My children and the man were witnesses recently of an exciting, and, for this section of Massachusetts, a novel race, which, but for them, must certainly have ended fatally. The boys had picked up the morning fall of chestnuts, and were coming through the wood-lot where the man was chopping, when down the hillside toward them rushed a little chipmunk, his teeth a-chatter with terror, for close behind him, with the easy wavy motion of a shadow, glided a dark brown animal, which the man took on the instant for a mink, but which must have been a large weasel or a pine marten. When almost at the feet of the boys, and about to be seized by the marten, the squeaking chipmunk ran up a tree. Up glided the marten, up for twenty feet. Then the chipmunk jumped. It was a fearfully close call. The marten did not dare to jump, but turned and started down, when the man intercepted him with a stick. Around and around the tree he dodged, growling and snarling and avoiding the stick, not a bit abashed, stubbornly holding his own, until forced to seek refuge among the branches. Meanwhile the terrified chipmunk had recovered his nerve and sat quietly watching the sudden turn of affairs from a near-by stump.
I climbed into the cupola of the barn this morning, as I frequently do throughout the winter, and brought down a dazed junco that was beating his life out up there against the window-panes. He lay on his back in my open hand, either feigning death or really powerless with fear. His eyes were closed, his whole tiny body throbbing convulsively with his throbbing heart. Taking him to the door, I turned him over and gave him a gentle toss. Instantly his wings flashed, they zigzagged him for a yard or two, then bore him swiftly around the corner of the house and dropped him in the midst of his fellows, where they were feeding upon the lawn. He shaped himself up a little and fell to picking with the others.
From a state of collapse the laws of his being had brought the bird into normal behavior as quickly and completely as the collapsed rubber ball is rounded by the laws of its being. The memory of the fright seems to have been an impression exactly like the dent in the rubber ball – as if it had never been.
Yet the analogy only half holds. Memories of the most tenacious kind the animals surely have; but little or no voluntary, unaided power to use them. Memory is largely a mechanical, a crank process with the animals, a kind of magic-lantern show, where the concrete slide is necessary for the picture on the screen; else the past as the future hangs a blank. The dog will sometimes seem to cherish a grudge; so will the elephant. Some one injures or wrongs him, and the huge beast harbors the memory, broods it, and waits his opportunity for revenge. Yet the records of these cases usually show the creature to be living with the object of his hatred – keeper or animal – and that his memory goes no further back than the present moment, than the sight of the enemy; memory always taking an immediate, concrete shape.
At my railroad station I frequently see a yoke of great sleepy, bald-faced oxen, that look as much alike as two blackbirds. Their driver knows them apart; but as they stand there bound to one another by the heavy bar across their foreheads, it would puzzle anybody else to tell Buck from Berry. But not if he approach them wearing an overcoat. At sight of me in an overcoat the off ox will snort and back and thresh about in terror, twisting the head of his yoke-fellow, nearly breaking his neck, and trampling him miserably. But the nigh ox is used to it. He chews and blinks away placidly, keeps his feet the best he can, and doesn’t try to understand at all why great-coats should so frighten his cud-chewing brother. I will drop off my coat and go up immediately to smooth the muzzles of both oxen, blinking sleepily while the lumber is being loaded on.
Years ago, the driver told me, the off ox was badly frightened by a big woolly coat, the sight or smell of which suggested to the creature some natural enemy, a panther, perhaps, or a bear. The memory remained, but beyond recall except in the presence of its first cause, the great-coat.
To us, and momentarily to the lower animals, no doubt, there is a monstrous, a desperate aspect to nature – night and drouth and cold, the lightning, the hurricane, the earthquake: phases of nature that to the scientific mind are often appalling, and to the unthinking and superstitious are usually sinister, cruel, personal, leading to much dark talk of banshees and of the mysteries of Providence – as if there were still necessity to justify the ways of God to man! We are clutched by these terrors even as the junco was clutched in my goblin hand. When the mighty fingers open, we zigzag, dazed from the danger; but fall to planning, before the tremors of the earth have ceased, how we can build a greater and finer city on the ruins of the old. Upon the crumbled heap of the second Messina the third will rise, and upon that the fourth, unless the quaking site is forever swallowed by the sea. Terror can kill the living, but it cannot hinder them from forgetting, or prevent them from hoping, or, for more than an instant, stop them from doing. Such is the law of being – the law of the Jungle, of Heaven, of my pastures, of myself, and of the little junco. The light of the sun may burn out, motion may cease, matter vanish away, and life come to an end; but so long as life continues it must continue to assert itself, to obey the law of being – to multiply and replenish the earth, and rejoice.
Life, like Law and Matter, is all of one piece. The horse in my stable, the robin, the toad, the beetle, the vine in my garden, the garden itself, and I together with them all, come out of the same divine dust; we all breathe the same divine breath; we have our beings under the same divine law; only they do not know that the law, the breath, and the dust are divine. If I do know, and yet can so readily forget such knowledge, can so hardly cease from being, can so eternally find the purpose, the hope, the joy of life within me, how soon for them, my lowly fellow mortals, must vanish all sight of fear, all memory of pain! And how abiding with them, how compelling, the necessity to live! And in their unquestioning obedience what joy!
The face of the fields is as changeful as the face of a child. Every passing wind, every shifting cloud, every calling bird, every baying hound, every shape, shadow, fragrance, sound, and tremor, are so many emotions reflected there. But if time and experience and pain come, they pass utterly away; for the face of the fields does not grow old or wise or seamed with pain. It is always the face of a child, – asleep in winter, awake in summer, – a face of life and health always, if we will but see what pushes the falling leaves off, what lies in slumber under the covers of the snow; if we will but feel the strength of the north wind, and the wild fierce joy of the fox and hound as they course the turning, tangling paths of the woodlands in their race with one another against the record set by Life.
II
TURTLE EGGS FOR AGASSIZ
IT is one of the wonders of the world that so few books are written. With every human being a possible book, and with many a human being capable of becoming more books than the world could contain, is it not amazing that the books of men are so few? And so stupid!
I took down, recently, from the shelves of a great public library, the four volumes of Agassiz’s “Contributions to the Natural History of the United States.” I doubt if anybody but the charwoman, with her duster, had touched those volumes for twenty-five years. They are an excessively learned, a monumental, an epoch-making work, the fruit of vast and heroic labors, with colored plates on stone, showing the turtles of the United States, and their embryology. The work was published more than half a century ago (by subscription); but it looked old beyond its years – massive, heavy, weathered, as if dug from the rocks. It was difficult to feel that Agassiz could have written it – could have built it, grown it, for the laminated pile had required for its growth the patience and painstaking care of a process of nature, as if it were a kind of printed coral reef. Agassiz do this? The big, human, magnetic man at work upon these pages of capital letters, Roman figures, brackets, and parentheses in explanation of the pages of diagrams and plates! I turned away with a sigh from the weary learning, to read the preface.
When a great man writes