The Ambassadors. Генри Джеймс

it, of all his accidents—that was surely proof enough of how his conscience had been encumbered. If any further proof were needed it would have been to be found in the fact that, as he perfectly now saw, he had ceased even to measure his meagreness, a meagreness that sprawled, in this retrospect, vague and comprehensive, stretching back like some unmapped Hinterland from a rough coast-settlement. His conscience had been amusing itself for the forty-eight hours by forbidding him the purchase of a book; he held off from that, held off from everything; from the moment he didn't yet call on Chad he wouldn't for the world have taken any other step. On this evidence, however, of the way they actually affected him he glared at the lemon-coloured covers in confession of the subconsciousness that, all the same, in the great desert of the years, he must have had of them. The green covers at home comprised, by the law of their purpose, no tribute to letters; it was of a mere rich kernel of economics, politics, ethics that, glazed and, as Mrs. Newsome maintained rather against HIS view, pre-eminently pleasant to touch, they formed the specious shell. Without therefore any needed instinctive knowledge of what was coming out, in Paris, on the bright highway, he struck himself at present as having more than once flushed with a suspicion: he couldn't otherwise at present be feeling so many fears confirmed. There were "movements" he was too late for: weren't they, with the fun of them, already spent? There were sequences he had missed and great gaps in the procession: he might have been watching it all recede in a golden cloud of dust. If the playhouse wasn't closed his seat had at least fallen to somebody else. He had had an uneasy feeling the night before that if he was at the theatre at all—though he indeed justified the theatre, in the specific sense, and with a grotesqueness to which his imagination did all honour, as something he owed poor Waymarsh—he should have been there with, and as might have been said, FOR Chad.

      This suggested the question of whether he could properly have taken him to such a play, and what effect—it was a point that suddenly rose—his peculiar responsibility might be held in general to have on his choice of entertainment. It had literally been present to him at the Gymnase—where one was held moreover comparatively safe—that having his young friend at his side would have been an odd feature of the work of redemption; and this quite in spite of the fact that the picture presented might well, confronted with Chad's own private stage, have seemed the pattern of propriety. He clearly hadn't come out in the name of propriety but to visit unattended equivocal performances; yet still less had he done so to undermine his authority by sharing them with the graceless youth. Was he to renounce all amusement for the sweet sake of that authority? and WOULD such renouncement give him for Chad a moral glamour? The little problem bristled the more by reason of poor Strether's fairly open sense of the irony of things. Were there then sides on which his predicament threatened to look rather droll to him? Should he have to pretend to believe—either to himself or the wretched boy—that there was anything that could make the latter worse? Wasn't some such pretence on the other hand involved in the assumption of possible processes that would make him better? His greatest uneasiness seemed to peep at him out of the imminent impression that almost any acceptance of Paris might give one's authority away. It hung before him this morning, the vast bright Babylon, like some huge iridescent object, a jewel brilliant and hard, in which parts were not to be discriminated nor differences comfortably marked. It twinkled and trembled and melted together, and what seemed all surface one moment seemed all depth the next. It was a place of which, unmistakeably, Chad was fond; wherefore if he, Strether, should like it too much, what on earth, with such a bond, would become of either of them? It all depended of course—which was a gleam of light—on how the "too much" was measured; though indeed our friend fairly felt, while he prolonged the meditation I describe, that for himself even already a certain measure had been reached. It will have been sufficiently seen that he was not a man to neglect any good chance for reflexion. Was it at all possible for instance to like Paris enough without liking it too much? He luckily however hadn't promised Mrs. Newsome not to like it at all. He was ready to recognise at this stage that such an engagement WOULD have tied his hands. The Luxembourg Gardens were incontestably just so adorable at this hour by reason—in addition to their intrinsic charm—of his not having taken it. The only engagement he had taken, when he looked the thing in the face, was to do what he reasonably could.

      It upset him a little none the less and after a while to find himself at last remembering on what current of association he had been floated so far. Old imaginations of the Latin Quarter had played their part for him, and he had duly recalled its having been with this scene of rather ominous legend that, like so many young men in fiction as well as in fact, Chad had begun. He was now quite out of it, with his "home," as Strether figured the place, in the Boulevard Malesherbes; which was perhaps why, repairing, not to fail of justice either, to the elder neighbourhood, our friend had felt he could allow for the element of the usual, the immemorial, without courting perturbation. He was not at least in danger of seeing the youth and the particular Person flaunt by together; and yet he was in the very air of which—just to feel what the early natural note must have been—he wished most to take counsel. It became at once vivid to him that he had originally had, for a few days, an almost envious vision of the boy's romantic privilege. Melancholy Murger, with Francine and Musette and Rodolphe, at home, in the company of the tattered, one—if he not in his single self two or three—of the unbound, the paper-covered dozen on the shelf; and when Chad had written, five years ago, after a sojourn then already prolonged to six months, that he had decided to go in for economy and the real thing, Strether's fancy had quite fondly accompanied him in this migration, which was to convey him, as they somewhat confusedly learned at Woollett, across the bridges and up the Montagne Sainte-Genevieve. This was the region—Chad had been quite distinct about it—in which the best French, and many other things, were to be learned at least cost, and in which all sorts of clever fellows, compatriots there for a purpose, formed an awfully pleasant set. The clever fellows, the friendly countrymen were mainly young painters, sculptors, architects, medical students; but they were, Chad sagely opined, a much more profitable lot to be with—even on the footing of not being quite one of them—than the "terrible toughs" (Strether remembered the edifying discrimination) of the American bars and banks roundabout the Opera. Chad had thrown out, in the communications following this one—for at that time he did once in a while communicate—that several members of a band of earnest workers under one of the great artists had taken him right in, making him dine every night, almost for nothing, at their place, and even pressing him not to neglect the hypothesis of there being as much "in him" as in any of them. There had been literally a moment at which it appeared there might be something in him; there had been at any rate a moment at which he had written that he didn't know but what a month or two more might see him enrolled in some atelier. The season had been one at which Mrs. Newsome was moved to gratitude for small mercies; it had broken on them all as a blessing that their absentee HAD perhaps a conscience—that he was sated in fine with idleness, was ambitious of variety. The exhibition was doubtless as yet not brilliant, but Strether himself, even by that time much enlisted and immersed, had determined, on the part of the two ladies, a temperate approval and in fact, as he now recollected, a certain austere enthusiasm.

      But the very next thing that happened had been a dark drop of the curtain. The son and brother had not browsed long on the Montagne Sainte-Genevieve—his effective little use of the name of which, like his allusion to the best French, appeared to have been but one of the notes of his rough cunning. The light refreshment of these vain appearances had not accordingly carried any of them very far. On the other hand it had gained Chad time; it had given him a chance, unchecked, to strike his roots, had paved the way for initiations more direct and more deep. It was Strether's belief that he had been comparatively innocent before this first migration, and even that the first effects of the migration would not have been, without some particular bad accident, to have been deplored. There had been three months—he had sufficiently figured it out—in which Chad had wanted to try. He HAD tried, though not very hard—he had had his little hour of good faith. The weakness of this principle in him was that almost any accident attestedly bad enough was stronger. Such had at any rate markedly been the case for the precipitation of a special series of impressions. They had proved, successively, these impressions—all of Musette and Francine, but Musette and Francine vulgarised by the larger evolution of the type—irresistibly sharp: he had "taken up," by what was at the time to be shrinkingly gathered, as it was scantly mentioned, with one ferociously "interested" little person after another. Strether had read somewhere of a Latin motto,