The detective frowned, perhaps to hide his secret satisfaction.
"Won't you be a little more definite?" he asked; then as the man continued to hesitate he added, but as yet without any appreciable loss of kindliness: "Every other person here has been good enough to show us the exact place he was occupying at that serious moment. I must ask you to do the same; it is only just."
Was the look this called up one of fear or of simple repugnance? It might be either; but the detective was disposed to consider it fear.
"Will you lead the way?" he pursued. "I shall be glad to follow."
A glance of extreme reproach; then these words, uttered with painful intensity:
"You want me to go back there—where I saw—where I can see again—I cannot. I'm not well. I suffer. You will excuse me. You will allow me to say what I have to say, here."
"I'm sorry, but I cannot do that. The others have gone without question to their places; why should not you?"
"Because–" The word came brokenly and was followed by silence. Then, seeing the hopelessness of contending with police authority, he cast another glance of strong repulsion in the direction of the gallery and started to his feet. Mr. Gryce did the same, and together they crossed the court. But they got no further at this time than the foot of the staircase. Coroner Price, by an extra effort which seemed to be called for by the circumstances, had succeeded in picking up a jury from the people collected on the street, and entering at this moment, created a diversion which effectively postponed the detective's examination of his new witness.
When the opportunity came for resuming it, so much time had elapsed that Mr. Gryce looked for some decided change in the manner or bearing of the man who, unfortunately for his purposes, had thus been given a quiet hour in which to think. Better, much better, for the cause of justice, if he could have pushed him to the point at once, harried him, as it were, in hot blood. Now he might find him more difficult.
But when, in company with the Coroner, who now found himself free to assist him in his hunt for witnesses, he reapproached the Englishman sitting as before alone on his bench, it was to find him to all appearance in the same mind in which he had left him. He wore the same look and followed with the same reluctance when he was made to understand that the time had now come for him to show just where he was standing when that arrow was sped on its death-course. And greatly impressed by this fact, which in a way contradicted all his expectations, Mr. Gryce trod slowly after, watching with the keenest interest to see whether, on reaching the top of the steps, this man upon whose testimony so much depended would turn toward the southern gallery where the girl had fallen, or toward the northern one, where Correy had found the bow.
It looked as if he were going to the left, for his head turned that way as he cleared the final step. But his body soon swayed aside in the other direction, and by the time the old detective had himself reached the landing, Travis, closely accompanied by the Coroner, had passed through the first of the three arches leading to that especial section of the gallery where the concealing tapestry hung.
"The man is honest," was Mr. Gryce's first thought. "He is going to show us the bow and confess to what was undoubtedly an accident." But Mr. Gryce felt more or less ready to modify this impromptu conclusion when, on passing through the arch himself he came upon the young man still standing in Section VI, with his eyes on the opposite gallery and his whole frame trembling with emotion.
"Is she—the young lady who was shot—still lying on those cold stones alone, forsaken and–"
Mr. Gryce knew misery when he saw it. This man had not overstated the case when he had said "I suffer." But the cause! To what could this excess of sensibility be attributed? To remorse or to an exaggerated personal repulsion? It looked like remorse, but that there might be no doubt as to this, Mr. Gryce hastened to assure the Englishman that on the departure of the jury the body had been removed to one of the inner rooms. The relief which this gave to Mr. Travis was evident. He showed no further reluctance to proceed and was indeed the first of the three to enter where the great drapery hung, flanked by the two immense vases. Would he pause before it or hurry by into the broad corridor in front? If he hurried by, what would become of their now secretly accepted theory?
But he did not hurry by; that is, he did not pass beyond the upper end, but stopped when he got there and looked back with an air of extreme deprecation at the two officials.
"Have we arrived?" asked Mr. Gryce, his suspicions all returning, for the man had stepped aside from the drapery and was standing in a spot conspicuously open to view even from the lower court.
The Englishman nodded; whereupon Mr. Gryce, approaching to his side, exclaimed in evident doubt:
"You were standing here? When? Not at the moment the young girl fell, or you would have been seen by some one, if not by everyone, in the building. I want you to take the exact place you occupied when you first learned that something had gone wrong in the opposite gallery."
The stranger's distress grew. With a show of indecision scarcely calculated to inspire confidence in either of the two men watching him, he moved now here and now there till he finally came to a standstill close by the pedestal—so close, indeed, to its inner corner that he was almost in a line with its rear.
"It was here," he declared with a gulp of real feeling. "I am sure I am right now. I had just stepped out–"
"From behind the tapestry?"
"No." His blank astonishment at the quickness with which he had been caught up left him staring for a moment at the speaker, before he added:
"From behind the pedestal. The—the vase, as you see, is a very curious one. I wanted to look at it from all sides."
Without a word the Coroner slipped past him and entering the narrow space behind the pedestal took a look up at the vase from his present cramped position.
As he did this, two things happened: first Sweetwater, who had stolen upon the scene, possibly at some intimation from Mr. Gryce, took a step toward them which brought him in alignment with the Englishman, of whose height in comparison with his own he seemed to take careful note; and secondly, the sensitive skin of the foreigner flushed red again as he noticed the Coroner's sarcastic smile, and heard his dry remark:
"One gets a better view here of the opposite gallery than of the vase perched so high overhead. Had you wished to look at those ladies, without being seen by them, you could hardly have found a better loophole than the one made by the curving in of this great vase toward its base." Then quickly: "You surely took one look their way; that would be only natural."
The answer Mr. Travis gave was certainly unexpected.
"It was after I came out that I saw them," he stammered. "There were two ladies, one tall and one very young and slight. The older lady was stepping toward the front, the other entering from behind. As I looked, the younger made a dash and ran by the first lady. Then–"
"Proceed, Mr. Travis. Your emotion is very natural; but it is imperative that we hear all you have to tell us. She ran by the older lady, and then?"
Still silence. The Englishman appeared to be looking at Coroner Price, who in speaking emerged from behind the pedestal; but it is doubtful if he saw him. A tear was in his eye—a tear!
Seeing it, Mr. Gryce felt a movement of compassion, and thinking to help him, said kindly enough:
"Was it so very dreadful?"
The answer came with great simplicity:
"Yes. One minute she was all life and gaiety; the next she was lying outstretched on the hard floor."
"And you?"
Again that look of ingenuous surprise.
"I don't remember about myself," he said. "I was thinking too much about her. I never saw anyone killed before."
"Killed? Why do you say killed? You say you saw her fall, but how did you know she was killed?"
"I saw the arrow in her breast. As she fell backward, I saw the arrow."
As he uttered these words, the three men