Many years earlier Mr Golightly had written a work of dramatic fiction which, after slow initial sales, had gradually grown to become a best-seller. In time, the by-products of this enterprise had expanded to form the basis of a worldwide business. The work had been based on his observations of human life – its loves, hopes, fears, lusts, idiocies, anxieties, false securities, vanities, dishonesties, fantasies, cruelties and general tendency to inveterate folly. Mr Golightly, in his droll way, liked to describe his work as a ‘comedy’; but in this, he had discovered, he resembled the playwright Chekhov.
Chekhov, attending the dress rehearsal of one his plays, was surprised to find that the director, none other than the great Russian Stanislavsky, was playing it as a tragedy. There were no laughs, Chekhov was tickled to find, except those provided by the single audience of the humorous playwright himself.
Mr Golightly’s magnum opus had something of The Cherry Orchard’s ambiguity. Perhaps it was this, or perhaps it was the gradually reducing sales – though to be sure it had had a good enough run: for years it had been an international sensation – which had determined him to rewrite the work. The idea had come to him when, one evening, he had turned on the TV and had become engrossed in one of the many soap operas which run there.
Mr Golightly’s business was so time-consuming that often he remained ignorant of the rapid developments of modern culture. His philosophy was that if a thing was going to catch on it would, in the fullness of time, catch up with him. That millions of people organised their lives so as not to miss their personal ‘soap’ was news to Mr Golightly.
But herein lay one of the gifts which made him unique in his sphere. Far from being shocked, or taking an ‘it wasn’t like that in my day’ attitude (a common trap among the older generation), he saw at once the advantages. His own work, he felt, after sampling the current TV output, had many of the features of a modern soap – it was merely the idiom and the episodes which needed bringing up to date. The characters in his original drama were only apparently unlike those of the present day. Human nature hadn’t changed, of course, but custom had, and the times.
And then there was that delightful notion of a holiday…
Mr Golightly had been taken by an item concerning ‘stress in the office’ which had followed Neighbours, the soap his secretary watched and for which he had found he himself developing a liking. Stress, it seemed, was a recently discovered malady and one, Mr Golightly couldn’t help feeling, that he could be a candidate for. It seemed there were all kind of palliatives available to combat it – t’ai chi, reiki, Pilates, yoga, reflexology, hypnosis, homeopathy, psychotherapy, acupuncture, massage – but something in Mr Golightly baulked at these remedies which, so far as he was able to grasp them, struck him as somewhat invasive.
But a ‘holiday’ was a different story: that harked back to a former era – a time when he had been able to rest on his laurels and had taken delight in all he had achieved. And what better plan than to combine a long overdue rest with a reworking of his great enterprise?
No one but an artist knows the peculiar delight of being summoned by a work which, as yet unborn, lies, with all its potential undisclosed, within the dormant darkness of the creating heart. Mr Golightly’s tread had a secret bounce as he made his way down the hill and towards his awaiting soap opera. He would boil the eggs, pour a mug of coffee, with the unpasteurised milk he had bought at the miserable young man’s stores, and set up the laptop, the use of which Mike had instructed him in before his departure.
Mike, it was agreed by all at the office, was a perfect angel. His patience was a byword and he had promised, if necessary, to come down to Great Calne himself should Mr Golightly encounter any technical problem with the newly installed e-mail system.
Mr Golightly had drunk his coffee, from the Spiderman mug he had found among the medley of crockery, before he opened up his laptop to check his e-mails. Mike had explained that the system called for an e-mail address and something called a ‘server’. He had set up [email protected] which allowed, he suggested, for expansion into a website. For some time Mike had been of the view that a website would make a valuable innovation for the Golightly Enterprises and was hoping to take advantage of this holiday to persuade the boss of its commercial advantages.
Connecting the laptop to the phone involved some fiddling about with the leads which Mike had had the foresight to include, so that by the time Mr Golightly was ready to dial up it was past ten o’clock. Plenty of time, though, to start work – the day was still young.
Several e-mails, accompanied by a sound effect, appeared on the screen. The first was a message from the server, cosmos. com, and offered Mr Golightly the benefit of bargain travel services, including a cheap offer to go diving in the Red Sea.
In his younger, more forceful, days Mr Golightly had often visited that part of the world. But the greener, less turbulent pastures of England, were, he felt, a more soothing environment for his recreational plans. The Red Sea would take him too far down memory lane, a route to be avoided when one was set upon change.
The second message was from Bill, his handsome PA, and concerned some charity, to do with Third World aid, to which Mr Golightly had agreed to lend the firm’s name.
The third was from no recognisable name or address.
by what way is the light parted?
was the disconcerting message.
Scientific questions had not troubled Mr Golightly greatly over the years. In the past, when questions had been asked at all, it was he who had tended to do the asking. His secretary, Martha, the one who had put him on to Neighbours, would probably say that this was ‘very like a man’. Comments along these lines from Martha had been more forthcoming lately. She had worked faithfully for the Golightly firm for many years but latterly she seemed to have picked up the modern woman’s tendency – an unfortunate one, Mr Golightly couldn’t help sometimes feeling – to criticise the male; or perhaps criticise him openly was more accurate, since Mr Golightly was too shrewd a judge of human nature to suppose that men had ever, in women’s private thoughts, got off scot-free.
What would Martha make of the enigmatic question which now confronted him? It seemed to contain a sly play on his name. And who on earth could have sent it? His usual movements, for the purpose of the smooth running of the firm, were shrouded in a certain mystery; he was unused to being confronted with barefaced questions, especially ones which touched obliquely on his own person.
Mr Golightly had set up his computer on the gateleg table with a view on to the garden and down to the field below. Looking out, he saw the horse standing in the sun, taking the benefit of its warmth on his chestnut coat. There was something reassuring about the horse’s stance. Not quite meaning to, Mr Golightly got up from the table and wandered outside.
Samson, observing activity, walked over to investigate. Mr Golightly felt regretful again over the sugar lumps. But no doubt the horse’s owner would anyway disapprove. It was discouraging how few of the world’s prodigal comforts were nowadays available for enjoyment. Mr Golightly had been cautioned by Martha against exceeding the recommended number of ‘units’ of alcohol he drank in a week. There had been times when her boss had supped of the vine in a manner which would throw a modern health practitioner into a frenzy, and yet, Mr Golightly couldn’t help feeling, he was not obviously any the worse for his past excesses.
Next door, Ellen Thomas was lying on her sofa. She looked out to where the rooks were dredging the fields clean of the new-sown wheat. A saying of her late husband’s drifted into her mind. ‘Forbear not sowing because of the birds,’ he had used to say, when counselling against needless caution. Her new neighbour, with his big head, reminded her a little of Robert. She might give him some of the duck eggs, azure, like the sky’s watery reflection in the puddle which had collected on the upturned barrel she had put outside for some purpose she couldn’t now remember.
What did ‘remember’