Dr. Silence opened his eyes and went over to ring for tea. He did not know very much more about the case of the humorist than when he first sat down to listen; but he realized that no amount of words from his Swedish friend would help to reveal the real facts. A personal interview with the author himself could alone do that.
"All humorists are worth saving," he said with a smile, as she poured out tea. "We can't afford to lose a single one in these strenuous days. I will go and see your friend at the first opportunity."
She thanked him elaborately, effusively, with many words, and he, with much difficulty, kept the conversation thenceforward strictly to the teapot.
And, as a result of this conversation, and a little more he had gathered by means best known to himself and his secretary, he was whizzing in his motor-car one afternoon a few days later up the Putney Hill to have his first interview with Felix Pender, the humorous writer who was the victim of some mysterious malady in his "psychical region" that had obliterated his sense of the comic and threatened to wreck his life and destroy his talent. And his desire to help was probably of equal strength with his desire to know and to investigate.
The motor stopped with a deep purring sound, as though a great black panther lay concealed within its hood, and the doctor – the "psychic doctor," as he was sometimes called – stepped out through the gathering fog, and walked across the tiny garden that held a blackened fir tree and a stunted laurel shrubbery. The house was very small, and it was some time before any one answered the bell. Then, suddenly, a light appeared in the hall, and he saw a pretty little woman standing on the top step begging him to come in. She was dressed in grey, and the gaslight fell on a mass of deliberately brushed light hair. Stuffed, dusty birds, and a shabby array of African spears, hung on the wall behind her. A hat-rack, with a bronze plate full of very large cards, led his eye swiftly to a dark staircase beyond. Mrs. Pender had round eyes like a child's, and she greeted him with an effusiveness that barely concealed her emotion, yet strove to appear naturally cordial. Evidently she had been looking out for his arrival, and had outrun the servant girl. She was a little breathless.
"I hope you've not been kept waiting – I think it's most good of you to come – " she began, and then stopped sharp when she saw his face in the gaslight. There was something in Dr. Silence's look that did not encourage mere talk. He was in earnest now, if ever man was.
"Good evening, Mrs. Pender," he said, with a quiet smile that won confidence, yet deprecated unnecessary words, "the fog delayed me a little. I am glad to see you."
They went into a dingy sitting-room at the back of the house, neatly furnished but depressing. Books stood in a row upon the mantelpiece. The fire had evidently just been lit. It smoked in great puffs into the room.
"Mrs. Sivendson said she thought you might be able to come," ventured the little woman again, looking up engagingly into his face and betraying anxiety and eagerness in every gesture. "But I hardly dared to believe it. I think it is really too good of you. My husband's case is so peculiar that – well, you know, I am quite sure any ordinary doctor would say at once the asylum – "
"Isn't he in, then?" asked Dr. Silence gently.
"In the asylum?" she gasped. "Oh dear, no – not yet!"
"In the house, I meant," he laughed.
She gave a great sigh.
"He'll be back any minute now," she replied, obviously relieved to see him laugh; "but the fact is, we didn't expect you so early – I mean, my husband hardly thought you would come at all."
"I am always delighted to come – when I am really wanted, and can be of help," he said quickly; "and, perhaps, it's all for the best that your husband is out, for now that we are alone you can tell me something about his difficulties. So far, you know, I have heard very little."
Her voice trembled as she thanked him, and when he came and took a chair close beside her she actually had difficulty in finding words with which to begin.
"In the first place," she began timidly, and then continuing with a nervous incoherent rush of words, "he will be simply delighted that you've really come, because he said you were the only person he would consent to see at all – the only doctor, I mean. But, of course, he doesn't know how frightened I am, or how much I have noticed. He pretends with me that it's just a nervous breakdown, and I'm sure he doesn't realize all the odd things I've noticed him doing. But the main thing, I suppose – "
"Yes, the main thing, Mrs. Pender," he said encouragingly, noticing her hesitation.
" – is that he thinks we are not alone in the house. That's the chief thing."
"Tell me more facts – just facts."
"It began last summer when I came back from Ireland; he had been here alone for six weeks, and I thought him looking tired and queer – ragged and scattered about the face, if you know what I mean, and his manner worn out. He said he had been writing hard, but his inspiration had somehow failed him, and he was dissatisfied with his work. His sense of humour was leaving him, or changing into something else, he said. There was something in the house, he declared, that" – she emphasized the words – "prevented his feeling funny."
"Something in the house that prevented his feeling funny," repeated the doctor. "Ah, now we're getting to the heart of it!"
"Yes," she resumed vaguely, "that's what he kept saying."
"And what was it he did that you thought strange?" he asked sympathetically. "Be brief, or he may be here before you finish."
"Very small things, but significant it seemed to me. He changed his workroom from the library, as we call it, to the sitting-room. He said all his characters became wrong and terrible in the library; they altered, so that he felt like writing tragedies – vile, debased tragedies, the tragedies of broken souls. But now he says the same of the smoking-room, and he's gone back to the library."
"Ah!"
"You see, there's so little I can tell you," she went on, with increasing speed and countless gestures. "I mean it's only very small things he does and says that are queer. What frightens me is that he assumes there is some one else in the house all the time – some one I never see. He does not actually say so, but on the stairs I've seen him standing aside to let some one pass; I've seen him open a door to let some one in or out; and often in our bedroom he puts chairs about as though for some one else to sit in. Oh – oh yes, and once or twice," she cried – "once or twice – "
She paused, and looked about her with a startled air.
"Yes?"
"Once or twice," she resumed hurriedly, as though she heard a sound that alarmed her, "I've heard him running – coming in and out of the rooms breathless as if something were after him – "
The door opened while she was still speaking, cutting her words off in the middle, and a man came into the room. He was dark and clean-shaven sallow rather, with the eyes of imagination, and dark hair growing scantily about the temples. He was dressed in a shabby tweed suit, and wore an untidy flannel collar at the neck. The dominant expression of his face was startled – hunted; an expression that might any moment leap into the dreadful stare of terror and announce a total loss of self-control.
The moment he saw his visitor a smile spread over his worn features, and he advanced to shake hands.
"I hoped you would come; Mrs. Sivendson said you might be able to find time," he said simply. His voice was thin and reedy. "I am very glad to see you, Dr. Silence. It is 'Doctor,' is it not?"
"Well, I am entitled to the description," laughed the other, "but I rarely get it. You know, I do not practice as a regular thing; that is, I only take cases that specially interest me, or – "
He did not finish the sentence, for the men exchanged a glance of sympathy that rendered it unnecessary.
"I have heard of your great kindness."
"It's my hobby," said the other quickly, "and my privilege."
"I trust you will still think so