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sea, when it became fixed and immovable for her use.

      Ques. Relate the transformation of Lycian peasants into frogs.

      Ans. Latona, while wandering with her babes in the country of Lycia, in Asia, arrived, exhausted by heat and fatigue, on the borders of a clear pool. She was about to quench her thirst in the cool waters, when some clowns rudely hindered her. She begged them to have compassion, and not deny her so small a refreshment; but they mocked her prayers, and when she tried to approach they waded into the pool, and, stirring up the mud, defiled the waters so that it became unfit to drink. The goddess was so much incensed, that she changed the cruel rustics into frogs, and condemned them to dwell forever in the muddy pool.

      The punishment of Niobe will be related in another place. The sufferings of the giant Tityus in hell, were also the penalty of an insult offered to this goddess.

      The Greeks personified Night, under the name of Latona; hence she was said to have been the first wife of Jupiter, the mother of Apollo and Diana, (the sun and moon) and the nurse of the earth and stars. The Egyptians had the same allegory, with a little variation, as, according to them, she was grandmother and nurse of Horus and Bu´bastis, their Apollo and Diana.

      This goddess is generally represented on ancient monuments, as a large and beautiful woman, wearing a veil. In paintings, the veil is always black; in cutting gems, artists sometimes availed themselves of a dark colored vein in the stone, to produce the same effect, and represent the shades of night. The veil is sometimes studded with stars.

      CHAPTER XI

AURORA—EOS

      Ques. Who was Aurora?

      Ans. She was the goddess of the morning and sister of the sun and moon. She is represented as seated in a golden chariot drawn by milk-white horses; her countenance is brilliant, and her fingers are red like roses.

      Ques. What did this represent?

      Ans. The beauty of the morning heavens.

      Ques. Relate the story of Ceph´alus and Procris.

      Ans. Ceph´alus, a beautiful youth, was beloved by Aurora, who carried him with her to heaven; but he regarded the goddess with indifference, and insisted on returning to his young wife Procris. Aurora allowed him to depart, but prevailed on him to visit his house in disguise, that he might judge of the constancy of his bride. Ceph´alus found his wife lamenting his absence and refusing all consolation, but when she discovered her husband in the supposed stranger, she was so indignant at his suspicion that she fled from him and joined the attendants of Diana. She was afterwards reconciled to Ceph´alus, and gave him two presents which she had received from Diana. These were, a dog that was always sure of its prey, and an arrow which never missed its aim, and returned immediately to the hand of the owner. Ceph´alus was extremely fond of hunting, and when fatigued, he often rested in the shade and invited the presence of “Aura,” or the refreshing breeze. This word was mistaken for the name of a nymph by some persons who carried the tale to Procris. Being jealous in her turn, she determined to watch, and discover her rival. When Ceph´alus returned from hunting, Procris concealed herself in the grove; she started upon hearing the name Aura, and caused a rustling among the leaves. Ceph´alus immediately threw his unerring dart, which returned to his hand stained with the blood of his beloved wife. He hastened to the spot, but it was too late, and Procris expired in his arms, acknowledging she had fallen a victim to her own groundless jealousy.

      Ques. To whom was Aurora married?

      Ans. She chose for her husband Titho´nus, the son of Laom´edon, king of Troy. This prince was endowed with wonderful beauty; but when Aurora begged of Jove that he might be exempted from death, she forgot to ask at the same time for the bloom of immortal youth. When Titho´nus became old and decrepit, Aurora still watched over him with the tenderest care, “giving him ambrosial food and fair garments.” When Titho´nus could no longer move his aged limbs, and his feeble voice was scarcely heard, the goddess was moved with compassion, and changed him into a grasshopper.

      Ques. Who was Memnon?

      Ans. He was king of the Ethiopians, and son of Titho´nus and Aurora. When Troy was besieged, Memnon came with an army to aid the kindred of his father. In the first engagements he slew Antil´ochus, the son of Nestor, and threw the whole army of the Greeks into disorder. Achil´les, however, appeared on the field, and changed the fortune of the day. The Trojans were routed in their turn, and Memnon fell by the hand of the Grecian hero. Aurora watched the combat from the heavens, and when she saw Memnon fall she directed the winds to convey his body to the banks of the river Æse´pus in Paphlagonia. Here they raised his tomb in a sacred grove, and his obsequies were celebrated with solemn pomp. The sparks, as they rose from the funeral pyre, were changed into birds, which divided into two flocks, and fought together until they fell into the flames and were consumed. According to the poets, Aurora was never consoled for the loss of her son; she mourns unceasingly, and the drops which sparkle in the morning on the grass and flowers are the tears which the goddess continues to shed during the long hours of night. Ancient history mentions many persons of the name of Memnon, particularly a general who distinguished himself in Persia against Alexander the Great. The Memnon of fable was in all probability an Egyptian, and not an Ethiopian king. His statue is still an object of curiosity to travellers.

      Ques. Where is this statue, and for what is it remarkable?

      Ans. It is one of two colossal figures which are directly opposite the great temple of Luxor. They are called by the Arabs, Shama and Dama. The statue of Memnon is the more northerly of the two, and was formerly celebrated for its vocal powers.

      It is commonly asserted by ancient writers that when the first rays of the rising sun fell upon this statue, it acknowledged the presence of Aurora, and uttered a sound like the sudden breaking of a harp-string. By some, it was compared to a blow struck on hollow brass.

      Ques. Was there any foundation for such a belief?

      Ans. It appeared quite certain that the sounds of which we have spoken, were really heard from this statue at sunrise; the only question is as to the means by which they were produced. The Colossus, although in a sitting posture, measures fifty-two feet in height, and the throne on which it rests is thirty feet long and eighteen broad. These dimensions were sufficient to admit of any internal machinery that might be required to produce the mysterious sounds. Such was the supposition of the Persian king Cambyses, who had the statue cleft asunder from the head to the middle of the body, but without discovering anything. Humboldt conjectured that the sound might be attributed to the nature of the stone, or to the action of the sun’s rays upon the air confined in the cavities of the statue. A much more reasonable solution of the mystery has been furnished by Mr. Wilkinson, an intelligent English traveller. He discovered in the lap of the statue a stone, which, on being struck, emits a metallic sound. There is a hollow space hewn in the block behind this stone, sufficiently large to admit of a person lying within it, entirely concealed from observation. Mr. Wilkinson tried the experiment, and was convinced that he had discovered the secret of this famous statue.

      The face of the Memnon, like that of the Sphinx, has been mutilated by the Arabs; the positions of the figures which are yet uninjured show that the whole must have presented a beautiful and imposing appearance. The base of the throne is covered with ancient inscriptions in Greek and Latin, commemorating the visits of different illustrious persons, and testifying that they had heard the mysterious voice of Memnon.

      CHAPTER XII

Terrestrial GodsSATURN

      Ques. Who was Saturn?

      Ans. He was the son of Cœlum and Terra. He was married to Ops, or Rhea, and was the father of Jupiter, Neptune and Pluto. As we have already learned, Saturn devoured the rest of his male children.

      Ques. How is he represented?

      Ans. Saturn is represented as an old man armed with a scythe, which signifies that time mows down everything in its course; and he holds in his hands an infant which he is about to devour, because time destroys all that it brings forth.

      Ques. How did Saturn lose his kingdom?

      Ans.