"I confess that this little piece of information raised a certain disquietude, and I found the azure grotto infinitely less agreeable to the imagination.... We again laid ourselves down at the bottom of our respective canoes, and issued forth with the same precautions, and the same good fortune, with which we had entered. But we were some minutes before we could open our eyes; the burning sun upon the glittering ocean absolutely blinded us. We had not gone many yards, however, before the eye recovered itself, and all that we had seen in the azure grotto had the consistency of a dream."
From Capri our travellers proceed to Sicily. We have a long story and a violent storm upon the passage, and are landed at Messina. Here M. Dumas enlarges his experience by an acquaintance with the Sirocco. His companion, M. Jadin, had been taken ill, and a physician had been called in.
"The doctor had ordered that the patient (who was suffering under a fever) should be exposed to all the air possible, that doors and windows should be opened, and he should be placed in the current. This was done; but on the present evening, to my astonishment, instead of the fresh breeze of the night—which was wont to blow the fresher from our neighbourhood to the sea—there entered at the open window a dry hot wind like the air from a furnace. I waited for the morning, but the morning brought no change in the state of the atmosphere.
"My patient had suffered greatly through the night. I rang the bell for some lemonade, the only drink the doctor had recommended; but no one answered the summons. I rang again, and a third time: still no one came; at length seeing that the mountain would not come to me, I went to the mountain. I wandered through the corridor, and entered apartment after apartment, and found no one to address. It was nine o'clock in the morning, yet the master and mistress of the house had not left their room, and not a domestic was at his post. It was quite incomprehensible.
"I descended to the portico; I found him lying on an old sofa all in tatters, the principal ornament of his room, and asked him why the house was thus deserted.
"'Ah, monsieur!' said he, 'do you not feel the sirocco?'
"'Sirocco or not, is this a reason why no one should come when I call?'
"'Oh, monsieur, when it is sirocco no one does any thing!'
"'And your travellers, who is to wait upon them?'
"'On those days they wait upon themselves.'
"I begged pardon of this respectable official for having disturbed him; he heaved such a sigh as indicated that it required a great amount of Christian charity to grant the pardon I had asked.
"The hour arrived when the doctor should have paid his visit, and no doctor came. I presumed that the sirocco detained him also; but as the state of Jadin appeared to me alarming, I resolved to go and rouse my Esculapius, and bring him, willing or unwilling, to the hotel. I took my hat and sallied forth.
"Messina had the appearance of a city of the dead: not an inhabitant was walking in the streets, not a head was seen at the windows. The mendicants themselves (and he who has not seen the Sicilian mendicant, knows not what wretchedness is,) lay in the corners of the streets, stretched out, doubled up, panting, without strength to stretch out their hand for charity, or voice to ask an alms. Pompeii, which I visited three months afterwards, was not more silent, more solitary, more inanimate.
"I reached the doctor's. I rang, I knocked, no one answered. I pushed against the door, it opened;—I entered, and pursued my search for the doctor.
"I traversed three or four apartments. There were women lying upon sofas, and children sprawling on the floor. Not one even raised a head to look at me. At last, in one of the rooms, the door of which was, like the rest, half-open, I found the man I was in quest of, stretched upon his bed.
"I went up to him, I took him by the hand, and felt his pulse.
"'Ah,' said he, with a melancholy voice, and scarcely turning his head towards me, 'Is that you? What can you want?'
"'Want!--I want you to come and see my friend, who is no better, as it seems to me.'
"'Go and see your friend!' cried the doctor, in a fright—'impossible!'
"'Why impossible?'
"He made a desperate effort to move, and taking his cane in his left hand, passed his right hand slowly down it, from the golden head that adorned it to the other extremity. 'Look you,' said he, 'my cane sweats.'
"And, in fact, there fell some globules of water from it, such an effect has this terrible wind even on inanimate things.
"'Well,' said I, 'and what does that prove?'
"'That proves, that at such a time as this, there are no physicians, all are patients.3'"—P. 175.
Seeing there was no chance of bringing the doctor to the hotel, unless he carried him there by main force, Mr Dumas contented himself with relating the symptoms of his friend. To drink lemonade—much lemonade—all the lemonade he could swallow, was the only prescription that the physician gave. And the simple remedy seems to have sufficed; for the patient shortly after recovered.
Not the least agreeable portion of these travels, is the pleasant impression they leave of the traveller himself, one who has his humours doubtless, but who is social, buoyant, brave, generous, and enterprising. A Frenchman—as a chemist, in his peculiar language, would say—is a creature "endowed with a considerable range of affinity." Our traveller has this range of affinity; he wins the heart of all and several—the crew of his speronara. We will close with the following extract, both because it shows the frank and lively feelings of the Frenchman, and because it introduces a name dear to all lovers of melody. The father of Bellini was a Sicilian, and Dumas was in Sicily.
"It was while standing on this spot, that I asked my guide if he knew the father of Bellini. At this question he turned, and pointing out to me an old man who was passing in a little carriage drawn by one horse—'Look you,' said he, 'there he is, taking his ride into the country!'
"I ran to the carriage and stopped it, knowing that he is never intrusive who speaks to a father of his son, and of such a son as Bellini's. At the first mention of his name, the old man took me by both hands, and asked me eagerly if I really knew his son. I drew from my portfolio a letter of introduction, which, on my departure from Paris, Bellini had given me for the Duchess de Noja, and asked him if he knew the handwriting. He took the letter in his hands, and answered only by kissing the superscription.
"'Ah,' said he, turning round to me, 'you know not how good he is! We are not rich. Well, at each success there comes some remembrance, something to add to the ease and comfort of an old man. If you will come home with me, I will show you how many things I owe to his goodness. Every success brings something new. This watch I carry with me, was from Norma; this little carriage and horse, from the Puritans. In every letter that he writes, he says that he will come; but Paris is far from Sicily. I do not trust to this promise—I am afraid that I shall die without seeing him again. You will see him, you——'
"'Yes,' I answered, 'and if you have any commission——'
"'No—what should I send him?—My blessing?—Dear boy, I give it him night and morning. But tell him you have given me a happy day by speaking to me of him—tell him that I embraced you as an old friend—(and he embraced me)—but you need not say that I was in tears. Besides,' he added, 'it is with joy that I weep.—And is it true that my son has a reputation?'
"'Indeed a very great reputation.'
"'How strange!' said the old man, 'who would have thought it, when I used to scold him, because, instead of working, he would be eternally beating time, and teaching