Under St Paul's: A Romance. Dowling Richard

with an exclamation of displeased surprise. 'Miss Gordon! Miss Gordon, pray excuse me! I did not recognise you until now. You have altered your appearance so-' 'So much for the worse,' she concluded the sentence, smiling. 'Well, I cannot say I see an improvement.' 'I did not intend you should think it an improvement.' 'Why?' he asked, contracting his brows, and looking at her in a puzzled way. 'You said yesterday you wanted to look your best; you say you do not want to look your best to-day, although-' He paused. She added, – ' Although I am going out with you to-day also. Well, I have altered my mind since. I am jealous of that hat and dress and tunic. You did nothing yesterday but stare at my hat.' 'Miss Gordon-' 'Silence! You did nothing, I say, yesterday, but stare at my hat, and I won't have that. I have put on all the most hideous things in my baggage, to see if you will give poor me a look to-day.' 'I not look at you?' he cried. 'What do you mean?' He did not know what he meant by asking this question. He did not care what he meant. He meant nothing at all, but to look at that warm young face now, and lose his mind in the alluring depths of those dark soft eyes. 'Mad or drunk or love,' he thought. 'God keep me thus a little while, and I shall die content.' 'What are you looking at now?' she asked. 'At you,' he answered. 'Ah,' she laughed,' is this to compensate for your neglect yesterday?' 'It would compensate me,' he said, 'for a whole life of labour and pain.' 'Let us go,' she said, 'or you will be proposing to me, and I am weary of that kind of thing-that is, unless you have a great novelty. I am glad you intend to be better behaved to-day than yesterday, and give me some of your attention. But do you know even to-day you have not said good-morning to me? I change my dress and do up my hair in a different way from yesterday, and when I come down to breakfast you do not know me. Then when you do recognise me, you do not even hold out your hand and say good-morning. Ah, it is all very well when I remind you of it,' she added, placing her hand in his. Why, why was she flippant when he wanted to be calm and quiet, or rash and mad-anything but flippant? Why did she undo the spell of her beauty by the triviality of her words and ways? Such words and ways profaned the sanctuary of her loveliness as riot would a church. He not take her hand! If he dared, he would hold it and place it on his breast, and cover it with both his hands, and cherish it there for ever. Or cherish it until he could no longer hold it, but let it go to clasp that marvel to his breast, and cry into her ear the passion that shook him. She took her hand away and said briskly, – 'I think it's time for us to go if we are to walk along the Embankment and do the Abbey.' They left Mrs Barclay's and moved south. 'Mind,' she said, as she took his arm and they turned out of Peter's Row, 'I am not going to be dull and stupid and proper to-day, like you.' 'Why not to-day?' he asked, with a weary smile. This struggle was trying. 'It is only when I wear my prettiest things I can afford to be proper. You can't expect me to be a guy and a frump at the same time. It's not reasonable of you to expect that of me.' 'I assure you I do not expect it of you.' 'Then what do you expect of me?' 'A little mercy,' he said, looking gravely, sadly at her. 'Well, let us have a truce. It won't last long, I know. Tell me, which do you prefer me, as a guy or a frump?' 'I have not thought of it.' 'Look and think, and tell me.' 'I think I prefer the grey sober style of yesterday.' 'And the hat?' 'And the Bellini hat.' 'Do you intend taking me out to see any tombs or vaults, or crypts or catacombs, or anything lively tomorrow?' 'You will make me very happy if you will let me.' 'Very good. I want to try another experiment.' 'With what view?' he asked wearily. 'With a view to getting your opinion. You are the only poet I ever met, and I am curious to know what poets think.' 'You have already got more than my opinion; you have got all my-' 'What!' she exclaimed, interrupting him. 'On the Thames Embankment, before luncheon, and with the thermometer at ten degrees of frost! I never heard of such a thing. As you are a poet I'll forgive you this time. But the next time you want to say anything pretty or sentimental to me, be more careful. You are a poet, and ought to know you should not make love except when the birds are singing and the flowers blowing. The only thing that's blowing here is the east wind and the penny steamer. For shame, sir!' 'But when the flowers have come, you will have gone away?' Silence. 'You will have gone away, Miss Gordon?' Silence. 'Will you not?' 'Oh, perhaps.'

      CHAPTER V.

      FROM WESTMINSTER TO THE CRITERION

      'Is not coming in here,' he whispered to her, when they had been a few minutes in the Abbey, 'like listening to a prayer for man that must be heard.' 'Yes,' she whispered back; 'it may be heard, but it can't be seen. Why don't they clean the windows?' 'It is, you know, the spirit of the Gothic to be gloomy. You, of course, also know the gloom is increased by the legends on the glass,' he whispered. He had never whispered to her, nor she to him, before. What new delight lurked in these whispers? It was that she or he was for the first time deliberately limiting to one what the other had to say. He was speaking to her, and to her only; she to him, and to him only, as though they had gone out of the general bustle of a ballroom into the seclusion of a grotto. 'But,' she said, 'it was all very well for folk of the dark ages to keep out the light with tall gawky windows and stained glass. They could not read, and they had no costumes worth looking at. If I were at the head of affairs here, I should take down all this blinking, blinking glass, widen the windows, and let plenty of the wholesome sunlight in.' He said nothing. He turned away and sighed. What she would sweep away he would guard with his life. The poetry, the romance, the depth of historical tone, were indebted for much to the narrow high windows and dim light. He and she were not getting on nearly as pleasantly as they might in that grotto of whispers. How sadly different to-day was from yesterday! She had been then so silent and unobtrusive. She had let him talk to her in St Paul's as he loved best to talk, as he had talked to his mother and sisters often, but never until that day to any strange woman. 'I know it's not poetical. I am not a bit poetical, although I like to hear a poet talk, for I think one should know all the weaknesses of human nature. Don't you agree with me?' 'Yes,' he said; 'certainly.' 'So poetry is a weakness of human nature to her mind,' he thought bitterly. 'Poetry, the perfume of earth, the odour that sanctifies man; poetry, which is at the base of every noble emotion in human nature; and this poetry a weakness of human nature! I am sorry I came out with her to-day.' 'Mr Osborne.' He looked down. Her face was turned up to his. His eyes met hers. 'And what place on all earth could I choose, if not that by her side?' he asked himself helplessly. Aloud he said merely, 'Yes.' 'You are not nearly so amusing as yesterday. If you keep on this dreary, woebegone look, I shall walk away and leave you to your musings. Why are you so silent?' 'I have a different audience to-day, and I am not clever enough for it.' 'I don't want you to be clever. I hate clever men. They are always too stuck-up and smart. You're not a bit clever.' 'I really don't know what to say or do. This is not a good place to discuss such subjects. Shall we leave, and talk the matter over as we walk round the Abbey?' 'No, no. I want to go over this place with you. We will drop that subject if you wish, and stay here. Tell me about the place.' 'I don't know what to say. I am afraid I shall not find anything likely to please you.' 'I don't want you to talk with a view to pleasing me. I hate a man who does. I want you to say things that I shall demolish.' 'What am I to speak of?' 'This place. Tell me what was your first feeling on coming in.' 'I thought I should like to have been born in the time of the Medicis, when there were only two thoughts in days of peace-religion and the arts.' 'Do you mean you would like to have been born under the Medicis, in Italy?' 'Yes; in Florence or Venice. Venice by preference.' 'But the religion of Venice was not the religion you now hold.' 'No; but it was the best religion of those days; and if I had lived and died then, I should most likely never have felt any perplexity.' 'Oh, then you have felt perplexities?' 'Yes, now and then. Not in essentials, but in small matters; and perplexities of this kind wear one down.' She looked at him with scornful compassion for a few seconds, and then said, – 'You are very young; you are no more than fourteen or fifteen. I can see what your fate will be.' 'Can you? What?' 'Rome.' He looked at her with quick trouble in his eyes. 'I have often wondered if there is any danger of that.' 'As sure as your name is George Osborne, that is what your fate will be.' He shrank back from her. 'I think I should rather die,' he whispered, 'than desert the pure simple faith I was brought up in.' 'Then,' she said, with a bright smile, 'it will be with you as it was with the Italian patriots, a case of Roma o morte.' She sang the last words under her breath, to the air of the 'Inno Nazionale.' He looked around in horror, to ascertain if anyone had heard her. No one was near. 'Pray, Miss Gordon, don't sing. The people here have great ideas of the sanctity of this place, and anything like a profanation would be badly received.' 'Then take me away from this place. I am not good enough to be here.' He looked down at her. The expression of alarm and