The Unclassed. George Gissing. Читать онлайн. Newlib. NEWLIB.NET

Автор: George Gissing
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in long past times, rebuilding the ruins of a fallen Empire.

      When he was eighteen, the lad had the good luck to light upon a cheap copy of Gibbon in a second-hand book-shop. It was the first edition; six noble quarto volumes, clean and firm in the old bindings. Often he had turned longing eyes upon newer copies of the great book, but the price had always put them beyond his reach. That very night he solemnly laid open the first volume at the first page, propping it on a couple of meaner books, and, after glancing through the short Preface, began to read with a mind as devoutly disposed as that of any pious believer poring upon his Bible. "In the second century of the Christian AEra, the empire of Rome comprehended the fairest part of the earth, and the most civilised portion of mankind. The frontiers of that extensive monarchy were guarded by ancient renown and disciplined valour." With what a grand epic roll, with what anticipations of solemn music, did the noble history begin! Far, far into the night Julian turned over page after page, thoughtless of sleep and the commonplace duties of the morrow.

      Since then he had mastered his Gibbon, knew him from end to end, and joyed in him more than ever. Whenever he had a chance of obtaining any of the writers, ancient or modern, to whom Gibbon refers, he read them and added to his knowledge. About a year ago, he had picked up an old Claudian, and the reading of the poet had settled him to a task which he had before that doubtfully sought. He wanted to write either a poem or a drama on some subject taken from the "Decline and Fall," and now, with Claudian's help, he fixed upon Stilicho for his hero. The form, he then decided, should be dramatic. Upon "Stilicho" he had now been engaged for a year, and to-night he is writing the last words of the last scene. Shortly after twelve he has finished it, and, throwing down his pen, he paces about the room with enviable feelings.

      He had not as yet mentioned to Waymark the work he was engaged upon, though he had confessed that he wrote verses at times. He wished to complete it, and then read it to his friend. It was now only the middle of the week, and though he had decided previously to wait till his visit to Walcot Square next Sunday before saying a word about "Stilicho," he could not refrain now from hastily penning a note to Waymark, and going out to post it at once.

      When the day came, the weather would not allow the usual walk with Harriet, and Julian could not help feeling glad that it was so. He was too pre-occupied to talk in the usual way with the girl, and he knew how vain it would be to try and make her understand his state of mind. Still, he went to see her as usual, and sat for an hour in Mrs. Ogle's parlour. At times, throughout the week, he had thought of the curious resemblance between Harriet and the girl he had noticed on leaving Waymark's house last Sunday, and now he asked her, in a half-jesting way, whether it had really been she.

      "How could it be?" said Harriet carelessly. "I can't be in two places at once."

      "Did you stay at home that evening?"

      "No,—not all the evening."

      "What friends are they you go to, when you are out at night, Harriet?"

      "Oh, some relations of the Colchester people.—I suppose you've been spending most of your time in Kennington since Sunday?"

      "I haven't left home. In fact, I've been very busy. I've just finished some work that has occupied me for nearly a year."

      After all, he could not refrain from speaking of it, though he had made up his mind not to do so.

      "Work? What work?" asked Harriet, with the suspicious look which came into her grey eyes whenever she heard something she could not understand.

      "Some writing. I've written a play."

      "A play? Will it be acted?"

      "Oh no, it isn't meant for acting."

      "What's the good of it then?"

      "It's written in verse. I shall perhaps try to get it published."

      "Shall you get money for it?"

      "That is scarcely likely. In all probability I shall not be able to get it printed at all."

      "Then what's the good of it?" repeated Harriet, still suspicious, and a little contemptuous.

      "It has given me pleasure, that's all."

      Julian was glad when at length he could take his leave. Waymark received him with a pleased smile, and much questioning.

      "Why did you keep it such a secret? I shall try my hand at a play some day or other, but, as you can guess, the material will scarcely be sought in Gibbon. It will be desperately modern, and possibly not altogether in accordance with the views of the Lord Chamberlain. What's the time? Four o'clock. We'll have a cup of coffee and then fall to. I'm eager to hear your 'deep-chested music,' your 'hollow oes and aes.'"

      The reading took some three hours; Waymark smoked a vast number of pipes the while, and was silent till the close. Then he got up from his easy-chair, took a step forward, and held out his hand. His face shone with the frankest enthusiasm. He could not express himself with sufficient vehemence. Julian sat with the manuscript rolled up in his hands, on his face a glow of delight.

      "It's very kind of you to speak in this way," he faltered at length.

      "Kind! How the deuce should I speak? But come, we will have this off to a publisher's forthwith. Have you any ideas for the next work?"

      "Yes; but so daring that they hardly bear putting into words."

      "Try the effect on me."

      "I have thought," said Julian, with embarrassment, "of a long poem—an Epic. Virgil wrote of the founding of Rome; her dissolution is as grand a subject. It would mean years of preparation, and again years in the writing. The siege and capture of Rome by Alaric—what do you think?"

      "A work not to be raised from the heat of youth, or the vapours of wine. But who knows?"

      There was high talk in Walcot Square that evening. All unknown to its other inhabitants, the poor lodging-house was converted into a temple of the Muses, and harmonies as from Apollo's lyre throbbed in the hearts of the two friends. The future was their inexhaustible subject, the seed-plot of strange hopes and desires. They talked the night into morning, hardly daunted when perforce they remembered the day's work.

      CHAPTER X

      THE WAY OUT

      The ruling spirit of the Academy was Mrs. Tootle. Her husband's constitutional headache, and yet more constitutional laziness, left to her almost exclusively the congenial task of guiding the household, and even of disciplining the school. In lesson-time she would even flit about the classrooms, and not scruple to administer sharp rebukes to a teacher whose pupils were disorderly, the effect of this naturally being to make confusion worse confounded. The boys of course hated her with the hatred of which schoolboys alone are capable, and many a practical joke was played at her expense, not, however, with impunity. Still more pronounced, if possible, was the animus entertained against Mrs. Tootle's offspring, and it was upon the head of Master Felix that the full energy of detestation concentrated itself. He was, in truth, as offensive a young imp as the soil of a middle-class boarding-school could well produce. If Mrs. Tootle ruled the Academy, he in turn ruled Mrs. Tootle, and on all occasions showed himself a most exemplary autocrat. His position, however, as in the case of certain other autocratic rulers, had its disadvantages; he could never venture to wander out of earshot of his father or mother, who formed his body-guard, and the utmost prudence did not suffice to protect him from an occasional punch on the head, or a nip in a tender part, meant probably as earnest of more substantial kindnesses to be conferred upon him at the very earliest opportunity.

      To poor Egger fell the unpleasant duty of instructing these young Tootles in the elements of the French language. For that purpose he went up every morning to the class-room on the first floor, and for a while relieved Miss Enderby of her charge. With anguish of spirit he felt the approach of the moment which summoned him to this dread duty, for, in addition to the lively spite of Master Felix and the other children, he had to face the awful superintendence of Mrs. Tootle herself; who was invariably present at these lessons. Mrs. Tootle had somehow conceived the idea that French was a second mother-tongue to her, and her intercourse with Mr. Egger was invariably carried on in that language. Now this was a refinement of torture, seeing that it was often impossible to gather a meaning from