. They must be extremely shrewd to have got control of the most famous film star in the world.
Milton masterminded the plot to break MM’s contract with 20th Century and ‘set her free’. I suppose these two are the up-and-coming Louis B. Mayers.
SLO was brimming over with bonhomie – always a bad sign. When he is irascible is when he is sincere. Milton treats me like an executive, which is nice! He asked me all the details of the houses, the servants, Plod and the airport reception.
SLO