But these days were far off. It was summer, and a crystal brook slipped from level to level, singing its sweet water-song, and bringing cool water to bathe the feet of the oak which the Dryad loved and decked with green garlands. The orioles loved it, flashing here and there with rich red gold or flame-like orange on breast and wings and soft, velvety black on head and shoulders, splendidly beautiful as some tropic flower, they chose the end of an oak bough to hang their pensile nest. The male oriole shone in the sun, but his mate glowed with a duller hue, an orange veiled with gray, and mottled and spotted or splashed with white and fuscous and black, as a brooding creature should be that sits all day long amid the play of fleeting light and shade upon constant color. But both were beautiful in their strong and darting flight, and their labors of love.
The mother alone fashioned the nest, weaving it strongly of grasses and bark, of fibre, hair and string, and lashing it firmly near the end, a hanging cradle for the wind to rock at will and safely, and beautifully adorned with a fantastic pattern of green oak leaves, woven across, and aiding to conceal the nest itself. The eggs, four to six, were white, but marked with strange characters, sometimes distinct, sometimes obscure, a hieroglyphic of black or fuscous lines, over which the mother brooded patiently for many days. But the male oriole was not indifferent, even while the young were in the egg. He did not fear to expose himself upon an upper branch, where he could watch untiringly over the safety of the beloved nest and all day long, in bright or cloudy weather, floated down to his silent mate a song of courage and tenderness.
Ah, no shepherds in far-off Arcady ever piped more sweetly to their beloved than this winged lover! His note is wild and free, a touch of anxious pleading perhaps in the brooding song that one does not catch in the first triumphant cry of joy with which he flashes upon our sight in April, but inexpressibly sweet and liquid. It is essentially music of the pipes, like the soft airs blown by lips of happy children upon reeds cut from the brook-side in the first joyous days of spring, but it is different in its airy quality, as if a melody, unfinished, were floating far above our heads! They are loving house-holders, and, if undisturbed, will return, year after year, to the same nest.
Happy is the Dryad that dwells in an oak where the orioles build and sing!
THE MARBLED GODWIT
– I behold
The godwits running by the water edge,
The mossy bridges mirrored as of old;
The little curlews creeping from the sedge.
The Godwits form an interesting group of the shore birds (Limicolae) and belong in the same family as the snipes and sandpipers. They command attention not alone because of their habits, but also because they have for centuries been considered a delicate food for man, and much has been written in praise of their flesh.
Early in the sixteenth century one of the European species was rated as “worth three times as much as the snipe,” and was considered a delicacy of the French epicure. We are told that the black-tailed Godwit in the year 1766 was sold in England for half-a-crown. Ben Jonson speaks enthusiastically of this bird as a delicate morsel for the appetite.
The origin of the name Godwit is veiled in obscurity. It has been suggested that it may be a corruption of the two words good and the antiquated word wight, the latter meaning swift, though the Godwits are not birds of very rapid flight.
The Marbled Godwit belongs to a genus (Limosa) which, though not rich in the number of species, has representatives throughout the Northern Hemisphere. This bird frequents muddy pools and marshes and wet, sandy shores. It is this habit that suggested to the naturalist the generic name, which is derived from the Latin word limosus, meaning muddy.
As is the case with many of our game birds, this species bears a number of common names, such as the Straight-Billed Curlew, the Marbled or Brown Marlin, the Red Curlew and, among sportsmen, the Dough and the Doe Bird.
With the exception of the long-billed curlew the Marbled Godwit is the largest of the “Bay Birds.” These two birds closely resemble each other in coloration, but may be easily distinguished by the characteristics of the bills, which are very long. The terminal half of the bill of the curlew is curved downward, while that of the Godwit is either straight or slightly curved upward.
The geographical distribution of the Marbled Godwit includes the whole of North America, though it is infrequent on the Atlantic coast. Its nesting range is chiefly limited to the interior from Iowa and Nebraska northward to the Saskatchewan. In winter it migrates to Central America, Cuba and the northern part of South America.
In company with the long-billed curlew and some species of sandpipers it builds its nest on the grassy banks of rivers and ponds, usually in some natural depression. Occasionally, however, the nests are found on moist prairies some distance from a stream. In these grass-lined nests are laid the three or four bright olivaceous, drab or creamy buff eggs that are variously spotted or blotched with varying shades of brown. They are domestic and seemingly devoted to their fellows. When one of their number is wounded and unable to fly they will frequently remain in the vicinity, flying around the spot where lies their wounded comrade.
Dr. Coues tells us that “on intrusion near the nest the birds mount in the air with loud, piercing cries, hovering slowly around with labored flight, in evident distress and approaching sometimes within a few feet of the observer.”
Its food consists of the smaller crustaceans, worms, snails, insects and their larvae. These are captured from the surface of the water, on the shore or are probed for, with the long, sensitive bills, in the soft soil of the banks or under shallow water. When feeding it moves in an easy and graceful manner. Its grace and dignity well merit the saying that “it is one of the most beautiful of the birds sought by the sportsman.”
Neltje Blanchan has very aptly described the habits of this bird. She says: “It is not the intention of the Godwit to give anyone a near view of either plumage or bill. The most stealthy intruder on its domains – salt or fresh water shores, marshes or prairie lands – startles it to wing; its loud, whistled notes sound the alarm to other marlins hidden among the tall sedges, and the entire flock flies off at an easy, steady pace, not rapid, yet not to be overtaken afoot. A beautiful posture, common to the plovers, curlews, terns and some other birds, is struck just as they alight. Raising the tips of the wings till they meet high above the back, the marlins suggest the favorite attitude of angels shown by the early Italian painters.”
A BIRD-JOKE AT LEAFY LAWN
In early spring Robin Redbreast returned to Leafy Lawn and selected a new site for his nest in the same apple tree his father and grandfather had occupied during preceding summers. No other birds had yet arrived and Robin jumped about on the sprouting lawn master of all he surveyed.
He soon discovered to his sorrow that those selfish, quarrelsome sparrows who tormented the birds last summer and drove away the wrens, had gone no farther during the winter than to the eaves of a near barn, and were already back to their nest in the tall poplar, scolding and threatening as disagreeably as ever. But Robin noticed that the limb which held their nest so high was dead and he hoped a strong wind would dash limb, nest and ugly sparrows all to the ground.
Robin looked very handsome in his crimson vest, hopping over the grass in a scalloped path, with his modest little mate following in a similar path beside him. Suddenly they stopped and listened.
“Surely that is Mr. Woodpecker pounding on the tin roof-drain,” said Robin; and Mrs. Robin looked about curiously and spied Mrs. Woodpecker on a near tree listening to her husband’s wonderful drumming. Mrs. Woodpecker was thinking what a fine nest such a strong husband could