"No, thank Heaven! She is quite well."
"She is doubtless now living in Carlsruhe?"
"No, at Brussels."
"Then why are you here? why have you quitted so kind a friend?"
My catechism, growing thus more and more brutal, might have been prolonged until bedtime, but on the arrival of a new traveler she left me there, with a pen in my hand and a quantity of delicious cobwebs in my head, saying gently, "I will see you this evening, kind friend."
The same evening, after a botanizing stroll in the adjoining wood—a treat that my tin box and I had promised each other—I found myself again with Francine. Full of curiosity as I was concerning her adventures, I determined that she should direct the conversation herself, and take her own pretty time to tell the more personal parts of the story.
The stage grisette is perpetually exploring the pockets of her apron. Francine, who wore a roundabout apron of a white and crackling nature, adorned her conversation by attending to the hem of hers. When she asked about my last interview with her father, she ironed that hem with the nail of her rosy little thumb; when she fell into reminiscences of her mother, she smoothed the apron respectfully and sadly; when she proposed a question or a doubt, she extracted little threads from the seam: at last, perfectly satisfied with the apron, she laid her two small hands in each other on its dainty snow-bank, and resigned herself to a perfect torrent of remarks about the horse, the van, the little cabin among the roses, the small one-eyed dog and the two chickens. Conversation, a thing which is manufactured by an American girl, is a thing which takes possession of a French girl.
All the while I remained uninstructed as to why my had left her protectress, why she was keeping house at Carlsruhe, and on what understanding her customers called her madame.
I was obliged to take next day a long alterative excursion among the trees of the Haardtwald: in fact, her gentle warmth, her freshness, her nattiness, the very protection she shed over me, were working sad mischief to my peace of mind. I came upon an old shepherd, who, with his music-book thrown into a bush in front of him, was leaning back against a tree and drawing sweet sounds out of a cornet-à-piston.
"Even so," I said, "did Stark the Viking hear the notes of the enchanted horn teaching every tree he came to the echo of his true-love's name."
But the churlish shepherd, the moment he caught sight of me, put up his pipe, whistled to his dogs and rejoined the flock. I was dissatisfied with his unsocial retreat. I felt, with renewed force, that a note was lacking to the full harmony of my life, and I threw myself upon a bank. I tried not to see the artificial roads of the forest, alive with city carriages. I believed myself lost in a primeval wood, and I examined the state of my heart. I perceived with concern that that organ was still lacerated. The languid, musical pageant of my youth streamed toward me again through the leafy aisles, and I remembered my high aspirings, my poems, my ideals: the floating vision of a Dark Ladye passed or looked up at me through the broken waves of Oblivion; she listened to my rhapsodies with the old puzzling silence; she confided to me certain Sibylline leaves out of her diary; then she receded, cold and unresponsive, a statue cut out of a shadow. I was obliged to untie my cravat. Finally, I fell asleep and dreamed of Mary Ashburton crowned with the neat workwoman's cap of Francine Joliet. I returned to dinner considerably exalted, and just touched with rheumatism.
The soup was glacial, the roast was steaming, the conversation was geographical. "Pray, M. Flemming," said my neighbor (he had been stealing a look at the register of visitors' names), "can cattle be wintered out of doors as far north as Pennsylvania, or only up to Virginia?"
"Pray," said another, "is not New York situated between the North River and the Hudson?"
The prayer of a third made itself audible: "Ought we to say 'Delightful Wyoming,' after Campbell, or Wyoming?"
"We ought to eat with thankfulness the good things set before us," I replied, with some presence of mind. "Excuse me, gentlemen," I added, to carry off my vivacity, "but I think informing conversation is a bore until after the nuts and raisins. A Danish proverb says that he who knows what he is saying at a feast has but poor comprehension of what he is eating. On my way hither, breakfasting at Strasburg, I enjoyed a lesson in geography, and I aver that though the lesson was elementary, I breakfasted very badly."
"Who was the teacher?" asked the explorer of Wyoming, a German, in the tone of a man to whom no professor of Geography could properly be a stranger.
"The teacher," I answered with a smile, "was one Fortnoye—"
I did not finish my sentence. At that name, Fortnoye, a kind of electric movement was communicated around the board. Every eye sought the face of Francine, who, troubled and confused, fell upon the cutlet placed before her and cut it feverishly into flinders. Evidently there was a secret thereabouts. When coffee was on, I applied myself to satisfying the topographic doubts of my neighbors, but the name of the geographical professor was approached no more.
When dinner was over, and only two stranded Belgians remained at table, discussing whether the Falls of Niagara plunge from the United States into Canada, or from Canada into the United States, I stole into the narrow office, believing I should see Francine.
She was not there, but the register was lying on the desk. I fell to turning the leaves over furiously: I felt that I was on the trail of Fortnoye. I was not long in amassing a quantity of discoveries. Going back to the previous year, I found the signature of Fortnoye in March and April; in July and September, Fortnoye bound up and down the Rhine; in the depth of the winter, Monsieur Tonson-Fortnoye come again! Evidently one of the most frequent guests of my delicate Francine was the interpreter of Cosmos in Strasburg, the white-bearded mystifier of the champagne-cellar, the finest singing-voice in Épernay.
Toward ten o'clock, as I paced the little grove called the Oak Wood, I saw at the miniature lake four persons, who were regaining the bank after trying to detach the little boat moored by the shore. They were just the four from our social table with whom I best agreed. I joined the party, and, hooking now a friendly arm to the elbow of one, now to that of another, I soon obtained all they had to communicate on the subject which occupied my mind. Each knew Fortnoye intimately: the result of my quadratic amounted to the following:
First. Fortnoye, educated at the Polytechnic School in Paris, is a man of grave character and profound learning.
Second. Fortnoye is a roysterer, latterly occupied in extending the connection of a champagne-house at Épernay. He is a Bohemian, even a poet: he can rhyme, but strictly in the interests of commerce—he composes only drinking-songs.
Third. Fortnoye is an exploded speculator, dismissed from the French Board: obliged to beat a retreat to Belgium, he soon found himself in Baden, where he had good luck at the green table shortly before the war.
Fourth, and last. (This was from the man of Wyoming.) Fortnoye only retreated to Belgium as a refuge for his demagogic opinions. He belongs to the innermost circle of the Commune and to all the French and Italian secret associations. He is represented in the background of several of Courbet's pictures. He has been everywhere: in Italy he joined the society of the Mary Anne, where he met the celebrated Lothair. This order has a branch called the Society of Pure Illumination. If he has liberty to return into France, it is because he is connected with the detective police.
The information, extensive as it was, did not altogether satisfy me. I made little of the inconsistencies betrayed by the various counsels of the Areopagus, but I closed the whole solemnity with one crucial interrogatory: "What the dickens does Fortnoye come prowling around Francine Joliet's house for?"
The answer was not calculated to please me: "She is young and attractive: Fortnoye advanced the funds to set her up in the house."
But my morose thoughts were distracted by the scene around us. The moon burst up above the trees of the Oak Wood—a fine ample German moon, like a Diana of Rubens. Close to our sides passed numerous young couples, holding hands, clasping waists, chattering gayly, or walking in silence with a blonde head laid on a burly shoulder. One of my companions pointed out a specially stalwart and graceful