He pushed open the door: the room was empty. He concluded that either Antoinette had been carried off or that she had gone before the crime.
He returned to the baron's room and, his eyes falling upon the writing-desk, he observed that it had not been broken open. More remarkable still, he saw a handful of louis d'or on the table, beside the bunch of keys and the pocketbook which the baron placed there every evening. Charles took up the pocketbook and went through it. One of the compartments contained bank-notes. He counted them: there were thirteen notes of a hundred francs each.
Then the temptation became too strong for him: instinctively, mechanically, while his thoughts did not even take part in the movement of his hand, he took the thirteen notes, hid them in his jacket, rushed down the stairs, drew the bolt, unhooked the chain, closed the door after him and fled through the garden.
Charles was an honest man at heart. He had no sooner pushed back the gate than, under the influence of the fresh air, with his face cooled by the rain, he stopped. The deed of which he had been guilty appeared to him in its true light and struck him with sudden horror.
A cab passed. He hailed the driver:
"Hi, mate! Go to the police-station and bring back the commissary.... Gallop! There's murder been done!"
The driver whipped up his horse. But, when Charles tried to go in again, he could not: he had closed the gate himself and the gate could not be opened from the outside.
On the other hand, it was of no use ringing, for there was no one in the house. He therefore walked up and down along the gardens which, at the La Muette end, line the avenue with a pleasant border of trim green shrubs. And it was not until he had waited for nearly an hour that he was at last able to tell the commissary the details of the crime and hand him the thirteen bank-notes.
During this time, a locksmith was sent for who, with great difficulty, succeeded in forcing the gate of the garden and the front door. The commissary went upstairs and, at once, at the first glance, said to the servant:
"Why, you told me that the room was in the greatest disorder!"
He turned round. Charles seemed pinned to the threshold, hypnotized: all the furniture had resumed its usual place! The little table was standing between the two windows, the chairs were on their legs and the clock in the middle of the mantel-piece. The shivers of the smashed candlestick had disappeared.
Gaping with stupor, he articulated:
"The body.... Monsieur le baron …"
"Yes," cried the commissary, "where is the victim?"
He walked up to the bed. Under a large sheet, which he drew aside, lay General the Baron d'Hautrec, late French Ambassador in Berlin. His body was covered with his general's cloak, decorated with the cross of the Legion of Honour. The face was calm. The eyes were closed.
The servant stammered:
"Someone must have come."
"Which way?"
"I can't say, but someone has been here during my absence.... Look, there was a very thin steel dagger there, on the floor.... And then, on the table, a blood-stained handkerchief.... That's all gone.... They've taken everything away.... They've arranged everything...."
"But who?"
"The murderer!"
"We found all the doors closed."
"He must have remained in the house."
"Then he would be here still, as you never left the pavement."
The man reflected and said, slowly:
"That's so … that's so … and I did not go far from the gate either.... Still …"
"Let us see, who was the last person you saw with the baron?"
"Mlle. Antoinette, the companion."
"What has become of her?"
"I should say that, as her bed was not even touched, she must have taken advantage of Sœur Auguste's absence to go out also. It would only half surprise me if she had: she is young … and pretty...."
"But how could she have got out?"
"Through the door."
"You pushed the bolt and fastened the chain!"
"A good deal later! By that time, she must have left the house."
"And the crime was committed, you think, after she went?"
"Of course."
They searched the house from top to bottom, from the garrets to the cellars; but the murderer had fled. How? When? Was it he or an accomplice who had thought proper to return to the scene of the crime and do away with anything that might have betrayed him? Those were the questions that suggested themselves to the police.
The divisional surgeon came upon the scene at seven o'clock, the head of the detective-service at eight. Next came the turn of the public prosecutor and the examining magistrate. In addition, the house was filled with policemen, inspectors, journalists, Baron d'Hautrec's nephew and other members of the family.
They rummaged about, they studied the position of the body, according to Charles's recollection, they questioned Sœur Auguste the moment she arrived. They discovered nothing. At most, Sœur Auguste was surprised at the disappearance of Antoinette Bréhat. She had engaged the girl twelve days before, on the strength of excellent references, and refused to believe that she could have abandoned the sick man confided to her care, to go running about at night alone.
"All the more so," the examining magistrate insisted, "as, in that case, she would have been in before now. We therefore come back to the same point: what has become of her?"
"If you ask me," said Charles, "she has been carried off by the murderer."
The suggestion was plausible enough and fitted in with certain details. The head of the detective service said:
"Carried off? Upon my word, it's quite likely."
"It's not only unlikely," said a voice, "but absolutely opposed to the facts, to the results of the investigation, in short, to the evidence itself."
The voice was harsh, the accent gruff and no one was surprised to recognize Ganimard. He alone, besides, would be forgiven that rather free and easy way of expressing himself.
"Hullo, is that you, Ganimard?" cried M. Dudouis. "I hadn't seen you."
"I have been here for two hours."
"So you do take an interest in something besides number 514, series 23, the Rue Clapeyron mystery, the blonde lady and Arsène Lupin?"
"Hee, hee!" grinned the old inspector. "I won't go so far as to declare that Lupin has nothing to do with the case we're engaged on.... But let us dismiss the story of the lottery-ticket from our minds, until further orders, and look into this matter."
Ganimard is not one of those mighty detectives whose proceedings form a school, as it were, and whose names will always remain inscribed on the judicial annals of Europe. He lacks the flashes of genius that illumine a Dupin, a Lecoq or a Holmlock Shears. But he possesses first-rate average qualities: perspicacity, sagacity, perseverance and even a certain amount of intuition. His greatest merit lies in the fact that he is absolutely independent of outside influences. Short of a kind of fascination which Arsène Lupin wields over him, he works without allowing himself to be biased or disturbed.
At any rate, the part which he played that morning did not lack brilliancy and his assistance was of the sort which a magistrate is able to appreciate.
"To start with," he began, "I will ask Charles here to be very definite on one point: were all the objects which, on the first occasion, he saw upset or disturbed put back, on the second, exactly in their usual places?"
"Exactly."
"It is obvious, therefore, that they can only have been put back by a person to whom the place of each of those objects was familiar."
The