“Oh, what is it? Are any of the children dead?”
“Worse nor that; Mr. Riley has broke loose!” Kate always spoke of her father in his tantrums as Mister, as if he were a doubtful acquaintance. Her story of the night’s doings was so lurid that the intimacy of many a post-bellum remorse felt unequal to the strain, and Miss Kane commandeered a policeman on the way to the house. The meat-cutter received her with elaborate inebriate courtesy, loftily ignoring the officer.
“Who is he?” he asked, aside.
She tried evasion. “A friend of mine I met.” She was sorry immediately.
“Is he that? Then he is no friend of mine. Oh, Miss Kane,” he grieved, “why did you go for to get him? You know I’d have protected you!” This with an indignant scowl at his fellow-marauders, who were furtively edging toward the door. An inquest of the house showed the devastation of war. The kitchen was a wreck; the bedroom furniture smashed; the Morris chair in which the family of young Rileys had reveled in the measles lay in splinters. “It was so hot here last night,” suggested the meat-cutter, gravely, “it must have fell to pieces.” In the course of the inspection Mrs. Riley appeared, keeping close to the policeman, wrathful and fearful at once, with a wondrous black eye. Her husband regarded it with expert interest and ventured the reflection that it was a shame, and she the fine-looking woman that she was! At that Mrs. Riley edged away toward her husband and eyed the bluecoat with hostile looks.
Between crying and laughing, “the Bureau lady” dismissed the policeman and officiated at the reunion of the family on condition that the meat-cutter appear at the office and get the dressing down which he so richly deserved, which he did. But his dignity had been offended by the brass buttons, and he insisted upon its being administered by one of his own sex.
“I like her,” he explained, indicating Miss Kane with reproving forefinger, “but she’s gone back on me.” Another grievance had been added to that of the unpaid board.
The peace that was made lasted just ten days, when Mr. Riley broke loose once more, and this time he was brought into court. The whole Bureau went along to tell the story of the compact and the manner of its breaking. Mr. Riley listened attentively to the recital of the black record.
“What have you to say to this?” scowled the Judge. The prisoner nodded.
“It is all true what the lady says, your Honor; she put it fair.”
“I have a good mind to send you to Bridewell to break stone.”
“Don’t do that, Judge, and lose me job. I want to be wid me family.” Mrs. Riley looked imploringly at the bench. His Honor’s glance took in her face with the family group.
“Looks like it,” he mused; but in the end he agreed to hand him over to the Bureau for one more trial, first administering the pledge in open court. Mr. Riley took the oath with great solemnity and entire good faith, kissed the Bible with a smack, reached up a large red fist for the Judge to shake, and the clerk. Then he pledged lasting friendship to the whole Bureau, including Miss Kane, whom he generously forgave the wrong she had done him, presented little Mike to the Court as “de foinest kid in de ward,” took the gurgling baby from Mrs. Riley and gallantly gave her his arm. Leaning fondly upon it, a little lame and sore yet from the fight and with one eye in deep mourning, she turned a proudly hopeful look upon her husband, like a rainbow spanning a black departing cloud. And thus, with fleet-footed Kate in the van proclaiming the peace, and three prattling children clinging to their hands and clothes, they passed out into life to begin it anew. And bench and Bureau, with sudden emotion, hopelessly irrational and altogether hopeful and good, cheered them on their way.
LIFE’S BEST GIFT
Margaret Kelly is dead, and I need not scruple to call her by her own name. For it is certain that she left no kin to mourn her. She did all the mourning herself in her lifetime, and better than that when there was need. She nursed her impetuous Irish father and her gentle English mother in their old age—like the loving daughter she was—and, last of all, her only sister. When she had laid them away, side by side, she turned to face the world alone, undaunted, with all the fighting grit of her people from both sides of the Channel. If troubles came upon her for which she was no match, it can be truly said that she went down fighting. And who of her blood would ask for more?
What I have set down here is almost as much as any one ever heard about her people. She was an old woman when she came in a way of figuring in these pages, and all that lay behind her.
Of her own past this much was known: that she had once been an exceedingly prosperous designer of dresses, with a brown-stone house on Lexington Avenue, and some of the city’s wealthiest women for her customers. Carriages with liveried footmen were not rarely seen at her door, and a small army of seamstresses worked out her plans. Her sister was her bookkeeper and the business head of the house. Fair as it seemed, it proved a house of cards, and with the sister’s death it fell. One loss followed another. Margaret Kelly knew nothing of money or the ways of business. She lost the house, and with it her fine clients. For a while she made her stand in a flat with the most faithful of her sewing-women to help her. But that also had to go when more money went out than came in and nothing was left for the landlord. Younger rivals crowded her out. She was stamped “old-fashioned,” and that was the end of it. Her last friend left her. Worry and perplexity made her ill, and while she was helpless in Bellevue Hospital, being in a ward with no “next friend” on the books, they sent her over to the Island with the paupers. Against this indignity her proud spirit arose and made the body forget its ills. She dragged herself down to the boat that took her back to the city, only to find that her last few belongings were gone, the little hall room she had occupied in a house in Twenty-ninth Street locked against her, and she, at seventy-five, on the street, penniless, and without one who cared for her in all the world.
Yes, there was one. A dressmaker who had known her in happier days saw from her window opposite Father McGlynn’s church a white-haired woman seek shelter within the big storm-doors night after night in the bitter cold of midwinter, and recognized in her the once proud and prosperous Miss Kelly. Shocked and grieved, she went to the district office of the Charities with money to pay for shelter and begged them to take the old lady in charge and save her from want.
And what a splendid old lady she was! Famished with the hunger of weeks and months, but with pride undaunted, straight as an arrow under the burden of heavy years, she met the visitor with all the dignity of a queen. The deep lines of suffering in her face grew deeper as she heard her message. She drew the poor black alpaca about her with a gesture as if she were warding off a blow: “Why,” she asked, “should any one intrude upon her to offer aid? She had not asked for anything, and was not—” she faltered a bit, but went on resolutely—“did not want anything.”
“Not work?” asked her caller, gently. “Would you not like me to find some work for you?”
A sudden light came into the old eyes. “Work—yes, if she could get that—” And then the reserve of the long, lonely years broke down. She buried her face in her hands and wept.
They found her a place to sew in a house where she was made welcome as one of the family. For all that, she went reluctantly. All her stubborn pride went down before the kindness of these strangers. She was afraid that her hand had lost its cunning, that she could