From such petitions as these we come by a natural transition to such as are addressed to the dead themselves, as being members of the same communion with the living, and uniting in prayers with those they had left on earth and for their sake.
VIBAS IN PACE ET PETE PRO NOBIS
Mayst thou live in peace and ask for us!
Or, as in another instance,—
PETE PRO PARENTES TVOS MATRONATA MATRONA QVE VIXIT AN. I. DI. LII.
Pray for thy parents, Matronata Matrona!
Who lived one year, fifty-two days.
And as we have seen how in the fourth century the desire arose of being buried near the graves of those reputed holy, so by a similar process we find this simple and affectionate petition to the dead passing into a prayer for the dead to those under whose protection it was hoped that they might be. In the multitude of epitaphs, however, these form but a small number. Here is one that begins with a heathen formula:—
SOMNO HETERNALI AVRELIVS GEMELLVS QVI BIXIT AN— ET MESES VIII DIES XVIII MATER FILIO CARISSIMO BENAEMERENTI FECIT IN PA— [C]ONMANDO BASSILA INNOCENTIA GEMELLI
In Eternal Sleep. Aurelius Gemellus, who lived – years, and eight months, eighteen days. His mother made this for her dearest well-deserving son in peace. I commend to Basilla the innocence of Gemellus.
Basilla was one of the famous martyrs of the time of Valerian and Gallienus.
Here again is another inscription of a curious character, as interposing a saint between the dead and his Saviour. The monogram marks its date.
RVTA OMNIBVS SVBDITA ET ATFABI LIS BIBET IN NOMINE PETRI IN PACE
Ruta, subject and affable to all, shall live in the name of Peter, in the peace of Christ.
But it would seem from other inscriptions as if the new practice of calling upon the saints were not adopted without protest. Thus we read, in contrast to the last epitaph, this simple one:—
ZOSIME VIVAS IN NOMINE XTI
O Zosimus, mayst thou live in the name of Christ!
And again, in the strongest and most direct words:—
SOLVS DEVS ANIMAM TVAM DEFENDAD ALEXANDRE
May God alone protect thy spirit, Alexander!
One more inscription and we have done; it well closes the long list:—
QVI LEGERIT VIVAT IN CHRISTO
Whoever shall read this, may he live in Christ!
As the fourth century advanced, the character of the inscriptions underwent great change. They become less simple; they exhibit less faith, and more worldliness; superlatives abound in them; and the want of feeling displays itself in the abundance of words.
We end here our examinations of the testimony of the catacombs regarding the doctrine, the faith, and the lives of the Christians of Rome in the first three centuries. The evidence is harmonious and complete. It leaves no room for skepticism or doubt. There are no contradictions in it. From every point of view, theologic, historic, artistic, the results coincide and afford mutual support. The construction of the catacombs, the works of painting found within them, the inscriptions on the graves, all unite in bearing witness to the simplicity of the faith, the purity of the doctrine, the strength of the feeling, the change in the lives of the vast mass of the members of the early church of Christ. A light had come into the world, and the dark passages of the underground cemeteries were illuminated by it, and manifest its brightness. Wherever it reached, the world was humanized and purified. To the merely outward eye it might at first have seemed faint and dim, but "the kingdom of God cometh not with observation."
THREE OF US
Such a spring day as it was!—the sky all one mild blue, hazy on the hills, warm with sunshine overhead; a soft south-wind, expressive, and full of new impulses, blowing up from the sea, and spreading the news of life all over our brown pastures and leaf-strewn woods. The crocuses in Friend Allis's garden-bed shot up cups of gold and sapphire from the dark mould; slight long buds nestled under the yellow-green leafage of the violet-patch; white and sturdy points bristled on the corner that in May was thick with lilies-of-the-valley, crisp, cool, and fragrant; and in a knotty old apricot-tree two bluebirds and a robin did heralds' duty, singing of summer's procession to come; and we made ready to receive it both in our hearts and garments.
Josephine Boyle, Letty Allis, and I, Sarah Anderson, three cousins as we were, sat at the long window of Friend Allis's parlor, pretending to sew, really talking. Mr. Stepel, a German artist, had just left us; and a little trait of Miss Josephine's, that had occurred during his call, brought out this observation from Cousin Letty:—
"Jo, how could thee let down thy hair so before that man?"
Jo laughed. "Thee is a little innocent, Letty, with your pretty dialect!
Why did I let my hair down? For Mr. Stepel to see it, of course."
"That is very evident," interposed I; "but Letty is not so innocent or so wise as to have done wondering at your caprices, Jo; expound, if you please, for her edification."
"I do not pretend to be wise or simple, Sarah; but I didn't think Cousin Josephine had so much vanity."
"You certainly shall have a preacher-bonnet, Letty. How do you know it was vanity, my dear? I saw you show Mr. Stepel your embroidery with the serenest satisfaction; now you made your crewel cherries, and I didn't make my hair; which was vain?"
Letty was astounded. "Thee has a gift of speech, certainly, Jo."
"I have a gift of honesty, you mean. My hair is very handsome, and I knew Mr. Stepel would admire it with real pleasure, for it is a rare color. I took down those curls with quite as simple an intention as you brought him that little picture of Cole's to see."
Josephine was right,—partly, at least. Her hair was perfect; its tint the exact hue of a new chestnut-skin, with golden lights, and shadows of deep brown; not a tinge of red libelled it as auburn; and the light broke on its glittering waves as it does on the sea, tipping the undulations with sunshine, and scattering rays of gold through the long, loose curls, and across the curve of the massive coil, that seemed almost too heavy for her proud and delicate head to bear. Mr. Stepel was excusably enthusiastic about its beauty, and Jo as cool as if it had been a wig. Sometimes I thought this peculiar hair was an expression of her own peculiar character.
Letty said truly that Jo had a gift of speech; and she, having said her say about the hair, dismissed the matter, with no uneasy recurring to it, and took up a book from the table, declaring she was tired of her seam;– she always was tired of sewing! Presently she laughed.
"What is it, Jo?" said I.
"Why, it is 'Jane Eyre,' with Letty Allis's name on the blank leaf. That is what I call an anachronism, spiritually. What do you think about the book, Letty?" said she, turning her lithe figure round in the great chair toward the little Quakeress, whose pretty red head and apple-blossom of a face bloomed out of her gray attire and prim collar with a certain fascinating contrast.
"I think it has a very good moral tendency, Cousin Jo."
The clear, hazel eyes flashed a most amused comment at me.
"Well, what do you call the moral, Letty?"
"Why,—I should think,—I do not quite know that the moral is stated, Josephine,—but I think thee will allow it was a great triumph of principle for Jane Eyre to leave Mr. Rochester when she discovered that he was married."
Jo flung herself back impatiently in the chair, and began an harangue.
"That is a true world's judgment! And you, you innocent little Quaker girl! think it is the height of virtue not to elope with a married man, who has entirely and deliberately deceived you, and adds to the wrong of deceit the insult of proposing an elopement!