This, however, does not conclude the story of the Trojan War, which is resumed in the "Aethiopia," in five books, by Arctinus of Miletus. After describing the arrival of Penthesilea, Queen of the Amazons, to aid the Trojans, the poet relates her death at the hand of Achilles, who, in his turn, is slain by Apollo and Paris. This epic concludes with the famous dispute between Ajax and Ulysses for the possession of Achilles' armor.
The Little Iliad, whose authorship is ascribed to sundry poets, including Homer, next describes the madness and death of Ajax, the arrival of Philoctetes with the arrows of Hercules, the death of Paris, the purloining of the Palladium, the stratagem of the wooden horse, and the death of Priam.
In the Ilion Persis, or Sack of Troy, by Arctinus, in two books, we find the Trojans hesitating whether to convey the wooden steed into their city, and discover the immortal tales of the traitor Sinon and that of Laocoon. We then behold the taking and sacking of the city, with the massacre of the men and the carrying off into captivity of the women.
In the Nostroi, or Homeward Voyage, by Agias of Troezene, the Atridae differ in opinion; so, while Agamemnon delays his departure to offer propitiatory sacrifices, Menelaus sets sail for Egypt, where he is detained. This poem also contains the narrative of Agamemnon's return, of his assassination, and of the way in which his death was avenged by his son Orestes.
Next in sequence of events comes the Odyssey of Homer (of which a complete synopsis follows), and then the Telegonia of Eugammon of Cyrene, in two books. This describes how, after the burial of the suitors, Ulysses renews his adventures, and visits Thesprotia, where he marries and leaves a son. We also have his death, a battle between two of his sons, and the marriage of Telemachus and Circe, as well as that of the widowed Penelope to Telegonus, one of Ulysses' descendants.
Another sequel, or addition to the Odyssey, is found in the Telemachia, also a Greek poem, as well as in a far more modern work, the French classic, Télémaque, written by Fénelon for his pupil the Dauphin, in the age of Louis XIV.
Another great series of Greek poems is the Theban Cycle, which comprises the Thebais, by some unknown author, wherein is related in full the story of Oedipus, that of the Seven Kings before Thèbes, and the doings of the Epigoni.
There exist also cyclic poems in regard to the labors of Heracles, among others one called Oechalia, which has proved a priceless mine for poets, dramatists, painters, and sculptors.1
In the Alexandra by Lycophron (270 B.C.), and in a similar poem by Quintus Smyrnaeus, in fourteen books, we find tedious sequels to the Iliad, wherein Alexander is represented as a descendant of Achilles.
Indeed, the life and death of Alexander the Great are also the source of innumerable epics, as well as of romances in Greek, Latin, French, German, and English. The majority of these are based upon the epic of Callisthenes, 110 A.D., wherein an attempt was made to prove that Alexander descended directly from the Egyptian god Jupiter Ammon or, at least, from his priest Nectanebus.
Besides being told in innumerable Greek versions, the tale of Troy has frequently been repeated in Latin, and it enjoyed immense popularity all throughout Europe in the Middle Ages. It was, however, most beloved in France, where Benoit de St. Maur's interminable "Roman de Troie," as well as his "Roman d'Alexandre," greatly delighted the lords and ladies of his time.
Besides the works based on the story of Troy or on the adventures of Alexander, we have in Greek the Theogony of Hesiod in some 1022 lines, a miniature Greek mythology, giving the story of the origin and the doings of the Greek gods, as well as the Greek theory in regard to the creation of the world.
Among later Greek works we must also note the Shield of Heracles and the Eoiae or Catalogue of the Boetian heroines who gave birth to demi-gods or heroes.
In 194 B.C. Apollonius Rhodius at Alexandria wrote the Argonautica, in four books, wherein he relates the adventures of Jason in quest of the golden fleece. This epic was received so coldly that the poet, in disgust, withdrew to Rhodes, where, having remodelled his work, he obtained immense applause.
The principal burlesque epic in Greek, the Bactrachomyomachia, or Battle of Frogs and Mice, is attributed to Homer, but only some 300 lines of this work remain, showing what it may have been.
THE ILIAD
Introduction. Jupiter, king of the gods, refrained from an alliance with Thetis, a sea divinity, because he was told her son would be greater than his father. To console her, however, he decreed that all the gods should attend her nuptials with Peleus, King of Thessaly. At this wedding banquet the Goddess of Discord produced a golden apple, inscribed "To the fairest," which Juno, Minerva, and Venus claimed.
Because the gods refused to act as umpires in this quarrel, Paris, son of the King of Troy, was chosen. As an oracle had predicted before his birth that he would cause the ruin of his city, Paris was abandoned on a mountain to perish, but was rescued by kindly shepherds.
On hearing Juno offer him worldly power, Minerva boundless wisdom, and Venus the most beautiful wife in the world, Paris bestowed the prize of beauty upon Venus. She, therefore, bade him return to Troy, where his family was ready to welcome him, and sail thence to Greece to kidnap Helen, daughter of Jupiter and Leda and wife of Menelaus, King of Sparta. So potent were this lady's charms that her step-father had made all her suitors swear never to carry her away from her husband, and to aid in her recovery should she ever be kidnapped.
Shortly after his arrival at Sparta and during a brief absence of its king, Paris induced Helen to elope with him. On his return the outraged husband summoned the suitors to redeem their pledge, and collected a huge force at Aulis, where Agamemnon his brother became leader of the expedition. Such was the popularity of this war that even heroes who had taken no oath were anxious to make part of the punitive expedition, the most famous of these warriors being Achilles, son of Thetis and Peleus.
After many adventures the Greeks, landing on the shores of Asia, began besieging the city, from whose ramparts Helen watched her husband and his allies measure their strength against the Trojans. Such was the bravery displayed on both sides that the war raged nine years without any decisive advantage being obtained. At the end of this period, during a raid, the Greeks secured two female captives, which were awarded to Agamemnon and to Achilles in recognition of past services.
Although the above events are treated in sundry other Greek poems and epics,—which no longer exist entire, but form part of a cycle,—"The Iliad," accredited to Homer, takes up the story at this point, and relates the wrath of Achilles, together with the happenings of some fifty days in the ninth year.
Book I. After invoking the Muse to aid him sing the wrath of Achilles, the poet relates how Apollo's priest came in person to the Greek camp to ransom his captive daughter, only to be treated with contumely by Agamemnon. In his indignation this priest besought Apollo to send down a plague to decimate the foe's forces, and the Greeks soon learned from their oracles that its ravages would not cease until the maiden was restored to her father.
Nor will the god's awaken'd fury cease,
But plagues shall spread, and funeral fires increase,
Till the great king, without a ransom paid,
To her own Chrysa send the black-eyed maid.2
In a formal council Agamemnon is therefore asked to relinquish his captive, but violently declares that he will do so only in case he receives Achilles' slave. This insolent claim so infuriates the young hero that he is about to draw his sword, when Minerva, unseen by the rest, bids him hold his hand, and state that should Agamemnon's threat be carried out he will withdraw from the war.
Although the aged Nestor employs all his honeyed eloquence to soothe this quarrel, both chiefs angrily withdraw, Agamemnon to send his captive back to her father, and Achilles to sulk in his tent.
It