Mina Murray’s Journal
I am anxious, and it soothes me to express myself here. It is like whispering to one’s self and listening at the same time. And there is also something about the shorthand symbols that makes it different from writing. I am unhappy about Lucy and about Jonathan. I had not heard from Jonathan for some time, and was very concerned, but yesterday dear Mr. Hawkins, who is always so kind, sent me a letter from him. I had written asking him if he had heard, and he said the enclosed had just been received. It is only a line dated from Castle Dracula, and says that he is just starting for home. That is not like Jonathan. I do not understand it, and it makes me uneasy.
Then, too, Lucy, although she is so well, has lately taken to her old habit of walking in her sleep. Her mother has spoken to me about it, and we have decided that I am to lock the door of our room every night.
Mrs. Westenra has got an idea that sleep-walkers always go out on roofs of houses and along the edges of cliffs and then get suddenly wakened and fall over with a despairing cry that echoes all over the place.
Poor dear, she is naturally anxious about Lucy, and she tells me that her husband, Lucy’s father, had the same habit, that he would get up in the night and dress himself and go out, if he were not stopped.
Lucy is to be married in the autumn, and she is already planning out her dresses and how her house is to be arranged. I sympathise with her, for I do the same, only Jonathan and I will start in life in a very simple way, and shall have to try to make both ends meet.
Mr. Holmwood, he is the Hon. Arthur Holmwood, only son of Lord Godalming, is coming up here very shortly, as soon as he can leave town, for his father is not very well, and I think dear Lucy is counting the moments till he comes.
She wants to take him up in the seat on the churchyard cliff and show him the beauty of Whitby. I daresay it is the waiting which disturbs her. She will be all right when he arrives.
No news from Jonathan. I am getting quite uneasy about him, though why I should I do not know, but I do wish that he would write, if it were only a single line.
Lucy walks more than ever, and each night I am awakened by her moving about the room. Fortunately, the weather is so hot that she cannot get cold. But still, the anxiety and the perpetually being awakened is beginning to tell on me, and I am getting nervous and wakeful myself. Thank God, Lucy’s health keeps up. Mr. Holmwood has been suddenly called to Ring to see his father, who has been taken seriously ill. Lucy frets at the postponement of seeing him, but it does not touch her looks. She is a trifle stouter, and her cheeks are a lovely rose-pink. She has lost the anemic look which she had. I pray it will all last.
Another week gone by, and no news from Jonathan, not even to Mr. Hawkins, from whom I have heard. Oh, I do hope he is not ill. He surely would have written. I look at that last letter of his, but somehow it does not satisfy me. It does not read like him, and yet it is his writing. There is no mistake of that.
Lucy has not walked much in her sleep the last week, but there is an odd concentration about her which I do not understand, even in her sleep she seems to be watching me. She tries the door, and finding it locked, goes about the room searching for the key.
Another three days, and no news. This suspense is getting dreadful. If I only knew where to write to or where to go to, I should feel easier. But no one has heard a word of Jonathan since that last letter. I must only pray to God for patience.
Lucy is more excitable than ever, but is otherwise well. Last night was very threatening, and the fishermen say that we are in for a storm. I must try to watch it and learn the weather signs.
Today is a gray day, and the sun as I write is hidden in thick clouds, high over Kettleness. Everything is gray except the green grass, which seems like emerald amongst it, gray earthy rock, gray clouds, tinged with the sunburst at the far edge, hang over the gray sea, into which the sandpoints stretch like gray figures. The sea is tumbling in over the shallows and the sandy flats with a roar, muffled in the sea-mists drifting inland. The horizon is lost in a gray mist. All vastness, the clouds are piled up like giant rocks, and there is a ‘brool’ over the sea that sounds like some passage of doom. Dark figures are on the beach here and there, sometimes half shrouded in the mist, and seem ‘men like trees walking’. The fishing boats are racing for home, and rise and dip in the ground swell as they sweep into the harbour, bending to the scuppers. Here comes old Mr. Swales. He is making straight for me, and I can see, by the way he lifts his hat, that he wants to talk.
I have been quite touched by the change in the poor old man. When he sat down beside me, he said in a very gentle way, ‘I want to say something to you, miss.’
I could see he was not at ease, so I took his poor old wrinkled hand in mine and asked him to speak fully.
So he said, leaving his hand in mine, ‘I’m afraid, my deary, that I must have shocked you by all the wicked things I’ve been sayin’ about the dead, and such like, for weeks past, but I didn’t mean them, and I want ye to remember that when I’m gone. We aud[43] folks that be daffled,[44] and with one foot abaft the krok-hooal,[45] don’t altogether like to think of it, and we don’t want to feel scart of it, and that’s why I’ve took to makin’ light of it, so that I’d cheer up my own heart a bit. But, Lord love ye, miss, I ain’t afraid of dyin’, not a bit, only I don’t want to die if I can help it. My time must be nigh at hand now, for I be aud, and a hundred years is too much for any man to expect. And I’m so nigh it that the Aud Man is already whettin’ his scythe. Ye see, I can’t get out o’ the habit of caffin’[46] about it all at once. The chafts will wag as they be used to.[47] Some day soon the Angel of Death will sound his trumpet for me. But don’t ye dooal[48] an’ greet, my deary!’ – for he saw that I was crying – ‘if he should come this very night I’d not refuse to answer his call. For life be, after all, only a waitin’ for somethin’ else than what we’re doin’, and death be all that we can rightly depend on. But I’m content, for it’s comin’ to me, my deary, and comin’ quick. It may be comin’ while we be lookin’ and wonderin’. Maybe it’s in that wind out over the sea that’s bringin’ with it loss and wreck, and sore distress, and sad hearts. Look! Look!’ he cried suddenly. ‘There’s something in that wind and in the hoast beyont that sounds, and looks, and tastes, and smells like death. It’s in the air. I feel it comin’. Lord, make me answer cheerful, when my call comes!’ He held up his arms devoutly, and raised his hat. His mouth moved as though he were praying. After a few minutes’ silence, he got up, shook hands with me, and blessed me, and said good-bye, and hobbled off. It all touched me, and upset me very much.
I was glad when the coastguard came along, with his spyglass under his arm. He stopped to talk with me, as he always does, but all the time kept looking at a strange ship.
‘I can’t make her out,’ he said. ‘She’s a Russian, by the look of her. But she’s knocking about in the queerest way. She doesn’t know her mind a bit. She seems to see the storm coming, but can’t decide whether to run up north in the open, or to put in here. Look there again! She is steered mighty strangely, for she doesn’t mind the hand on the wheel, changes about with every puff of wind. We’ll hear more of her before this time tomorrow.’
Chapter 7
Cutting from ‘The Dailygraph,’ 8 August
(PASTED IN MINA MURRAY’S JOURNAL)
From a correspondent.
Whitby.
One of the greatest and suddenest storms on record has just been experienced here, with results both strange and unique. The weather had been somewhat sultry, but not to any degree uncommon in the month of August.