LOST HEARTS
It was, as far as I can ascertain, in September of the year 1811 that a post-chaise drew up before the door of Aswarby Hall, in the heart of Lincolnshire. The little boy who was the only passenger in the chaise, and who jumped out as soon as it had stopped, looked about him with the keenest curiosity during the short interval that elapsed between the ringing of the bell and the opening of the hall door. He saw a tall, square, red-brick house, built in the reign of Anne; a stone-pillared porch had been added in the purer classical style of 1790; the windows of the house were many, tall and narrow, with small panes and thick white woodwork. A pediment, pierced with a round window, crowned the front. There were wings to right and left, connected by curious glazed galleries, supported by colonnades, with the central block. These wings plainly contained the stables and offices of the house. Each was surmounted by an ornamental cupola with a gilded vane.
An evening light shone on the building, making the window-panes glow like so many fires. Away from the Hall in front stretched a flat park studded with oaks and fringed with firs, which stood out against the sky. The clock in the church-tower, buried in trees on the edge of the park, only its golden weather-cock catching the light, was striking six, and the sound came gently beating down the wind. It was altogether a pleasant impression, though tinged with the sort of melancholy appropriate to an evening in early autumn, that was conveyed to the mind of the boy who was standing in the porch waiting for the door to open to him.
The post-chaise had brought him from Warwickshire, where, some six months before, he had been left an orphan. Now, owing to the generous offer of his elderly cousin, Mr Abney, he had come to live at Aswarby. The offer was unexpected, because all who knew anything of Mr Abney looked upon him as a somewhat austere recluse, into whose steady-going household the advent of a small boy would import a new and, it seemed, incongruous element. The truth is that very little was known of Mr Abney's pursuits or temper. The Professor of Greek at Cambridge had been heard to say that no one knew more of the religious beliefs of the later pagans than did the owner of Aswarby. Certainly his library contained all the then available books bearing on the Mysteries, the Orphic poems, the worship of Mithras, and the Neo-Platonists. In the marble-paved hall stood a fine group of Mithras slaying a bull, which had been imported from the Levant at great expense by the owner. He had contributed a description of it to the Gentleman's Magazine, and he had written a remarkable series of articles in the Critical Museum on the superstitions of the Romans of the Lower Empire. He was looked upon, in fine, as a man wrapped up in his books, and it was a matter of great surprise among his neighbours that he should ever have heard of his orphan cousin, Stephen Elliott, much more that he should have volunteered to make him an inmate of Aswarby Hall.
Whatever may have been expected by his neighbours, it is certain that Mr Abney—the tall, the thin, the austere—seemed inclined to give his young cousin a kindly reception. The moment the front-door was opened he darted out of his study, rubbing his hands with delight.
'How are you, my boy?—how are you? How old are you?' said he—'that is, you are not too much tired, I hope, by your journey to eat your supper?'
'No, thank you, sir,' said Master Elliott; 'I am pretty well.'
'That's a good lad,' said Mr Abney. 'And how old are you, my boy?'
It seemed a little odd that he should have asked the question twice in the first two minutes of their acquaintance.
'I'm twelve years old next birthday, sir,' said Stephen.
'And when is your birthday, my dear boy? Eleventh of September, eh?
That's well—that's very well. Nearly a year hence, isn't it? I like—ha, ha!—I like to get these things down in my book. Sure it's twelve? Certain?' 'Yes, quite sure, sir.'
'Well, well! Take him to Mrs Bunch's room, Parkes, and let him have his tea—supper—whatever it is.'
'Yes, sir,' answered the staid Mr Parkes; and conducted Stephen to the lower regions.
Mrs Bunch was the most comfortable and human person whom Stephen had as yet met at Aswarby. She made him completely at home; they were great friends in a quarter of an hour: and great friends they remained. Mrs Bunch had been born in the neighbourhood some fifty-five years before the date of Stephen's arrival, and her residence at the Hall was of twenty years' standing. Consequently, if anyone knew the ins and outs of the house and the district, Mrs Bunch knew them; and she was by no means disinclined to communicate her information.
Certainly there were plenty of things about the Hall and the Hall gardens which Stephen, who was of an adventurous and inquiring turn, was anxious to have explained to him. 'Who built the temple at the end of the laurel walk? Who was the old man whose picture hung on the staircase, sitting at a table, with a skull under his hand?' These and many similar points were cleared up by the resources of Mrs Bunch's powerful intellect. There were others, however, of which the explanations furnished were less satisfactory.
One November evening Stephen was sitting by the fire in the housekeeper's room reflecting on his surroundings.
'Is Mr Abney a good man, and will he go to heaven?' he suddenly asked, with the peculiar confidence which children possess in the ability of their elders to settle these questions, the decision of which is believed to be reserved for other tribunals.
'Good?—bless the child!' said Mrs Bunch. 'Master's as kind a soul as ever I see! Didn't I never tell you of the little boy as he took in out of the street, as you may say, this seven years back? and the little girl, two years after I first come here?'
'No. Do tell me all about them, Mrs Bunch—now, this minute!'
'Well,' said Mrs Bunch, 'the little girl I don't seem to recollect so much about. I know master brought her back with him from his walk one day, and give orders to Mrs Ellis, as was housekeeper then, as she should be took every care with. And the pore child hadn't no one belonging to her—she telled me so her own self—and here she lived with us a matter of three weeks it might be; and then, whether she were somethink of a gipsy in her blood or what not, but one morning she out of her bed afore any of us had opened a eye, and neither track nor yet trace of her have I set eyes on since. Master was wonderful put about, and had all the ponds dragged; but it's my belief she was had away by them gipsies, for there was singing round the house for as much as an hour the night she went, and Parkes, he declare as he heard them a-calling in the woods all that afternoon. Dear, dear! a hodd child she was, so silent in her ways and all, but I was wonderful taken up with her, so domesticated she was—surprising.'
'And what about the little boy?' said Stephen.
'Ah, that pore boy!' sighed Mrs Bunch. 'He were a foreigner—Jevanny he called hisself—and he come a-tweaking his 'urdy-gurdy round and about the drive one winter day, and master 'ad him in that minute, and ast all about where he came from, and how old he was, and how he made his way, and where was his relatives, and all as kind as heart could wish. But it went the same way with him. They're a hunruly lot, them foreign nations, I do suppose, and he was off one fine morning just the same as the girl. Why he went and what he done was our question for as much as a year after; for he never took his 'urdy-gurdy, and there it lays on the shelf.'
The remainder of the evening was spent by Stephen in miscellaneous cross-examination of Mrs Bunch and in efforts to extract a tune from the hurdy-gurdy.
That night he had a curious dream. At the end of the passage at the top of the house, in which his bedroom was situated, there was an old disused bathroom. It was kept locked, but the upper half of the door was glazed, and, since the muslin curtains which used to hang there had long been gone, you could look in and see the lead-lined bath affixed to the wall on the right hand, with its head towards the window.
On the night of which I am speaking, Stephen Elliott found himself, as he thought, looking through the glazed door. The moon was shining through the window, and he was gazing at a figure which lay in the bath.
His description of what he saw reminds me of what I once beheld myself in the famous vaults of St Michan's Church in Dublin, which possesses the horrid property of preserving corpses from decay for centuries. A figure inexpressibly thin and pathetic, of a dusty leaden colour, enveloped in a shroud-like garment, the thin lips crooked