Viking Britain: A History. Thomas Williams. Читать онлайн. Newlib. NEWLIB.NET

Автор: Thomas Williams
Издательство: HarperCollins
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Жанр произведения: Историческая литература
Год издания: 0
isbn: 9780008171940
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glorious ship,

      Then putting into ports,

      Killing a man or two.7

      In this sense, ‘Viking’ was fundamentally something that one did or was a part of, and there is very limited evidence that the word was used in this way during the Viking Age. A runestone erected by a mother in Vastergotland (Sweden) implies that to engage in ‘Viking’ activity (in this case in the west – that is, in Britain and Ireland) could be considered praiseworthy: ‘Tóla placed this stone in memory of Geirr, her son, a very good valiant man. He died on a Viking raid on the western route.’8

      However, there seems to have been an expectation that a man (it was almost certainly an overwhelmingly – if perhaps not exclusively – male occupation) would, at some point, settle down. Supported by the wealth accrued during his Viking days, he might set himself up as a farmer and landowner, the head of a family, with a good reputation among his peers. He might take on some public duties at legal gatherings, and he would use his wealth to patronize poets and craftsmen and perhaps even organize trading expeditions. He would become, in other words, respectable. Inevitably, however, there were always individuals who were sufficiently bloodthirsty, marginalized, restless, irresponsible, fame-hungry, greedy or outcast to make the Viking lifestyle a permanent occupation – these outsiders would have been among those who self-identified as Vikings, and it is for these people that the disapproval of Scandinavian skalds seems to have been reserved. This distinction between being and doing was perhaps a little like the different attitudes that a young person might encounter if he or she were to state an ambition to become ‘a traveller’ rather than merely to ‘go travelling’.

      All of which is rendered somewhat irrelevant by the unavoidable observation that hardly anybody was ever called a Viking during the Viking Age itself: they were referred to across Europe and beyond as Danes, Dark Heathens, Dark Foreigners, Fair Foreigners, Foreign Irish, Gentiles, Northmen, Pirates, Pagans, Rūs, Scythians and Varangians, but hardly ever – in Old English – as Vikings (wicings). As we have seen, the Anglo-Saxon Chronicle tends most frequently to speak of ‘Danes’, despite considerable evidence to indicate that many of the Vikings who found themselves in Britain came from all over the northern world: various Viking leaders can be shown to have had Norwegian origins, runestones commemorate the death of Swedish Vikings in Britain, and even the Viking dead themselves, through analysis of the oxygen isotopes in their teeth, can be shown to have grown up as far afield as Estonia, Belarus and high latitudes beyond the Arctic circle.

      The early English had form when it came to conflating complex cultural phenomena into a homogeneous ‘them’ – the diverse inhabitants of much of Celtic-speaking Britain had been labelled wealas (‘foreigners’, whence the modern ‘Welsh’) and treated as a largely undifferentiated rabble since at least Bede’s day. Likewise, ‘Danish’ seems to have become a convenient catch-all term for people who predominantly spoke Old Norse, wherever they actually came from.9

      One might expect that modern historians would have long ago developed more subtle approaches to complex issues of identity and cultural affiliation. And yet, until relatively recently, it was widely assumed that past ‘peoples’ could be identified as essentially unchanging racial blocs with cultural traits that were stable, heritable and identifiable through language, behaviour, skull-size and material culture. This ‘culture-historical paradigm’, accompanied by racist bricolage of varying offensive shades, was driven by the twin engines of misapplied Darwinist logic and the German revolution in philology (which had demonstrated the interconnections between Indo-European languages and the mechanics of linguistic development). Social, cultural and racial development was soon seen to be as predictable as vowel mutation and as inexorable as evolution.10 It was only during the second half of the twentieth century that these views began to change and mainstream academia started thinking more critically about past ethnicity.11

      It is no coincidence that in Anglophone scholarship this shift coincided with the loss of Britain’s Empire and the country’s diminution as a global power. The culture-historical model shared many features with the system of racial classification that had been used by academics and administrators to reinforce the discriminatory structures of the British Empire – and in particular the position of white English men at the pinnacle of the world order they had invented. It was a classic circular argument – the fact of Empire proved the superiority of the British, the innate genius of whom had made British global supremacy inevitable. At the time, the obvious implication was that the greatness of Britain had been present in the genes; for, if cultural traits were – like DNA – handed down the generations, then surely the seeds of that greatness lay in the blood of mighty ancestors. And, of course, they found greatness in abundance: in the Romans whose civilization prefigured their own Empire, in the Anglo-Saxons whose Germanic origins had (in their minds) brought law, democracy, freedom and a distinctively ‘English’ Christianity to Britain, and, increasingly, in the Vikings.12

      As the nineteenth-century children’s author R. M. Ballantyne wrote in 1869, ‘much of what is good and true in our laws and social customs, much of what is manly and vigorous in the British Constitution, and much of our intense love of freedom and fair play, is due to the pith, pluck and enterprise, and sense of justice that dwelt in the breasts of the rugged old sea-kings of Norway!’ A stirring message for the Empire’s future administrators.13

      The British Empire was in essence a maritime concern. From Francis Drake to Horatio Nelson its greatest heroes and progenitors had been seamen. Even Alfred, the ninth-century king of Wessex, was fêted (on the strength of very little evidence indeed) as the founder of the English navy.14 The Vikings, as a seafaring people, seemed to embody and prefigure all the greatest traits and achievements of the British: the spirit of commerce and adventure, the cutting-edge maritime technology, the suicidal bravery on land and sea, the discovery and settlement of new and exotic lands, the rattling of sabres in the faces of savage natives – even the cheerful pillaging of Catholic Europe with a gusto of which Drake would have been proud. The thought that these qualities had been reproduced in the British – not only by the example but in the very blood of the Vikings – was a tremendously exciting one in the intellectual climate of the late nineteenth and early twentieth centuries. Here was a myth of origins that did not rely on the Mediterranean parallels and exempla that had been the staples of classical education since the Renaissance; the Old North was real and palpable in the cold salt spray of home waters, and the roar of Boreas carried the family ghosts with it.

      So, out of half-digested Icelandic sagas, Wagnerian wardrobe cast-offs, classical ideas of barbarian virtue and a good dose of romantic nationalism, the classic image of the Viking was born: blond and bare-chested, lusty and bold, a noble savage for the north European soul. This, incidentally, was also the crucible in which the horned helmet was forged, a fantasy propagated and popularized through book illustrations. Thomas Heath Robinson’s illustrations for the English retelling of Frithiof’s Saga, published in 1912, have a lot to answer for in this respect, and Arthur Rackham’s drawings accompanying the translated libretto of Wagner’s Ring cycle didn’t help either; even though the Ring wasn’t ‘about’ Vikings, the valkyries, gods, dwarves and other paraphernalia of Norse myth placed it in the same milieu. Most importantly of all, it was in the latter part of the nineteenth century that the word ‘Viking’ came popularly to be applied to these people, their culture and their age.15

      In the light of modern attitudes towards Britain’s imperial project, it is now hard to view the enthusiasm of men like Ballantyne without cynicism. The approving comparisons made by men of the nineteenth century between themselves and their Viking forebears now carry a grim irony. Shackles and collars have been excavated from major Viking commercial centres at Dublin and elsewhere along the trade routes to the slave-markets of central Asia;