In other cases the English name is a mere modification of the Latin one, and our ideal associations have really a scientific basis: as with Violet, Lily, Laurel, Gentian, Vervain. Indeed, our enthusiasm for vernacular names is like that for Indian names, one-sided: we enumerate only the graceful ones, and ignore the rest. It would be a pity to Latinize Touch-me-not, or Yarrow, or Gold-Thread, or Self-Heal, or Columbine, or Blue-Eyed-Grass,—though, to be sure, this last has an annoying way of shutting up its azure orbs the moment you gather it, and you reach home with a bare, stiff blade, which deserves no better name than Sisyrinchium anceps. But in what respect is Cucumber-Root preferable to Medeola, or Solomon's-Seal to Convallaria, or Rock-Tripe to Umbilicaria, or Lousewort to Pedicularis? In other cases the merit is divided: Anemone may dispute the prize of melody with Windflower, Campanula with Harebell, Neottia with Ladies'-Tresses, Uvularia with Bellwort and Strawbell, Potentilla with Cinquefoil, and Sanguinaria with Bloodroot. Hepatica may be bad, but Liverleaf is worse. The pretty name of May-flower is not so popular, after all, as that of Trailing-Arbutus, where the graceful and appropriate adjective redeems the substantive, which happens to be Latin and incorrect at the same time. It does seem a waste of time to say Chrysanthemum leucanthemum instead of Whiteweed; though, if the long scientific name were an incantation to banish the intruder, our farmers would gladly consent to adopt it.
But the great advantage of a reasonable use of the botanical name is, that it does not deceive us. Our primrose is not the English primrose, any more than it was our robin who tucked up the babes in the wood; our cowslip is not the English cowslip, it is the English marsh-marigold,—Tennyson's "wild marsh-marigold shines like fire in swamps and hollows gray." The pretty name of Azalea means something definite; but its rural name of Honeysuckle confounds under that name flowers without even an external resemblance,—Azalea, Diervilla, Lonioera, Aquilegia,—just as every bird which sings loud in deep woods is popularly denominated a thrush. The really rustic names of both plants and animals are very few with us,—the different species are many; and as we come to know them better and love them more, we absolutely require some way to distinguish them from their half-sisters and second-cousins. It is hopeless to try to create new popular epithets, or even to revive those which are thoroughly obsolete. Miss Cooper may strive in vain, with benevolent intent, to christen her favorite spring-blossoms "May-Wings" and "Gay-Wings," and "Fringe-Cup" and "Squirrel-Cup," and "Cool-Wort" and "Bead-Ruby"; there is no conceivable reason why these should not be the familiar appellations, except the irresistible fact that they are not. It is impossible to create a popular name: one might as well attempt to invent a legend or compose a ballad. Nascitur, non fit.
As the spring comes on, and the densening outlines of the elm give daily a new design for a Grecian urn,—its hue, first brown with blossoms, then emerald with leaves,—we appreciate the vanishing beauty of the bare boughs. In our favored temperate zone, the trees denude themselves each year, like the goddesses before Paris, that we may see which unadorned loveliness is the fairest. Only the unconquerable delicacy of the beech still keeps its soft vestments about it: far into spring, when worn to thin rags and tatters, they cling there still; and when they fall, the new appear as by magic. It must be owned, however, that the beech has good reasons for this prudishness, and possesses little beauty of figure; while the elms, maples, chestnuts, walnuts, and even oaks, have not exhausted all their store of charms for us, until we have seen them disrobed. Only yonder magnificent pine-tree,—that pitch-pine, nobler when seen in perfection than white-pine, or Norwegian, or Norfolk Islander,—that pitch-pine, herself a grove, una nemus, holds her unchanging beauty throughout the year, like her half-brother, the ocean, whose voice she shares; and only marks the flowing of her annual tide of life by the new verdure that yearly submerges all trace of last year's ebb.
How many lessons of faith and beauty we should lose, if there were no winter in our year! Sometimes, in following up a watercourse among our hills, in the early spring, one comes to a weird and desolate place, where one huge wild grapevine has wreathed its ragged arms around a whole thicket and brought it to the ground,—swarming to the tops of hemlocks, clenching a dozen young maples at once and tugging them downward, stretching its wizard black length across the underbrush, into the earth and out again, wrenching up great stones in its blind, aimless struggle. What a piece of chaos is this! Yet come here again, two months hence, and you shall find all this desolation clothed with beauty and with fragrance, one vast bower of soft green leaves and graceful tendrils, while summer-birds chirp and flutter amid these sunny arches all the livelong day. "Out of the strong cometh forth sweetness."
To the end of April, and often later, one still finds remains of snowbanks in sheltered woods, especially those consisting of evergreen trees; and this snow, like that upon high mountains, has become hardened by the repeated thawing and freezing of the surface, till it is more impenetrable than ice. But the snow that actually falls during April is usually only what Vermonters call "sugar-snow,"—falling in the night and just whitening the surface for an hour or two, and taking its name, not so much from its looks as from the fact that it denotes the proper weather for "sugaring," namely, cold nights and warm days. Our saccharine associations, however, remain so obstinately tropical, that it seems almost impossible for the imagination to locate sugar in New England trees; though it is known that not the maple only, but the birch and the walnut even, afford it in appreciable quantities.
Along our maritime rivers the people associate April, not with "sugaring," but with "shadding." The pretty Amelanchier Canadensis of Gray—the Aronia of Whittler's song—is called Shad-bush or Shad-blow in Essex County, from its connection with this season; and there is a bird known as the Shad-spirit, which I take to be identical with the flicker or golden-winged woodpecker, whose note is still held to indicate the first day when the fish ascend the river. Upon such slender wings flits our New England romance!
In April the creative process described by Thales is repeated, and the world is renewed by water. The submerged creatures first feel the touch of spring, and many an equivocal career, beginning in the ponds and brooks, learns later to ignore this obscure beginning, and hops or flutters in the dusty daylight. Early in March, before the first male canker-moth appears on the elm-tree, the whirlwig beetles have begun to play round the broken edges of the ice, and the caddis-worms to crawl beneath it; and soon come the water-skater (Gerris) and the water-boatman (Notonecta). Turtles and newts are in busy motion when the spring-birds are only just arriving. Those gelatinous masses in yonder wayside-pond are the spawn of water-newts or tritons: in the clear transparent jelly are imbedded, at regular intervals, little blackish dots; these elongate rapidly, and show symptoms of head and tail curled up in a spherical cell; the jelly is gradually absorbed for their nourishment, until on some fine morning each elongated dot gives one vigorous wriggle, and claims thenceforward all the privileges attendant on this dissolution of the union. The final privilege is often that of being suddenly snapped up by a turtle or a snake: for Nature brings forth her creatures liberally, especially the aquatic ones, sacrifices nine-tenths of them as food for their larger cousins, and reserves only a handful to propagate their race, on the same profuse scale, next season.
It