With joyful alacrity did the young Turk arm and hurry to horse; and then, putting himself at the head of a troop of light cavalry, sped onwards in the direction of the country where he hoped to gain tidings of Strasolda. Having received strict orders to content himself with protecting the Turkish frontier, and above all not to infringe on Archducal territory, Ibrahim, on arriving at the boundary of the pachalic, left his troop in charge of the second in command, and with a handful of men entered Venetian Dalmatia, with the intention of obtaining information concerning the Uzcoques, and more especially concerning her he loved. He was assisted in his enquiries by the good understanding existing between Venice and the Porte; and he soon learned that, after the burning of Pesca, the pirates had suddenly ceased their excesses and returned to Segna, taking the Proveditore with them. They had not gone, however, either to the castle or the town; but fearful lest the Archduke should interfere, and make them give up their illustrious prisoners, had betaken themselves to the mountains, in the numerous caverns and lurking-places of which they were able to conceal their captives. From every mouth did the eager enquirer hear praises of the female who accompanied the Uzcoques. None spoke of her but in terms of love and gratitude. As regarded her appearance accounts were at variance, some representing her as young and beautiful, while others compassionated her frightful ugliness; and, more than ever perplexed by this conflicting testimony, Ibrahim pursued his march and his enquiries, still hoping by perseverance to arrive at a solution of the enigma.
While the young Turk was thus employed, the Proveditore and his son were conveyed by their captors from one place of security to another, passing one night in the depths of some ravine, the next amongst the crags and clefts of the mountains, but always moving about in the daytime, and never sleeping twice in the same place. Since the evening of the revel at Pesca they had not again beheld the mysterious old woman, although they had more than once heard her clear and silvery voice near the place allotted to them for confinement and repose. In certain attentions and comforts, intended as alleviations of their unpleasant position, female care and thought were also visible; but all their efforts were vain to obtain a sight of the friendly being who thus hovered around them.
It was on a beautiful evening some fourteen days after their capture, that the Proveditore and his son lay upon the bank of the only river that waters the rocky vicinity of Segna, wearied by a long and rapid march. There was an unusual degree of bustle observable amongst the Uzcoques, and numerous messengers had been passing to and from the castle of Segna, which was at no great distance from the spot where they had now halted. From the various indications of some extraordinary occurrence, the two Venetians began to hope that the crisis of their fate was approaching, and that they should at last know in what manner their captors meant to dispose of them. Nor were they wrong in their expectations. Suddenly the mysterious old woman stood before them, her partially veiled features bearing their wonted hideous aspect, and her eyes, usually so brilliant, dimmed with tears.
"You are free," said she in an agitated voice to the Proveditore and his son. "Our people will escort you to Fiume in all safety, and there you will find galleys of the republic to convey you back to Venice."
At the sight of the old woman's unearthly countenance, Antonio covered his face with his hands; the Proveditore rose from the ground deeply moved.
"Singular being!" he exclaimed, "by this mildness and mercy you punish me more effectually than by the bloodiest revenge you could have taken for my cruel treatment of you."
"You owe me no thanks," was the reply; "thank rather the holy Virgin, who sent the youth beside you to be your guardian angel, and who delivered you into the hands of the Uzcoques at a time when they had need of a hostage. Surely it was by the special intervention of Heaven that the murderer of the wife was sent to serve as ransom for the captive husband. But the atonement has come too late, the noble Dansowich was basely ensnared into an act of violence, and his life paid the forfeit of his wrath—he died upon the rack. And now the wily counsellors at Gradiska compel us to release you."
She paused, interrupted by a flood of tears. After a short silence, broken only by her sobs, she became more composed, and the Proveditore again addressed her.
"But what," said he, "could have driven Dansowich to an act of violence, which he must have known would entail a severe punishment? Surely his wife's safety and the lapse of years might have enabled him to forgive, if not to forget, the unsuccessful attempt upon her life."
"His wife's safety!" exclaimed the old woman. "Have the trials and fatigues of the last few days turned your brain? Alas! too surely was the rope fixed round her neck; and had you not carried off her remains how could you have possessed her portrait, and by the devilish stratagem of showing it to the bereaved husband, have driven him to the act which cost him his life?"
"Gracious Heaven! what hideous jest is this?" exclaimed Marcello. "Do I not see you living and standing before me; and think you I could ever forget your features, or the look you gave me when hanging from the tree? You were cut down and saved after our departure; and but a few weeks have elapsed since my son painted your likeness, after conveying you across the canal in his gondola."
The old woman stood for a few moments as though petrified by what she had just heard. At last she passed her hand slowly across her face, as if to convince herself of her identity.
"And she you murdered resembled me?" she exclaimed in a trembling voice. "It was of me that the portrait was taken, and by him!" she continued, pointing to Antonio with a gesture of horror and contempt. "My picture was it, that was held before Dansowich, and by you, the murderer of his wife? Holy Virgin!" she exclaimed, as the truth seemed to flash upon her, "how has my faith in thee misled me! I beheld in this youth one sent by Heaven to aid me; but now I see that he was prompted by the powers of darkness to steal my portrait, and thus become the instrument of destruction to the best and noblest of our race."
"Forgive and spare us!" exclaimed Antonio, conscience-stricken as he remembered the admonitions of Contarini. "'Tis true, I was the instrument, but most unwittingly. How could I know so sad an end would follow?"
"'Tis not my wont to seek revenge," replied the old woman; "nor do I forget that you saved my life from the fury of the Venetians."
Antonio essayed to speak, but had not courage to correct the error into which she had been led by his strong resemblance to the gallant stranger.
"But," she continued, "'tis time you should have full proof that the features you painted were not those of the wife of Dansowich."
With these words she threw back her veil, unfastened some small hooks concealed in her abundant tresses, and took off a mask of thin and untanned lambskin, wrinkled and stained with yellow and purple streaks by exposure to sun and storm. This mask, closely fitted to features regular and prominent, and strongly resembling those of her unfortunate mother, whose large, dark, and very brilliant eyes she had also inherited, will explain the misconception of the Proveditore as well as that of Dansowich, who had never seen his daughter in a disguise worn only at Venice or other places of peril, and while away from her father and his protection.
While the beautiful but still tearful Uzcoque maid stood thus revealed before the astonished senator, and his enraptured and speechless son, the approaching footfall of a horse at full speed was heard, and in an instant there darted round the angle of a cliff the martial figure of a Turk,