How long he was at his toilet that day, poor boy! How sedulously, with comb and brush, he sought to smooth into straight precision that luxuriant labyrinth of jetty curls, which had never cost him a thought before! Gil Blas says that the toilet is a pleasure to the young, though a labour to the old; Percival St. John's toilet was no pleasure to him that anxious morning.
At last he tore himself, dissatisfied and desperate, from the glass, caught his hat and his whip, threw himself on his horse, and rode, at first very fast, and at last very slowly, to the old, decayed, shabby, neglected house that lay hid, like the poverty of fallen pride, amidst the trim villas and smart cottages of fair and flourishing Brompton.
The same servant who had opened the gate to Ardworth appeared to his summons, and after eying him for some moments with a listless, stupid stare, said: "You'll be after some mistake!" and turned away.
"Stop, stop!" cried Percival, trying to intrude himself through the gate; but the servant blocked up the entrance sturdily. "It is no mistake at all, my good lady. I have come to see Madame Dalibard, my—my relation!"
"Your relation!" and again the woman stared at Percival with a look through the dull vacancy of which some distrust was dimly perceptible. "Bide a bit there, and give us your name."
Percival gave his card to the servant with his sweetest and most persuasive smile. She took it with one hand, and with the other turned the key in the gate, leaving Percival outside. It was five minutes before she returned; and she then, with the same prim, smileless expression of countenance, opened the gate and motioned him to follow.
The kind-hearted boy sighed as he cast a glance at the desolate and poverty-stricken appearance of the house, and thought within himself: "Ah, pray Heaven she may be my relation; and then I shall have the right to find her and that sweet girl a very different home!" The old woman threw open the drawing-room door, and Percival was in the presence of his deadliest foe! The armchair was turned towards the entrance, and from amidst the coverings that hid the form, the remarkable countenance of Madame Dalibard emerged, sharp and earnest, directly fronting the intruder.
"So," she said slowly, and, as it were, devouring him with her keen, steadfast eyes,—"so you are Percival St. John! Welcome! I did not know that we should ever meet. I have not sought you, you seek me! Strange— yes, strange—that the young and the rich should seek the suffering and the poor!"
Surprised and embarrassed by this singular greeting, Percival halted abruptly in the middle of the room; and there was something inexpressibly winning in his shy, yet graceful confusion. It seemed, with silent eloquence, to apologize and to deprecate. And when, in his silvery voice, scarcely yet tuned to the fulness of manhood, he said feelingly, "Forgive me, madam, but my mother is not in England," the excuse evinced such delicacy of idea, so exquisite a sense of high breeding, that the calm assurance of worldly ease could not have more attested the chivalry of the native gentleman.
"I have nothing to forgive, Mr. St. John," said Lucretia, with a softened manner. "Pardon me rather that my infirmities do not allow me to rise to receive you. This seat,—here,—next to me. You have a strong likeness to your father."
Percival received this last remark as a compliment, and bowed. Then, as he lifted his ingenuous brow, he took for the first time a steady view of his new-found relation. The peculiarities of Lucretia's countenance in youth had naturally deepened with middle age. The contour, always too sharp and pronounced, was now strong and bony as a man's; the line between the eyebrows was hollowed into a furrow. The eye retained its old uneasy, sinister, sidelong glance, or at rare moments (as when Percival entered), its searching penetration and assured command; but the eyelids themselves, red and injected, as with grief or vigil, gave something haggard and wild, whether to glance or gaze. Despite the paralysis of the frame, the face, though pale and thin, showed no bodily decay. A vigour surpassing the strength of woman might still be seen in the play of the bold muscles, the firmness of the contracted lips. What physicians call "vitality," and trace at once (if experienced) on the physiognomy as the prognostic of long life, undulated restlessly in every aspect of the face, every movement of those thin, nervous hands, which, contrasting the rest of that motionless form, never seemed to be at rest. The teeth were still white and regular, as in youth; and when they shone out in speaking, gave a strange, unnatural freshness to a face otherwise so worn.
As Percival gazed, and, while gazing, saw those wandering eyes bent down, and yet felt they watched him, a thrill almost of fear shot through his heart. Nevertheless, so much more impressionable was he to charitable and trustful than to suspicious and timid emotions that when Madame Dalibard, suddenly looking up and shaking her head gently, said, "You see but a sad wreck, young kinsman," all those instincts, which Nature itself seemed to dictate for self-preservation, vanished into heavenly tenderness and pity.
"Ah!" he said, rising, and pressing one of those deadly hands in both his own, while tears rose to his eyes,—"Ah! since you call me kinsman, I have all a kinsman's privileges. You must have the best advice, the most skilful surgeons. Oh, you will recover; you must not despond."
Lucretia's lips moved uneasily. This kindness took her by surprise. She turned desperately away from the human gleam that shot across the sevenfold gloom of her soul. "Do not think of me," she said, with a forced smile; "it is my peculiarity not to like allusion to myself, though this time I provoked it. Speak to me of the old cedar-trees at Laughton,—do they stand still? You are the master of Laughton now! It is a noble heritage!"
Then St. John, thinking to please her, talked of the old manor-house, described the improvements made by his father, spoke gayly of those which he himself contemplated; and as he ran on, Lucretia's brow, a moment ruffled, grew smooth and smoother, and the gloom settled back upon her soul.
All at once she interrupted him. "How did you discover me? Was it through Mr. Varney? I bade him not mention me: yet how else could you learn?" As she spoke, there was an anxious trouble in her tone, which increased while she observed that St. John looked confused.
"Why," he began hesitatingly, and brushing his hat with his hand, "why— perhaps you may have heard from the—that is—I think there is a young ——. Ah, it is you, it is you! I see you once again!" And springing up, he was at the side of Helen, who at that instant had entered the room, and now, her eyes downcast, her cheeks blushing, her breast gently heaving, heard, but answered not that passionate burst of joy.
Startled, Madame Dalibard (her hands firmly grasping the sides of her chair) contemplated the two. She had heard nothing, guessed nothing of their former meeting. All that had passed before between them was unknown to her. Yet there was evidence unmistakable, conclusive: the son of her despoiler loved the daughter of her rival; and—if the virgin heart speaks by the outward sign—those downcast eyes, those blushing cheeks, that heaving breast, told that he did not love in vain!
Before her lurid and murderous gaze, as if to defy her, the two inheritors of a revenge unglutted by the grave stood, united mysteriously together. Up, from the vast ocean of her hate, rose that poor isle of love; there, unconscious of the horror around them, the victims found their footing! How beautiful at that hour their youth; their very ignorance of their own emotions; their innocent gladness; their sweet trouble! The fell gazer drew a long breath of fiendlike complacency and glee, and her hands opened wide, and then slowly closed, as if she felt them in her grasp.
CHAPTER IX
And from that day Percival had his privileged entry into Madame Dalibard's house. The little narrative of the circumstances connected with his first meeting with Helen, partly drawn from Percival, partly afterwards from Helen (with blushing and faltered excuses from the latter for not having mentioned before an incident that might, perhaps needlessly, vex or alarm her aunt in so delicate a state of health), was received by Lucretia with rare graciousness. The connection, not only between herself and Percival, but between Percival and Helen, was allowed and even dwelt upon by Madame Dalibard as a natural reason for permitting the artless intimacy which immediately sprang up between these young persons. She permitted Percival to call daily, to remain for hours, to share in their simple meals, to wander alone with Helen in