Going through an outer room, called by courtesy a parlor, the landlord passed into an apartment which served as dining-room, sitting-room and bar. Here the glow of a wood fire from the well swept hearth and the aspect of the varied assortment of bottles, glasses and tankards, gave more proof of the fitness of the appellation on the creaking sign of the road-house than appeared from a superficial survey of its exterior and far from neat stable yard, or from that chilly, forbidding room, so common especially in American residences in those days, the parlor. Any doubt regarding the contents of the hospitable looking bottles was dispelled by such prominent inscriptions in gilt letters as “Whisky,” “Brandy” and “Rum.” To add to the effect, between the decanters were ranged glass jars of striped peppermint and winter-green candies, while a few lemons suggested pleasing possibilities of a hot sling, spiced rum flip or Tom and Jerry. The ceiling of this dining-room was blackened somewhat and the huge beams overhead gave an idea of the substantial character of the construction of the place. That fuel was plentiful, appeared in evidence in the open fireplace where were burning two great logs, while piled up against the wall were many other good-sized sections of hickory.
Seated at a respectful distance from this cheerful conflagration was a young man of perhaps five-and-twenty, whose travel-stained attire indicated he had but recently been on the road. Upon a chair near by were a riding-whip and hat, the latter spotted with mud and testifying to the rough character of the road over which he had come. He held a short pipe to his lips and blew clouds of smoke toward the fire, while upon a table, within arm’s length, rested a glass of some hot mixture. But in spite of his comfortable surroundings, the expression of his face was not that of a person in harmony with the Johnsonian conclusion, “A chair in an inn is a throne of felicity.” His countenance, well bronzed as a weather-tried trooper’s, was harsh, gloomy, almost morose; not an unhandsome face, but set in such a severe cast the observer involuntarily wondered what experience had indited that scroll. Tall, large of limb, muscular, as was apparent even in a restful pose, he looked an athlete of the most approved type, active and powerful.
Mine host, having found his guest taciturn, had himself become genial, and now remarked as he entered: “How do you find the punch? Is it to your liking?”
“Yes,” shortly answered the stranger, without raising his eyes from a moody regard of the fire.
“You’re from France, I guess?” continued the landlord, as he seated himself on the opposite side of the fireplace. “Been here long? Where you going?” Without waiting for an answer to his first question he exercised his time-honored privilege of demanding any and all information from wayfarers at the Travelers’ Friend.
“I say, where you going?” he repeated, turning over a log and sending a shower of sparks up the flue.
With no change of countenance the guest silently reached for his punch, swallowed a portion of it, replaced the glass on the table and resumed his smoking as though oblivious of the other’s presence. Momentarily disconcerted, the landlord devoted himself once more to the fire. After readjusting a trunk of old hickory on the great andirons and gazing absently for a moment at the huge crane supporting an iron kettle of boiling water, mine host tipped back in his chair, braced his feet against the wall, lighted a vile-smelling pipe and again returned valiantly to the attack, resolved to learn more about his guest.
“I hear things are kind of onsettled in France?” he observed diplomatically, emitting a cloud of smoke. “I see in a Syracuse paper that Louis Philippe is no longer king; that he and the queen have fled to England. Perhaps, now,”–inwardly congratulating himself on his shrewdness–“you left Paris for political reasons?”
The stranger deliberately emptied his pipe and thrust it into his pocket, while the landlord impatiently awaited the response to his pointed query. When it came, however, it was not calculated to allay the curiosity of his questioner.
“Is it your practice,” said the young man coldly, in slow but excellent English, “to bark continuously at the heels of your guests?”
“Oh, no offense meant! No offense! Hope none’ll be taken,” stammered the landlord.
Then he recovered himself and his dignity by drawing forth a huge wine-colored silk handkerchief, set with white polka-dots, and ostentatiously and vigorously using it. This ear-splitting operation having once more set him up in his own esteem, he resumed his attentions to the stranger.
“I didn’t know,” he added with an outburst of honesty, “but what you might be some nobleman in disguise.”
“A nobleman!” said the other with ill-concealed contempt. “My name is Saint-Prosper; plain Ernest Saint-Prosper. I was a soldier. Now I’m an adventurer. There you have it all in a nut-shell.”
The inn-keeper surveyed his guest’s figure with undisguised admiration.
“Well, you look like a soldier,” he remarked. “You are like one of those soldiers who came over from France to help us in the Revolution.”
This tribute being silently accepted, the landlord grew voluble as his guest continued reserved.
“We have our own troubles with lords, too, right here in New York State,” he said confidentially. “We have our land barons, descendants of the patroons and holders of thousands of acres. And we have our bolters, too, who are making a big stand against feudalism.”
Thereupon he proceeded to present the subject in all its details to the soldier; how the tenants were protesting against the enforcement of what they now deemed unjust claims and were demanding the abolition of permanent leaseholds; how they openly resisted the collection of rents and had inaugurated an aggressive anti-rent war against tyrannical landlordism. His lengthy and rambling dissertation was finally broken in upon by a rumbling on the road, as of carriage wheels drawing near, and the sound of voices. The noise sent the boniface to the window, and, looking out, he discovered a lumbering coach, drawn by two heavy horses, which came dashing up with a great semblance of animation for a vehicle of its weight, followed by a wagon, loaded with diversified and gaudy paraphernalia.
“Some troopers, I guess,” commented the landlord in a tone which indicated the coming of these guests was not entirely welcome to him. “Yes,” he added, discontentedly, “they’re stage-folk, sure enough.”
The wagon, which contained several persons, was driven into the stable yard, where it was unloaded of “drops” and “wings,” representing a street, a forest, a prison, and so on, while the stage coach, with a rattle and a jerk, and a final flourish of the driver’s whip, stopped at the front door. Springing to the ground, the driver opened the door of the vehicle, and at the same time two other men, with their heads muffled against the wind and rain, leisurely descended from the top. The landlord now stood at the entrance of the inn, a sour expression on his face. Certainly, if the travelers had expected in him the traditional glowing countenance, with the apostolic injunction to “use hospitality without grudging” writ upon it, they were doomed to disappointment.
A rustle of skirts, and there emerged from the interior of the coach, first, a little, dried-up old lady whose feet were enclosed in prunella boots, with Indian embroidered moccasins for outside protection; second, a young woman who hastily made her way into the hostelry, displaying a trim pair of ankles; third, a lady resembling the second and who the landlord afterwards learned was her sister; fourth, a graceful girl above medium height, wearing one of those provoking, quilted silk hoods of the day, with cherry-colored lining, known as “Kiss-me-if-you-dare” hoods.
Then followed a dark melancholy individual, the utility man, whose waistcoat of figured worsted was much frayed and whose “tooth-pick” collar was the worse for the journey. He preceded a more natty person in a bottle-green, “shad-belly” coat, who strove to carry himself as though he were fashionably dressed, instead of wearing clothes which no longer could conceal their shabbiness. The driver, called in theatrical parlance “the old man,” was a portly personage in a blue coat with velvet collar and gilt buttons,