Essays on Modern Novelists, William Lyon Phelps.
"Björnsoniana," Dial, January 16, 1903, pp. 37-38.
"Prophet-Poet of Norway," Cosmopolitan, April, 1903, pp. 621-631.
"Three Score and Ten," Dial, December, 1902, pp. 383-385.
COLLATERAL READINGS
Lectures, Volume I, John L. Stoddard.
The Making of an American, Chapters 1, 7, and Jacob Riis.
Myths of Northern Lands. Guerber.
Synnove Solbakken, Björnson.
A Happy Boy, Björnson.
The Fisher Maiden, Björnson.
The Bridal March, Björnson.
Magnhild, Björnson.
A Dangerous Wooing, Björnson.
The Eagle's Nest, Björnson.
The Bear Hunter, Björnson.
Master and Man, Leo Tolstoi.
The Doll's House, Henrik Ibsen.
The Minister's Black Veil, Nathaniel Hawthorne.
The Ambitious Guest, Nathaniel Hawthorne.
The Beeman of Orn, Frank R. Stockton.
A Branch Road, Hamlin Garland.
Mateo Falcone, Prosper Mérimée.
The Death of the Dauphin, Alphonse Dadoed.
The Birds' Christmas Carol, Kate Douglas Wiggin.
Tennessee's Partner, Bret Harte.
THE GRIFFIN AND THE MINOR CANAAN5
By Frank R. Stockton (1834-1902)
Over the great door of an old, old church which stood in a quiet town of a far-away land there was carved in stone the figure of a large griffin. The old-time sculptor had done his work with great care, but the image he had made was not a pleasant one to look at. It had a large head, with enormous open mouth and savage teeth; from its back arose great wings, armed with sharp hooks and prongs; it had stout legs in front, with projecting claws; but there were no legs behind, – the body running out into a long and powerful tail, finished off at the end with a barbed point. This tail was coiled up under him, the end sticking up just back of his wings.
The sculptor, or the people who had ordered this stone figure, had evidently been very much pleased with it, for little copies of it, also in stone, had been placed here and there along the sides of the church, not very far from the ground, so that people could easily look at them, and ponder on their curious forms. There were a great many other sculptures on the outside of this church, – saints, martyrs, grotesque heads of men, beasts, and birds, as well as those of other creatures which cannot be named, because nobody knows exactly what they were; but none were so curious and interesting as the great griffin over the door, and the little griffins on the sides of the church.
A long, long distance from the town, in the midst of dreadful wilds scarcely known to man, there dwelt the Griffin whose image had been put up over the churchgoer. In some way or other, the old-time sculptor had seen him, and afterward, to the best of his memory, had copied his figure in stone. The Griffin had never known this, until, hundreds of years afterward, he heard from a bird, from a wild animal, or in some manner which it is not now easy to find out, that there was a likeness of him on the old church in the distant town. Now this Griffin had no idea how he looked. He had never seen a mirror, and the streams where he lived were so turbulent and violent that a quiet piece of water, which would reflect the image of anything looking into it, could not be found. Being, as far as could be ascertained, the very last of his race, he had never seen another griffin. Therefore it was, that, when he heard of this stone image of himself, he became very anxious to know what he looked like, and at last he determined to go to the old church, and see for himself what manner of being he was. So he started off from the dreadful wilds, and flew on and on until he came to the countries inhabited by men, where his appearance in the air created great consternation; but he alighted nowhere, keeping up a steady flight until he reached the suburbs of the town which had his image on its church. Here, late in the afternoon, he alighted in a green meadow by the side of a brook, and stretched himself on the grass to rest. His great wings were tired, for he had not made such a long flight in a century, or more.
The news of his coming spread quickly over the town, and the people, frightened nearly out of their wits by the arrival of so extraordinary a visitor, fled into their houses, and shut themselves up. The Griffin called loudly for some one to come to him, but the more he called, the more afraid the people were to show themselves. At length he saw two laborers hurrying to their homes through the fields, and in a terrible voice he commanded them to stop. Not daring to disobey, the men stood, trembling.
"What is the matter with you all?" cried the Griffin. "Is there not a man in your town who is brave enough to speak to me?"
"I think," said one of the laborers, his voice shaking so that his words could hardly be understood, "that – perhaps – the Minor Canon – would come."
"Go, call him, then!" said the Griffin; "I want to see him."
The Minor Canon, who filled a subordinate position in the church, had just finished the afternoon services, and was coming out of a side door, with three aged women who had formed the week-day congregation. He was a young man of a kind disposition, and very anxious to do good to the people of the town. Apart from his duties in the church, where he conducted services every week-day, he visited the sick and the poor, counseled and assisted persons who were in trouble, and taught a school composed entirely of the bad children in the town with whom nobody else would have anything to do. Whenever the people wanted something difficult done for them, they always went to the Minor Canon. Thus it was that the laborer thought of the young priest when he found that some one must come and speak to the Griffin.
The Minor Canon had not heard of the strange event, which was known to the whole town except himself and the three old women, and when he was informed of it, and was told that the Griffin had asked to see him, he was greatly amazed, and frightened.
"Me!" he exclaimed. "He has never heard of me! What should he want with me?"
"Oh! you must go instantly!" cried the two men.
"He is very angry now because he has been kept waiting so long; and nobody knows what may happen if you don't hurry to him."
The poor Minor Canon would rather have had his hand cut off than go out to meet an angry griffin; but he felt that it was his duty to go, or it would be a woeful thing if injury should come to the people of the town because he was not brave enough to obey the summons of the Griffin.
So, pale and frightened, he started off.
"Well," said the Griffin, as soon as the young man came near, "I am glad to see that there is some one who has the courage to come to me."
The Minor Canon did not feel very courageous, but he bowed his head.
"Is this the town," said the Griffin, "where there is a church with a likeness of myself over one of the doors?"
The Minor Canon looked at the frightful creature before him and saw that it was, without doubt, exactly like the stone image on the church. "Yes," he said, "you are right."
"Well, then," said the Griffin, "will you take me to it? I wish very much to see it."
The Minor Canon instantly thought that if the Griffin entered the town without the people knowing what he came for, some of them would probably be frightened to death, and so he sought to gain time to prepare their minds.
"It is growing dark, now," he said, very much afraid, as he spoke, that his words might enrage the Griffin, "and objects on the front of the church cannot be seen clearly. It will be better to wait until morning, if you wish to get a good view of the