Perhaps the reader may wonder that any one should lie quietly and allow himself to be so badly treated. The very strength of the armour, however, which rendered its wearer unassailable by ordinary weapons, involved so much weight, that when a knight had fallen, it was impossible for him to rise, much less to mount a horse, without help. Moreover, the first blow of a weighty hammer on the helmet would, although it could not kill the wearer, cause such a jar to his brain as partially, if not wholly, to stun him.
The rapidly increasing power of firearms soon caused armour to be laid aside, and now the only remains of it are to be found in the helmets and cuirasses worn by our dragoons.
There are few parts of the world where armour of some sort is not used. Putting aside civilised or semi-civilised nations, we find that in most cases, wherever there is war, there is armour of some kind. Sometimes it is movable, and in that case is called a shield.
The most singular shields that I know are those made by the Australians, which are so shaped that no one who did not know their use would take them for shields. They are about three feet long, four inches wide at the back, six inches or so thick in the middle, tapering towards the ends, and coming to an edge in front. They are held by the centre with one hand, so that they can be rapidly twisted from side to side, and so serve to parry the spear or stop the boomerang. The weight of the shield enables it to withstand the shock of the boomerang, which whirls through the air with terrific force.
Several warlike savage tribes have, however, no armour of any kind, such as the New Zealanders, the Samoans, and the Fijians.
Sometimes the armour is affixed to the body, and of such protection many examples are to be found in various museums, among which the Christy collection is pre-eminent.
Among the Polynesians cocoa-nut fibre was at one time employed as the material for armour. It was twisted into small cords, and with these a sort of armour was constructed, quite strong enough to resist any weapon that an enemy of their own kind could bring against them. Sometimes this armour was merely a belt wide enough to protect the abdomen, but sometimes the whole body was defended, from the neck to the hips.
In the United Service Museum there is a very remarkable cuirass, which is made of successive rows of seals’ teeth, each row overlapping the other like the tiles of a house. It is very heavy, weighing quite as much as a steel cuirass, and was probably quite as effective against the primitive weapons which could be brought to bear upon it.
Now for Natural Armour.
There are so many examples of armour, as furnished by Nature, that I can only mention a few.
Any one who looks at a lobster, crayfish, prawn, or shrimp, must at once see that in it lies the prototype of plate armour. That portion of the lobster which is popularly called the head, and is scientifically known as the “carapace,” is not jointed, and corresponds with the cuirass of ancient or modern armour. Then comes the part called the “tail,” the joints of which are exactly like those employed in the shoulders, elbows, knees, and ankles of ancient armour. The lobster tail will again be mentioned in connection with another branch of human art.
As for the heavy, ungraceful armour which was used in tilting, we have an admirable example in the Trunk-fish of the tropical seas (Ostracion), the whole of which is enclosed in a bony case, the fins and tail protruding through openings in it. In fact, the scales, instead of being separate, are fused together so as to form a continuous covering. The Box-tortoise of South America is another good example, the creature being furnished with bony flaps with which it covers the apertures through which the head, legs, and tail are protruded, and so is as impervious as the knight of old.
In the later ages of armour, the thighs, instead of being enclosed in steel coverings with cuisses, were defended by a number of steel plates called “tassets.” Now these tassets are exactly like the defensive armour of the Armadillo’s back, and, though it is not likely that the inventor of tassets should have seen an Armadillo, the fact still remains, that Art has been anticipated by Nature.
Exactly the same principle is seen in that wonderful little animal, the Pichiciago of South America, which is shown in the lower left-hand figure of the illustration. This creature is not only furnished with bony rings on the body like those of the Armadillo, but has likewise a flap which comes over the hindquarters, and effectually defends it against the attacks of any foe that might pursue it into its burrow.
In the lower right-hand corner of the illustration is seen a figure of a Chiton, several species of which are common on most of our coasts. This is one of the molluscs, which adheres to the rock just as limpets do. But, whereas the shell of the limpet is all in one piece and inflexible, that of the Chiton is composed of several pieces, which are arranged exactly like the tassets of armour, and enable the Chiton to accommodate itself to the inequalities of the rocks to which it is adhering.
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