Eaton and Wynnestay are the grandest of the Dee country-seats, though not the most interesting as to architecture. The former, like many Italian houses, has its park open to the public, and is an exception to the jealously-guarded places in most parts of England, but its avenues, rather formal though very magnificent, are approached by lodges. The Wrexham avenue leads to a farmhouse called Belgrave, and here is the christening-point of the new, fashionable London of society, of novelists and of contractors. Another like avenue leads to Pulford, where there is another lodge: a third leads from Grosvenor Bridge to the deer-park, and a fourth to the village of Aldford. The hall is an immense pile, strikingly like, at first glance, the Houses of Parliament, with the Victoria Tower (this in the hall is one hundred and seventy feet high, and built above the chapel), and the style is sixteenth-century French, florid and costly. The plan is perhaps unique in England, and comfort has been attained, though one would hardly believe it, such size seeming to swamp everything except show. The description of the house, as given by a visitor there, reads like that of a palace: "The hall is an octagonal room in the centre of the house about seventy-five feet in length and from thirty to forty broad: on each side, at the end farthest from the entrance, are two doors leading into anterooms—one the ante-drawing-room, and the other the ante-dining-room; each is lighted by three large windows, and is thirty-three feet in length: they are fine rooms in themselves, and well-proportioned. From these lead the drawing-room and the dining-room respectively, both exceedingly grand rooms, ingenious in design and shape, each with two oriel windows and lighted by three others and a large bay window: this suite completes the east side. The south is occupied by the end of the drawing-room and a vast library—all en suite. The library is lighted by four bay windows, three flat ones and a fine alcove, and the rest of the main building to the west is made up of billiard- and smoking-rooms, waiting-hall, groom-of-chambers' sitting- and bed-rooms, and a carpet-room, besides the necessary staircases. This completes the main building, and a corridor leads to the kitchen and cook's offices: this corridor, which passes over the upper part of the kitchen, branches off into two parts—one leading to an excellently-planned mansion for the family and the private secretary, and another leading to the stables, which are arranged with great skill. The pony stable, the carriage-horse stable, the riding horses, occupy different sides, and through these are arranged, just in the right places, the rooms for livery and saddle grooms and coachmen. The laundry, wash-house, gun-room and game-larder occupy another building, which, however, is easily approached, and the whole building, though it extends seven hundred feet in length, is a perfect model of compactness. Great facilities are given to any one who desires to see it." The mention of a "mansion for the family" shows how the associations of a home are lost in this wilderness of magnificence: indeed, I remember a remark of a person whose husband had three or four country-houses in England and Scotland and a house in London, that "she never felt at home anywhere."
The farms in this neighborhood are mostly small, the average being seventy acres, and some are still smaller, though when one gets down to ten, one is tempted to call them gardens. Grazing and dairy-work are the chief industries. Farther inland, beyond the manufacturing town of Stockport, is a house of the Leghs, an immense building, more imposing than lovely in its exterior, but one of the most individual and pleasant houses in its interior as well as in its human associations. It has been altered at various times, and bears traces, like a corrected map, of each new phase of architecture for several hundred years. The four sides form a huge quadrangle, entered by foreign-looking gateways, and the rooms all open into a wide passage that runs round three sides of the building, and is a museum in itself. Old and new are just enough blended to produce comfort, and the stately, old-English look of the drawing-room, with its dark panelling and tapestry, is a reproach to the pink-and-white, plaster-of-Paris style of too many remodelled houses. Outside there is a garden distinguished by a heavy old wall overrun with creepers, dividing two levels and making a striking object in the landscape; and beyond that, where the country grows bleak and begins to remind one of moors, there are the last survivors of a unique breed of wild cattle, which, like the mastiffs at the house, bear the name of the place. The name of another Cheshire house, formerly belonging to the Stanleys, and now to Mr. Gladstone, is probably familiar to American readers—Hawarden Castle. The present house must trust entirely to associations for its interest, having been built in 1809, before much taste was applied to restore old places, but the old castle in the park dates from the middle of the thirteenth century. The park is not unlike that of Arundel, but the views from the ruin are finer and more varied. The counties of Caernarvon, Denbigh, Flint, Cheshire and Lancashire are spread out around it, and the ruin itself is beautiful and extensive.
The road from Hawarden to Boughton is exceedingly grand: we come upon one of the widest panoramas of the Dee and one of the most typical of English country scenes. A vast sweep of country unsurpassed in richness spreads along the river on the Cheshire side: sixty square miles of fields and pastures are in sight, with elms, sycamores and formal rows of Lombardy poplars. Wherever the trees cluster in a grove they usually mark the site of a country-house or a cherished ruin, like this one of old Hawarden, where one enormous oak tree sweeps its branches on the ground on every side, and forms a canopy whence you can peer out, as through the delicate tracery of a Gothic window, at the landscape beyond. The mouth of the Dee is visible from this road, whence at low water it seems reduced to a huge sandbank, through which the tired river trickles like a brook. The dun sky and yellow sands and gray sea, with the island of Hilbree, a counterpart of Lindisfarne both in its legend of a recluse and its continual alternation twice a day between the state of an island and a peninsula, make a picture pleasant to look back upon. Hence too come the shoals of cockles and mussels that go to delight Londoners. Then the open-sea fishing, the lithe boats that seem all sail, the wide waste of waters, with the point of Air and the Great Orme's Head walling it in on the receding Welsh coasts, the remembrance of the shipwreck a little beyond the mouth of the Dee which led to Milton's poem of Lycidas (containing the phrase "wizard stream" which has become peculiar to the Dee),—all claim our notice, and it seems impossible that we are so few miles from Manchester and so far from the historic, romantic times of old.
For Another
Sweet—sweet? My child, some sweeter word than sweet,
Some lovelier word than love, I want for you.
Who says the world is bitter, while your feet
Are left among the lilies and the dew?
Ah? So some other has, this night, to fold
Such hands as his, and drop some precious head
From off her breast as full of baby-gold?
I, for her grief, will not be comforted.
Among The Kabyles
Concluding Paper
Few countries twenty-five leagues long by ten wide have such an assortment of climates as Grand Kabylia. From the Mediterranean on the north to the Djurjura range on the south, a distance of two hours' ride by rail if there were a railway, the ascent is equal to that from New York Bay to the summit of Mount Washington. The palm is at home on the shore, while snow is preserved through the summer in the hollows of the peaks. This epitome of the zones is more condensed than that so often remarked upon on the eastern slope of Mexico, although it does not embrace such extremes of temperature as those presented by Vera Cruz